Showing posts with label festivals. Show all posts
Showing posts with label festivals. Show all posts

Thursday, January 18, 2018

Forecastle steps in it.


If you're going to join the chorus led by asscaps like Matt Bruenig and praise corporate monopolies even as you're decrying corporate monopolies, then maybe a spate of research into audience demographics is merited.

We know women are attending (Forecastle) and others like it. We found this 2014 study from The Nielsen Company that says about 51 percent of the 32 million people who attend at least one music festival every year are women. So we think there's probably an audience for female performers.

Selling out is such a dreary business, eh Matt?

Hey Forecastle, please don't take this the wrong way. But where are all the lady performers?, by Bailey Loosemore (Louisville Courier Journal)

So the 2018 Forecastle Festival line-up was released today and we have to say, we're pretty pumped.

Really. Chris Stapleton, Arcade Fire, Modest Mouse: We're super excited for all of them.

But, uh, we do have one small question for the organizers, if that's OK. We're not mad or anything, we just thought we might ask — where are all the ladies at?

Don't get us wrong; this isn't an outrage thing. Forecastle is huge for Louisville, and we all love it.

BUT. We did notice that the first female performer — Courtney Barnett — isn't named until ninth on the list. And only eight of the 45 named acts that include female singers.

Monday, January 01, 2018

THE BEER BEAT: "The Drinking Bout in the Cathedral Porch," or why it's time to make the Feast of Fools great again on New Year's Day.

For a long time on New Year's Day, I've tried to set aside an hour for listening to this compact disc from way back in 1992 -- although the subject matter is far older.


New London Consort/Philip Pickett ‎– The Feast Of Fools (La Fête Des Fous • Das Narrenfest)

Make no mistake: "Lux Optata Claruit," from the section called "Mass Of The Asses, Drunkards And Gamblers," is drinking music equal to "Gimme a Pigfoot" or "All My Rowdy Friends Are Coming Over Tonight."

One need only observe an expanded context.



For all those years at the Public House and later Bank Street Brewhouse, I always wanted to adaptively reuse ideas like the Feast of Fools -- and Boxing Day, Curry Night, May Day and Walpurgis Night -- although usually these schemes were thwarted by environmental incomprehension, or defeated by logistics reflecting the over-sized scale of my contrarian ambition.

One answer might be to refocus, narrowing one's expectations and striving for the attainable and sustainable.

With the advent of Pints&Union later in 2018, perhaps Joe Phillips and I can get back to the basics of beer, wine, liquor and merrily subverted liturgy. Maybe a special keg of abbey ale on New Year's Day, some cassoulet ... and medieval music.


The New Year’s Feast That Transformed Fools Into Popes and Kings
, by Sarah Laskow (Atlas Obscura)

In medieval churches, hierarchy was inverted for a day.

THE FEAST OF FOOLS, AS described by the French theologians who condemned it in 1445, sounds like a ton of fun. This New Year’s Day celebration, they wrote, caught up high-ranking church officials in a bacchanal unworthy of their exalted positions.

“Priests and clerks may be seen wearing masks and monstrous visages at the hours of office,” the theologians recounted, presumably with a sniff of horror. “They dance in the choir dressed as women, panders or minstrels. They sing wanton songs. They eat black puddings… while the celebrant is saying mass. They play at dice… They run and leap through the church, without a blush at their own shame.”

Officially banned in the 15th century, the Feast of Fools had its origins 300 years before, in the 1100s, and continued as a tradition well into the 16th century. It was memorialized in church documents condemning its excesses and in paintings depicting streets full of merry chaos. It appears in Victor Hugo’s famous 19th century novel, The Hunchback of Notre Dame, when Quasimodo is swept up in the festivities and crowned King of Fools ...

Friday, May 26, 2017

A half-century after Sgt. Pepper, Abbey Road on the River is underway in Jeffersonville.


From George Martin all the way to Mike Moore ...

Yesterday I was delighted to help out for a few hours at the Clark-Floyd Counties Convention Tourism Bureau's information booth, situated by the Pearl Street entrance to Abbey Road on the River.

The Big Four Bridge is open for transit, with the ramp descending to street level adjacent to the fest gate. If you decide to walk, Budweiser wants you to keep moving.

Presumably no listening, either.


The festival takes up the whole rectangular expanse of the park built around the bridge. There'll always be first-year jitters, but yesterday it appeared that the fest's infrastructure had been well-planned.

As always in autocentric America, parking stands to be the biggest issue, thought there are hotel shuttles to help with out-of-town guests. Use the damn walking bridge, Louisvillians.

Of course, me being me, the biggest question is how much the city of Jeffersonville is budgeting for five days of Beatlemania. Recalling the reluctance of City Hall in New Albany to openly discuss how much Harvest Homecoming actually costs, it's an answer I'm unlikely to receive.

But just imagine being able to house all of Harvest Homecoming inside the expanse the size of Big Four Station, engineered precisely for this purpose (and others). No merchant would be blocked, and the independent businesses nearby would be in a position to enjoy the best of both worlds.

A boy can dream. Thanks to the bureau for having me -- and by the way, it's fazed, not phased.

Abbey Road on the River starts off cloudy, but recovers, by Danielle Grady (All Things Bright and Jeffersonville)

JEFFERSONVILLE — The first day of Abbey Road on the River’s first year in Jeffersonville didn’t start out perfectly.

Rain the day before pushed back the gate opening for The Beatles festival from noon to 4 p.m.

By late-afternoon on Thursday, however, temperatures had risen into the 60s and a small crowd of Abbey Road-die hards had gathered at the foot of the Big Four Bridge awaiting the five-day festival’s beginning.

Suzie Atkins, a six-years-or-so veteran, was among the not-phased.

“There’s always bad weather the first day and things get pushed back,” she said.

Abbey Road on the River, which was previously held in Louisville for 12 years, moved across the river to downtown Jeffersonville for 2017 after the festival founder decided to look for a different spot.

Tuesday, September 20, 2016

IMPORTANT: New Albany Indie Fest 2016 will be held on September 24 at the 400 block of Bank Street, and at NABC Bank Street Brewhouse.


IMPORTANT INDIE FEST UPDATE

A change in location for New Albany Indie Fest 2016.

New Albany Indie Fest announces a change in location for 2016. The previously announced date and overall program are not affected by the site change.

Saturday, September 24, starting at 12 noon.

However, Indie Fest will be held on the 400 block of Bank Street between Spring and Elm.

Music will be staged at NABC’s Bank Street Brewhouse (415 Bank Street), whom we thank for stepping in at short notice.

Sativa Gumbo remains the Indie Fest headliner, and the remainder of the musical lineup is the same as previously announced.

Thanks for your consideration, and we’ll see you on Saturday.

New Albany Indie Fest on Facebook: https://www.facebook.com/NAIndiefest/

New Albany Indie Fest Contact:
Marcey Wisman-Bennett 812.207.7415
marcey.wisman@gmail.com

New Albany Indie Fest is a 501c3 non-profit organization.

The updated press release follows, including the performance schedule.

---

Sativa Gumbo’s 20th Anniversary Reunion Tops New Albany Indie Fest 2016


NEW ALBANY, IN (September 20, 2016) – New Albany Indie Fest marks its fifth year in 2016 with a headlining 20th anniversary performance by the reunited Sativa Gumbo.

Other performers and their performance schedules:

CONCERT STAGE PERFORMANCE SCHEDULE
At NABC Bank Street Brewhouse

12:30 - Powell
1:45 - Prodepressants
3:15 - Winston on Wheels
5:00 - EMDW
6:30 - Jimmy G & the Sidewinders
7:45 - Brother Wolves
9:00 - Sativa Gumbo

PATIO PERFORMANCE SCHEDULE
At NABC Bank Street Brewhouse

1:15 p.m. - Christian Johnson
2:30 p.m. - Hugh E. Bir
4:30 p.m. - Meadow Ryann
5:45 p.m. - Mike Mullins

New Albany Indie Fest is an arts and music festival taking place in downtown New Albany on Saturday, September 24, in the 400 block of Bank Street, and at NABC’s Bank Street Brewhouse (415 Bank Street). The festival begins at noon, and admission is free. It is a celebration of localism, showcasing independent artists and entrepreneurs.

By choosing local and independent businesses for your services, shopping, dining and other needs, you not only enjoy a more distinctive and personal experience, you’re helping build community, strengthen your local economy, shape local character, create a healthier environment – among other positive outcomes (www.ambiba.net).

Members of the New Albany area’s thriving arts scene will be on hand to display their homegrown talents. Expect handmade jewelry, local boutiques, handmade bath and body products and much more.

In 2016, New Albany Indie Fest is being held concurrently with the Carnegie Center for Art and History’s Public Art Project event at the Riverfront Amphitheater, and extended afternoon hours for the New Albany Farmer’s Market at City Square (Bank and Market).

THE SATIVA GUMBO STORY

Local rock band Sativa Gumbo is proud to announce a fall 2016 reunion to celebrate 20 years of music and memories.

Sativa Gumbo on Facebook:
https://www.facebook.com/Sativa-Gumbo-624886324282531

Founding members of Sativa Gumbo are Tommy Potts (guitar and vocals) and Jared Williamson (bass and vocals). They met in the summer of 1996 and immediately connected over their mutual love of music and songwriting.

A full band followed almost instinctually, and Johnny Stein (guitar) and Andrew Garbe (drums) were added to form the original lineup, which played its first-ever show on October 9th, 1996 – coincidentally, in downtown New Albany.

As Sativa Gumbo’s musical style evolved, so did its lineup. With the subsequent departure of Stein and Garbe, the band found its heartbeat in the masterful percussive voice of Shawn “Coach” Williams. Williams brought a whole new level of depth to the band’s rhythm section, allowing for continued exploration of different time signatures and genres, and on occasion taking to the mic himself to deliver a stirring vocal lead that always left the audience wanting more.

The late Ryan Pickhardt’s keyboard and organ work is the stuff of local lore. The energy and vibrancy of Pickhardt’s approach to music was akin to Zambelli’s approach to fireworks: bright, loud, percussive-shock and awe. It was not uncommon for him to break keys during a show, or play until he was literally bleeding. He catapulted the energy of the band’s live show into the stratosphere.

Williamson, Potts, Williams and Pickhardt were the longest-running lineup of the band. When they took a hiatus after their last show on October 9th 2010, exactly 14 years and a few blocks from the first show, it was only a short time before another incarnation of the band surfaced.

The Gumbo Family Quartet “unplugged” and re-arranged many of Sativa Gumbo’s songs in a more acoustic approach. Williamson took to the upright bass, Potts the acoustic guitar, Pickhardt on keys and Richard Atnip joining on lap steel guitar.

The quartet enjoyed a short run of shows and started work on an album before career changes moved Williamson to Saint Louis and Atnip to Chicago. Then the biggest loss of all hit the extended Gumbo family, as we said our final goodbyes to Ryan Pickhardt -- and the music stopped.

As the years passed, the band’s internal fire gradually returned, and the pieces started to be put back together to re-envision a combination of both SG and TGFQ sensibilities.

In 2016, Williamson and Potts return to their co-founder roles, Williams returns to the drum throne, and Atnip brings both his lap steel and electric guitar styling into the fold.

There was a massive hole to fill in replacing Pickhardt’s keyboard mastery, but the perfect choice to fill it has been close at hand since the band’s beginnings: DJ Barksdale.

Like every other member of SG, DJ attended New Albany High School and was a close friend of Ryan’s. They jammed together and exchanged keyboard knowledge over the years, and both attended numerous SG shows before joining the band. DJ brings respect to the music and the keyboard stylings that came before him, while helping the band move the music forward as the new quintet evolves into the next era of Sativa Gumbo.

Older, hopefully wiser, and ready to rock and roll once more, Sativa Gumbo is back for a 2016 fall reunion, after more than 100 original songs, hundreds of shows across the Midwest, multiple albums recorded, and 8 band members over the years.

We invite any and all to celebrate the memories we’ve made together over the years, and to make some new ones. We hope to see you at the shows!

Saturday, August 27, 2016

Why I still love The Economist: Bog snorkelling and a really big tomato fight.

The Economist Espresso is a short morning briefing that comes to me via iPhone app. It isn't published on Sunday, and on Saturday, the tone turns more lighthearted.

I'd heard of the Spanish fiesta dedicated to tomato fights.

Saucy: La Tomatina"​On Wednesday, Buñol in Spain will again host the world’s biggest food-fight. The first rule is your weapon must be a tomato."

However, this is a new one.

Murky affairs: bog-snorkelling"Held annually in Wales, the competition attracts athletes from around the world, who must swim two 55m lengths through a trench of murky, leech-filled water."

It'scoming close to 30 years for me as a subscriber to The Economist. Good stuff still.

Thursday, July 21, 2016

ON THE AVENUES REWOUND (2014): "We have our own Big Four Bridge. They’re called Main, Market, Spring and Elm."

ON THE AVENUES: We have our own Big Four Bridge. They’re called Main, Market, Spring and Elm.

A weekly column by Roger A. Baylor.

It's family reunion time again, and with it my turn to host the gathering on what will be the hottest weekend of the year. We should consider moving the event to spring or fall, or else transfer it permanently to Baffin Island.

Earlier today, the absentee News and Tribune was harnessing both of its 2-horsepower of electronic media presence to push a pair of radically different pieces by Elizabeth Beilman, one a paean to sprawl (yay), the other a breathless preview of new restaurants (yay), with both united by a single municipal location: Jeffersonville, otherwise known as not as the City by the Bay, but the Burg By River Ridge.

I'm not bitter that Jeffersonville is the feature on days like this. Rather, it's another example of how much the newspaper has missed during its unexplained 10-month hiatus from reporting on all things New Albany.

However, the chain newspaper's characteristically non-contextual coverage dislodged a striking memory from almost exactly two years ago -- to be exact, it was July 17, 2014, when I explained in this very space how New Albany might steal a march on Jeffersonville.

We subsidized an Indianapolis builder instead, and shifted mucho dinero toward the Gahan re-election campaign's already bulging coffers. As Vonnegut presciently wrote, so it goes.

Except that I was right in 2014, and I remain right today. 

Of course, two years later, we do now have our own Big Four ... Burgers. It's fine, but all we've achieved to date would be better if streets worked for progress rather than against it.

---

July 17, 2014

If car ownership is mandatory, [the place is] not urban.
– Donald Baxter

Seeing as you’re entitled to my opinion, here it is.

I believe it serves as evidence of a lack of imagination (at best) and a latent inferiority complex (at the worst) when we focus on the occasional yearly highlight at the expense of everyday possibilities.

Take Harvest Homecoming.

Please, take it.

(rim shot)

Actually, today I have come neither to bury Harvest Homecoming, nor to praise it. Rather, I’d like for you to consider the primary operational conceit of Harvest Homecoming, and by this, I don’t mean the festival’s parade, or its elephant ear-fueled events, or even its Wal-Martesque target demographic.

What I mean is the most, basic, elemental aspect of Harvest Homecoming itself.

It occurs only once each year.

It is designed to be a temporary annual festival, and has been designed and planned accordingly. In short, everyday reality downtown is radically supplanted, and a template of temporary reality superimposed atop it.

This spring, when New Albany city officials began exploring the conceptual threads that led to Boomtown, their thinking was the same. It was to be a special event, perhaps repeated once each year in May, so as to contrast and bookend with Harvest Homecoming’s October hegemony.

Note that by drawing this very contrast, City Hall is implicitly conceding that Harvest Homecoming’s autumnal invasiveness downtown will continue to go unreformed, but that’s a different topic for another time. Simply know that Boomtown differs from Harvest Homecoming in one highly significant way, because while it is a one-off event, it actually showcases downtown rather than buries it.

---

We might take this “special event” notion a step further, and posit that this thinking in terms of one-off festivals and celebrations is a recurring feature of city government, now and in the past. For instance, there’s the Bicentennial Park concert series and the July 3 fireworks.

Develop New Albany organizes special events like the Jingle Walk and the now mercifully defunct Exclusively New Albany. NA First is planning its third annual Indie Fest. Churches have their summer picnics, and so on.

As a restaurant and brewery owner, we sometimes think in a similar way as these groups. There’s Gravity Head each year, and the brew crew spends most weekends during the warm weather months showcasing our wares at annual outdoor celebrations throughout Indiana and Kentucky (and one in Wisconsin). It’s always fun to do something different.

But the trick isn’t in the special events, although they require hard work and expertise to execute correctly. Rather, the objective for a food and drink business is to provide consistency on a daily basis, each and every time the door is unlocked and customers are invited inside. To do so, we try to institute a routine. If the routine is working as it should, you’ll get a clean glass each time you order a beer, even if the contents vary in style.

Throughout the year, customers come to us all the time when we’re not doing anything “special” – but they are. Maybe it’s a date night, someone’s birthday, a promotion or a graduation. They come to celebrate their world, in our place, by drinking our beer and eating our food. We provide a canvas, but our customers do the painting.

It’s what a city does, too. The special event planning only makes sense if the daily routine of infrastructure is maintained for 24 hours a day, 7 days a week, and 365 days a year. Admittedly these days utility monopolies do much of it, although City Hall has successfully reabsorbed the sewer department.

The city controls a cemetery and a system of public parks, features of which are usable throughout the year. It also possesses the street grid, which is the biggest single chunk of municipal property, and therein lies my larger point.

Since the Big Four Bridge opened and Jeffersonville became the new regional hottest ticket, I’ve heard many worried comments and witnessed an epidemic of hand-wringing. Can’t New Albany get a bridge, too? Can’t we stage more festivals, more special events, and more one-offs – you know, like Jeffersonville does?

Well, there won’t be a pedestrian bridge for New Albany unless we pry the K & I out of Norfolk Southern’s (preferably) cold, dead hands, and while we’re on the topic, do you know what is the most important facet of the Big Four Bridge?

It isn’t special at all.

---

The Big Four is open every day, and people use it every day. It isn’t open once a year, or once a month. It’s every day. As I write, metro Louisville residents are making the Big Four part of their daily arsenal of lifestyle and recreational choices. That’s all of it in a nutshell. Meanwhile, New Albany has the ideal means to steal a march not just on Jeffersonville, but on the remainder of the metropolitan area, by thinking about what makes the Big Four “special” on a daily basis … just without an actual bridge.

With our streets.

We have a street study coming from the nationally renowned Jeff Speck, who (believe it or not) knows even more about such matters than Bob Caesar, and when Speck’s study is finished, we must embrace walkability and embark upon a progressive, rapid, no-compromises program of traffic calming, complete streets and two-way street conversions.

By doing so, and by staking a claim to being the most walkable and bikeable neighborhood in metro Louisville, we can utilize the street grid we already possess to enhance our quality of life every single day, not just during those exhaustively conjured “special” occasions.

In effect, and to a far greater physical degree, New Albany’s street grid is our Big Four Bridge. The reformatted street grid is the canvas, and its users will do the painting. A walkable and bikeable street grid will be the daily complement to business and residential interests, rather than catering solely to cars and trucks alone, encouraging a broader base for the type of “special” activities the city currently takes upon itself to plan. They’ll happen more often, and more spontaneously, as instigated by businesses and residents.

In short, New Albany can be rendered “special” every single day by design, with the street grid supporting revitalization, not working against it – as our sad, outmoded truck-choked, speeding one-way streets do now.

All we have to fear is fear itself.

And that, my friends, is the biggest problem of all because boy, are we scared.

---

July 14: ON THE AVENUES: Weeds, porch appliances and our civic Gospel of Appearances.

July 7: ON THE AVENUES: You say you want a resolution?

June 30: ON THE AVENUES: Irv Stumler screams, "We don't deserve two-way streets!"

June 23: ON THE AVENUES: There's no business like no business -- and it's none of your business.

June 16: ON THE AVENUES: When the engineer uttered that scandalous word aloud, it was like Christmas in June.

Friday, July 08, 2016

Sativa Gumbo’s 20th Anniversary Reunion Tops New Albany Indie Fest 2016.


FOR IMMEDIATE RELEASE

Sativa Gumbo’s 20th Anniversary Reunion Tops New Albany Indie Fest 2016

NEW ALBANY, IN (July 5, 2016) – New Albany Indie Fest marks its fifth year in 2016 with a headlining 20th anniversary performance by the reunited Sativa Gumbo.

Other performers scheduled to appear:

Powell, Christian Johnson, Brother Wolves, Hugh Bir, Jimmy G & the Sidewinders, EMDW, Kendra Villiger, Dillan Johnson, Ashley Ledrick and others TBA.

New Albany Indie Fest is an arts and music festival taking place in downtown New Albany on Saturday, September 24, at 100 Bank Street, by the levee at the foot of Pearl and Bank Streets (and behind Underground Station). It begins at noon and admission is free. It is a celebration of localism, showcasing independent artists and entrepreneurs.

By choosing local and independent businesses for your services, shopping, dining and other needs, you not only enjoy a more distinctive and personal experience, you’re helping build community, strengthen your local economy, shape local character, create a healthier environment – among other positive outcomes (www.ambiba.net).

Members of the New Albany area’s thriving arts scene will be on hand to display their homegrown talents. Expect handmade jewelry, local boutiques, handmade bath and body products and much more.

In 2016, New Albany Indie Fest is being held concurrently with the Carnegie Center for Art and History’s Public Art Project event at the Riverfront Amphitheater, and extended afternoon hours for the New Albany Farmer’s Market (at City Square; Bank and Market).

As in years past, New Albany Indie Fest 2016 will feature a selection of local craft beers, wines and food.

New Albany Indie Fest on Facebook: https://www.facebook.com/NAIndiefest/

New Albany Indie Fest Contact:
marcey.wisman(at)gmail(dot)com

New Albany Indie Fest is a 501c3 non-profit organization.

THE SATIVA GUMBO STORY


Local rock band Sativa Gumbo is proud to announce a fall 2016 reunion to celebrate 20 years of music and memories.

Sativa Gumbo on Facebook:
https://www.facebook.com/Sativa-Gumbo-624886324282531

Founding members of Sativa Gumbo are Tommy Potts (guitar and vocals) and Jared Williamson (bass and vocals). They met in the summer of 1996 and immediately connected over their mutual love of music and songwriting.

A full band followed almost instinctually, and Johnny Stein (guitar) and Andrew Garbe (drums) were added to form the original lineup, which played its first-ever show on October 9th, 1996 – coincidentally, in downtown New Albany.

As Sativa Gumbo’s musical style evolved, so did its lineup. With the subsequent departure of Stein and Garbe, the band found its heartbeat in the masterful percussive voice of Shawn “Coach” Williams. Williams brought a whole new level of depth to the band’s rhythm section, allowing for continued exploration of different time signatures and genres, and on occasion taking to the mic himself to deliver a stirring vocal lead that always left the audience wanting more.

The late Ryan Pickhardt’s keyboard and organ work is the stuff of local lore. The energy and vibrancy of Pickhardt’s approach to music was akin to Zambelli’s approach to fireworks: bright, loud, percussive-shock and awe. It was not uncommon for him to break keys during a show, or play until he was literally bleeding. He catapulted the energy of the band’s live show into the stratosphere.

Williamson, Potts, Williams and Pickhardt were the longest-running lineup of the band. When they took a hiatus after their last show on October 9th 2010, exactly 14 years and a few blocks from the first show, it was only a short time before another incarnation of the band surfaced.

The Gumbo Family Quartet “unplugged” and re-arranged many of Sativa Gumbo’s songs in a more acoustic approach. Williamson took to the upright bass, Potts the acoustic guitar, Pickhardt on keys and Richard Atnip joining on lap steel guitar.

The quartet enjoyed a short run of shows and started work on an album before career changes moved Williamson to Saint Louis and Atnip to Chicago. Then the biggest loss of all hit the extended Gumbo family, as we said our final goodbyes to Ryan Pickhardt -- and the music stopped.

As the years passed, the band’s internal fire gradually returned, and the pieces started to be put back together to re-envision a combination of both SG and TGFQ sensibilities.

In 2016, Williamson and Potts return to their co-founder roles, Williams returns to the drum throne, and Atnip brings both his lap steel and electric guitar styling into the fold.

There was a massive hole to fill in replacing Pickhardt’s keyboard mastery, but the perfect choice to fill it has been close at hand since the band’s beginnings: DJ Barksdale.

Like every other member of SG, DJ attended New Albany High School and was a close friend of Ryan’s. They jammed together and exchanged keyboard knowledge over the years, and both attended numerous SG shows before joining the band. DJ brings respect to the music and the keyboard stylings that came before him, while helping the band move the music forward as the new quintet evolves into the next era of Sativa Gumbo.

Older, hopefully wiser, and ready to rock and roll once more, Sativa Gumbo is back for a 2016 fall reunion, after more than 100 original songs, hundreds of shows across the Midwest, multiple albums recorded, and 8 band members over the years.

We invite any and all to celebrate the memories we’ve made together over the years, and to make some new ones. We hope to see you at the shows!


###

Thursday, November 20, 2014

Following up: Progressive embarrassment, political cowardice and NA falling behind Jeffersonville.


There was this, and quite a lot of you read it today. I'm thankful.

ON THE AVENUES: Really, the word “progressive” embarrasses you? That’s okay, because political cowardice disgusts me.

... Of course, right now, as it stands, the city’s interminable, fear-driven delay of street grid reform is quite effectively achieving the very same result (small business failure), by leaving in place a one-way arterial street grid that nullifies every penny-ante ribbon cutting and “stay open late” promotion tossed into the air by increasingly desperate indie shop owners in the absence of a downtown economic development plan, because while street grid reform could be so very helpful, and constitute an economic development plan in itself, it would fatally embarrass a Democratic mayor to be seen openly advocating it.

Subsequently, JeffG succinctly applied my column's conclusions to a real-life evening with real, live people.

K and I spent last evening at BSB with a group of artists, musicians, and writers preparing for an exhibit and performances in New Albany. Initial conversation was about redevelopment in various areas of the metro. When it came to NA, the very first thing mentioned (and not by K or me) was that there are some good things happening (independent businesses and arts) but that the streets "are so wide and fast, it makes it all less appealing". The first response? Another person pointed to Elm Street where they'd just been, saying, "Yeah, people do what seems like 80 mph just on that street, and it's smaller than some of the rest", pointing out Spring as worse. When I explained that some of us are aware and have been petitioning the City for change, the original commenter said "I'm sure you are, it's needed" and then proceeded to make a comparison with Jeffersonville, where the streets are narrower, slower, and more visitor friendly. Then someone else mentioned that the general consensus among their acquaintances was that they wished New Albany's businesses and activities were in Jeffersonville.

That's right, Jeff and David and John and Adam.

In Jeffersonville.

Back in July, I clearly repudiated Big Four Envy, and enunciated the program by which New Albany could have its own "Big Four." We're due for a reprise, so here is an excerpt.

ON THE AVENUES: We have our own Big Four. They’re called Main, Market, Spring and Elm.


... The Big Four Bridge is open every day, and people use it every day. It isn’t open once a year, or once a month. It’s every day. As I write, metro Louisville residents are making the Big Four part of their daily arsenal of lifestyle and recreational choices. That’s all of it in a nutshell. Meanwhile, New Albany has the ideal means to steal a march not just on Jeffersonville, but on the remainder of the metropolitan area, by thinking about what makes the Big Four “special” on a daily basis … just without an actual bridge.

With our streets.

We have a street study coming from the nationally renowned Jeff Speck, who (believe it or not) knows even more about such matters than Bob Caesar, and when Speck’s study is finished, we must embrace walkability and embark upon a progressive, rapid, no-compromises program of traffic calming, complete streets and two-way street conversions.

By doing so, and by staking a claim to being the most walkable and bikeable neighborhood in metro Louisville, we can utilize the street grid we already possess to enhance our quality of life every single day, not just during those exhaustively conjured “special” occasions.

In effect, and to a far greater physical degree, New Albany’s street grid is our Big Four Bridge. The reformatted street grid is the canvas, and its users will do the painting. A walkable and bikeable street grid will be the daily complement to business and residential interests, rather than catering solely to cars and trucks alone, encouraging a broader base for the type of “special” activities the city currently takes upon itself to plan. They’ll happen more often, and more spontaneously, as instigated by businesses and residents.

In short, New Albany can be rendered “special” every single day by design, with the street grid supporting revitalization, not working against it – as our sad, outmoded truck-choked, speeding one-way streets do now.

There's the tourist slogan: "New Albany: For 196 Years, We Coulda Been a Contender."

Drinking Progressively: Let's make it Tuesday evenings, beginning on November 25.

Thursday, July 17, 2014

ON THE AVENUES: We have our own Big Four. They’re called Main, Market, Spring and Elm.

ON THE AVENUES: We have our own Big Four. They’re called Main, Market, Spring and Elm.

A weekly web column by Roger A. Baylor.

If car ownership is mandatory, [the place is] not urban.
– Donald Baxter

Seeing as you’re entitled to my opinion, here it is.

I believe it serves as evidence of a lack of imagination (at best) and a latent inferiority complex (at the worst) when we focus on the occasional yearly highlight at the expense of everyday possibilities.

Take Harvest Homecoming.

Please, take it.

(rim shot)

Actually, today I have come neither to bury Harvest Homecoming, nor to praise it. Rather, I’d like for you to consider the primary operational conceit of Harvest Homecoming, and by this, I don’t mean the festival’s campy parade, or its elephant ear-fueled events, or even its Wal-Mart target demographic.

What I mean is the most, basic, elemental aspect of Harvest Homecoming itself.

It occurs only once each year.

It is designed to be a temporary annual festival, and has been planned and designed accordingly. In short, everyday reality downtown is radically supplanted, and a template of temporary reality superimposed atop it.

This spring, when New Albany city officials began exploring the conceptual threads that led to Boomtown, their thinking was the same. It was to be a special event, perhaps repeated once each year in May, so as to contrast and bookend with Harvest Homecoming’s October hegemony.

Note that by drawing this very contrast, City Hall is implicitly conceding that Harvest Homecoming’s autumnal invasiveness downtown will continue to go unreformed, but that’s a different topic for another time. Simply know that Boomtown differs from Harvest Homecoming in one highly significant way, because while it is a one-off event, it actually showcases downtown rather than buries it.

---

We might take this “special event” notion a step further, and posit that thinking in terms of one-off festivals and celebrations is a recurring feature of city government, now and in the past. For instance, there’s the Bicentennial Park concert series and the July 3 fireworks.

Develop New Albany organizes special events like the Jingle Walk and the now mercifully defunct Exclusively New Albany. NA First is planning its third annual Indie Fest. Churches have their summer picnics, and so on.

As a restaurant and brewery owner, we sometimes think in a similar way as these groups. There’s Gravity Head each year, and the brew crew spends most weekends during the warm weather months showcasing our wares at annual outdoor celebrations throughout Indiana and Kentucky (and one in Wisconsin). It’s always fun to do something different.

But the trick isn’t in the special events, although they require hard work and expertise to execute correctly. Rather, the objective for a food and drink business is to provide consistency on a daily basis, each and every time the door is unlocked and customers are invited inside. To do so, we try to institute a routine. If the routine is working as it should, you’ll get a clean glass each time you order a beer, even if the contents vary in style.

Throughout the year, customers come to us all the time when we’re not doing anything “special” – but they are. Maybe it’s a date night, someone’s birthday, a promotion or a graduation. They come to celebrate their world, in our place, by drinking our beer and eating our food. We provide a canvas, but our customers do the painting.

It’s what a city does, too. The special event planning only makes sense if the daily routine of infrastructure is maintained for 24 hours a day, 7 days a week, and 365 days a year. Admittedly these days utility monopolies do much of it, although City Hall successfully reabsorbed the sewer department.

The city controls a cemetery and a system of public parks, features of which are usable throughout the year. It also possesses the street grid, which is the biggest single chunk of municipal property, and therein lies my larger point.

Since the Big Four Bridge opened and Jeffersonville became the new regional hottest ticket, I’ve heard many worried comments and witnessed an epidemic of hand-wringing. Can’t New Albany get a bridge, too? Can’t we stage more festivals, more special events, and more one-offs – you know, like Jeffersonville does?

Well, there won’t be a pedestrian bridge for New Albany unless we pry the K & I out of Norfolk Southern’s (preferably) cold, dead hands, and while we’re on the topic, do you know what is the most important facet of the Big Four Bridge?

It isn’t special at all.

---

The Big Four is open every day, and people use it every day. It isn’t open once a year, or once a month. It’s every day. As I write, metro Louisville residents are making the Big Four part of their daily arsenal of lifestyle and recreational choices. That’s all of it in a nutshell. Meanwhile, New Albany has the ideal means to steal a march not just on Jeffersonville, but on the remainder of the metropolitan area, by thinking about what makes the Big Four “special” on a daily basis … just without an actual bridge.

With our streets.

We have a street study coming from the nationally renowned Jeff Speck, who (believe it or not) knows even more about such matters than Bob Caesar, and when Speck’s study is finished, we must embrace walkability and embark upon a progressive, rapid, no-compromises program of traffic calming, complete streets and two-way street conversions.

By doing so, and by staking a claim to being the most walkable and bikeable neighborhood in metro Louisville, we can utilize the street grid we already possess to enhance our quality of life every single day, not just during those exhaustively conjured “special” occasions.

In effect, and to a far greater physical degree, New Albany’s street grid is our Big Four Bridge. The reformatted street grid is the canvas, and its users will do the painting. A walkable and bikeable street grid will be the daily complement to business and residential interests, rather than catering solely to cars and trucks alone, encouraging a broader base for the type of “special” activities the city currently takes upon itself to plan. They’ll happen more often, and more spontaneously, as instigated by businesses and residents.

In short, New Albany can be rendered “special” every single day by design, with the street grid supporting revitalization, not working against it – as our sad, outmoded truck-choked, speeding one-way streets do now.

All we have to fear is fear itself.

And that, my friends, is the biggest problem of all because boy, are we scared.

Tuesday, March 25, 2014

UPDATE: Boomtown Ball and Houndmouth in downtown New Albany on Sunday, May 25.


See also: Houndmouth and the Boomtown Ball in downtown New Albany on Sunday, May 25.

In New Albany, where we’re all here because we’re not all there, the cat herding has been more difficult than usual lately. However, the crazed critters just may be getting the hang of some recommended synchronicity. Faust took six months of my life in exchange for the bargain, but who's counting lifespans, anyway? We can always acquire another through Amazon.

On Sunday, May 25 (Memorial Day weekend), there is a big musical event planned for New Albany. A downtown festival called Boomtown Ball will run from 1:00 p.m. to 8:00 p.m., and then at 8:00 p.m., the band Houndmouth will play a sold-out “homecoming” show at The Grand.

The Boomtown Ball/Cats in Single File portion of the day has been occupying much of my time. As originally envisioned by the organizers, the plan was deceptively simple. The city would close certain streets, Production Simple would book musical acts to perform on a temporary stage, Louisville's Flea Off market would set up shop, and voila – fest time, with adult libations throughout.

But the devil remains ensconced in the details, and the last part proved to be the first red flag, necessitating the parsing of various Indiana state alcoholic beverage laws and the disposition of permits, while consulting with lawyers and insurance agents, and commensurate, delicate calculations of who, where, when, what, why and how. Not everyone understands how the world works, and the process of rectification has been exhausting, but in the end, fervent negotiations have yielded quantifiable results.

The easiest way to characterize it is this: Insofar as NABC's involvement in the alcoholic beverage catering portion of Boomtown Ball is concerned, we have endeavored throughout the process to point Boomtown Ball in the direction of maximum local participation, whether inside the state mandated (fenced) floor plan, and outside it; moreover, the same objective has been true of food and drink purveyors and other businesses alike. Ultimately, I believe the Boomtown day will make perfect sense, and the cause of localism in beverage vending, pre-existing local independent business operation and consumer satisfaction will be advanced; imperfectly, perhaps, but as well as could be hoped, with potentially valuable lessons learned for the future. For a first-time event, it's all one can expect.

Please mark these dates on your calendars:

"Houndmouth Week" (to be conclusively tagged later) in New Albany, circa the week of May 19-25. Downtown bars and restaurants will be planning their own special promotions and events to whet appetites for the Boomtown Ball on May 25th.

The Boomtown Ball itself, taking place downtown on Bank and Market Streets on Sunday the 25th, as described above.

Houndmouth at The Grand at 8:00 p.m. on the 25th. As noted, it is sold out, but I’ll hazard a guess that the party will proceed much later into the evening after the show at those late-night establishments operating nearby, i.e., the Irish Exit, Wick’s and Liquidz. You have all day Monday to recover.

Monday, March 03, 2014

Houndmouth and the Boomtown Ball in downtown New Albany on Sunday, May 25.

Verbatim, as forwarded by the city of New Albany. NABC will be involved on the beer vending side of the street festival, in a yet-to-be-determined format. For now: Mark your calendars and hope there's no snow in May.

---

FOR IMMEDIATE RELEASE:

Mayor Jeff M. Gahan and the City of New Albany, along with 91.9 WFPK and Houndmouth, are proud to present the The Boomtown Ball & Festival.

Houndmouth will be headlining the festival with a concert at The Grand Sunday, May 25th. Tickets for the 18 and over concert go on sale Friday March 7th at 10am.

"The Boomtown Ball & Festival will serve as the kick-off for the Bicentennial Park Summer Concert Series," stated Mayor Jeff M. Gahan. "The festival will consist of a free outdoor music stage curated with the help of Houndmouth and an open air flea market/bazaar, all contained right in our downtown."

This event will be held on Market St. in downtown New Albany on Sunday, May 25th. The City of New Albany has enlisted the support of Flea Off Market, a unique Louisville-based outdoor bazaar that will feature tons of regional and local vendors offering records, books, antiques, vintage items, fine arts & crafts, esoterica, and more.

Gates for this free family friendly event open at 1pm. Stay tuned for a full line-up of music on the outdoor stage curated by Houndmouth.

The Boomtown Ball & Festival will culminate with a ticketed show at the Grand with New Albany’s own Houndmouth as the headliner.

That first November 2011 night, when Houndmouth all fell together at the Green House in New Albany, was nothing more complicated than four friends playing music, armed with a curiosity about what might happen. Matt Myers (guitar), Shane Cody (drums), Katie Toupin (keyboard/organ), and Zak Appleby (bass) all hail from the Indiana side of the river, where they knew each other from…around.

It all happened in a tumble. After playing locally in Louisville and Indiana for three months, Houndmouth made the pilgrimage to South By Southwest in Austin, Texas with just their homemade EP in hand. A little buzz convinced Rough Trade Record's Geoff Travis to come have a listen. Of such things are dreams made. Months of conversation and a proper studio later, their debut album, From the Hills Below the City, was released by Rough Trade in June of 2013.

The band have been on the road for over a year — opening for the Drive-By Truckers, the Lumineers, the Alabama Shakes, Lucero, and Grace Potter and the Nocturnals — as well as headlining on their own. The band is more than excited to finally play their first proper hometown show in New Albany: "It's been a crazy ride since we started as a band, and one thing we've always wanted to do is play a special New Albany show. All of the amazing local fans, from both sides of the Ohio, have become an extended family to us. So much of our music and our success are directly influenced by our hometown, and we couldn't be more grateful. We look forward to celebrating with everyone on May 25th.”

This event is produced by Louisville based buyers Production Simple, Concerts & Events and
radio sponsorship is being provided by 91.9 WFPK.

###

For full, up-to-date event information, including on sale and ticket info, please visit:
City of New Albany and Production Simple

For band information please visit:
www.houndmouth.com

For Flea Off Market information:
Flea Off Market on Facebook or call 502-552-0061

###

For more local information, please contact:

Lizi Hagan
Production Simple
lizi@productionsimple.com

Thursday, October 03, 2013

ON THE AVENUES REWOUND: Wonderful and delightful harvesting ... in 2013.

ON THE AVENUES: Wonderful and delightful harvesting ... in 2013.

A weekly web column by Roger A. Baylor.

NABC’s 6th annual Fringe Fest provides an oasis of beer-driven sanity amid the bedlam. This column has been updated to reflect new, unchanged realities in New Albany. 

Properly rendered, civic festivals are just the sort of exercise to promote good times, unite the citizenry, help us bond through joy and alcohol (on second thought, that’s a redundancy), and maybe provide another yearly excuse to conduct a spate of deep street cleaning – preferably, both before and after the crowds come through.

When it comes to civic festivals, New Albany prefers ponderous bludgeoning over subtle stilettos. In rhetorical terms, so do I, and yet my feelings about Harvest Homecoming probably are more nuanced than they often appear to be.

I like it.

Except when I don’t.

For those just tuning in, Harvest Homecoming is New Albany’s annual 800-lb municipal gorilla, or stated more mildly, it is the granddaddy of all festivals in this slowly recovering, stubbornly hidebound city.

The annual arrival of the itinerant carnies precedes the opening weekend’s parade (this year, on October 5), and starting on the 10th, the heart of the historic business district downtown is handed over lock, stock and sewer pipe to Harvest Homecoming’s mysterious, Kremlinesque governing committee. Four solid days of throng-crowded booths ensue, manned by local indies and huckster mercenaries alike, dispensing foodstuffs, arts, crafts, politics and anti-abortion counseling, and completely disrupting any semblance of downtown commerce as finally functioning properly.

Increasingly, this yearly disruption constitutes the flash point.

For decades, there was little objection to Harvest Homecoming’s yearly invasion and occupation of downtown, because downtown was a ghost town. Now it isn’t, and dynamic revitalization has a predictable way of igniting a revolution of rising expectations among a new generation of downtown business owners, investors and clients. These are plain facts. However, as yet, there is no obvious solution to dynamism’s clash with conservatism, primarily because the low level of daily communication between various interested parties makes sparse dialogue between North and South Korea look like a beer hall sing-along in Munich.

Yes, there have been painstakingly slow and incremental concessions, and as Harvest Homecoming generationally reloads, the festival surely must go through a necessary process of reinvention. But from the standpoint of newer downtown businesses, the root equation remains largely unaltered: Harvest Homecoming’s longtime business model is dependent on the existence of a clean, moribund downtown slate that no longer exists, and if anything, will grow even less adaptive to the festival’s needs in the years to come.

My personal nuances are these: I don’t dislike the idea of Harvest Homecoming, only its current implementation. I believe it can be adapted to take full advantage of potential symmetry between it and an evolving downtown business district, without sacrificing its tradition, and to the benefit of all parties involved. I envision a downtown food and drink court on the current booth grid, one maximizing the uniqueness of our burgeoning dining scene, retaining space for booths while not blocking year-long purveyors. I foresee a celebration of what downtown New Albany is, and is becoming.

You may say I’m a dreamer, but I’m not the only one. I’m just the only one stupid enough to dream aloud. For this, I'm sure to be punished.

---

We’ve considered another pressing question many times previously: Do we need a second major civic festival in New Albany?

Whatever its future disposition, Harvest Homecoming has the autumn outdoor imagery slot locked up tight, and in late April, two weeks of Kentucky Derby revelry usually consumes Southern Indiana residents and then spits them back out in mid-May, after the horse pimps have moved on to fresh drugging elsewhere.

A few years back, there was a springtime Da Vinci fest in downtown New Albany, which in retrospect may have been just slightly before its time. Da Vinci’s twist was a bicycle racing component; if it ever were to be resurrected, as with the recent New Albany Crit, I’d like to see beercycling events take place, too. Of course, a dozen or more weekends annually are booked with local and regional church picnics, concerts and specialized fetes. Finding an open date for our second major civic festival might be difficult, indeed.

(While none of the preceding can compete in scale and impact with the true heavyweight world fests – Oktoberfest, Mardi Gras, Running with the Bulls, or that lesser-known fete in Spain where they have tomato fights – the violence inherent in each of these, real or imagined, certainly qualifies them as worth copying for city council fundraising opportunities.)

With the chair’s permission, permit me to repeat my insistent civic festival proposal: As held on Election Day in November, it calls for the exaltation of meatloaf.

Not upper-case Meat Loaf, formerly Marvin Aday, who always wanted to sleep on it, but lower-case meat loaf: The myth, the legend and the great extender, tastily stretching limited household meats and means. Meat loaves of varying composition are rock solid staples in cultural, culinary repertoires the world over.

Great meat loaves? There’s a certain ring to that, and a growling of stomachs.

Does head cheese qualify as meat loaf?

I think so. Pig parts congealed in aspic and formed into a quivering block definitely merit a side competition for the more adventurous, because after all, aren’t we past the whole catsup glaze notion? Instead, our competition will encourage creativity. You can barbecue meat loaf, make it Cuban, or substitute Honey Cream doughnuts for filler.

Why Election Day for this festive “New Albany Loves Meat Loaf” gig? It’s an apt metaphor for a municipality (and county, and state) with budgets long since pared of lean and fat, where we’re down to cooking the bones for a bit of flavoring marrow.

Indiana’s former governor, current university head and future saint Mitch Daniels already had the 99% dining on scant meat loaf when he left office, and his successor Mike Pence is steady at the helm when it comes to ensuring the better cuts of cow stay at the “right” tables. The rest of us might as well learn a few meat loaf recipes sooner rather than later -- if not for own sustenance, then maybe for paying the municipal workers.

Monday, September 09, 2013

Approaching fests from cask to indie, and from flea to fringe.


Major craziness begins this weekend, as the events and festivals come fast and furious. Most of the listings below are for the next two weeks, and there are other functions with NABC participation that are not listed here:

Rock the Rocks (Falls of the Ohio fundraiser; September 21)
Howard Steamboat Museum's annual benefit on October 4

Just this morning I booked an art show at the Art Store on Market Street in New Albany (October 5) and Cannelton Heritage Festival (October 12).

---

NABC Cask Festival opens Louisville Craft Beer Week 2013

On Friday, Sept, 13, NABC will kick off Louisville Craft Beer Week ...

NABC Tafelbier at Lanesville Heritage Weekend again in 2013

In 2012, NABC was delighted to work with the Lanesville Jaycees to ...
The Fall Flea, this year with NABC
The Fall Flea is a countryside vintage and antique marketplace staged concurrently ...

2nd annual NA1st Indie Fest is Sunday, September 15

We’ll be supporting the second annual Indie Fest, which takes place on ...

NABC at LIBA Louisville Brewfest on Sept. 21

For the 5th Annual Louisville Independent Business Alliance’s Brewfest at Slugger Field, ...

Get ready: Hoosier Daddy to return in October

NABC’s Hoosier Daddy, a cream ‘n’ crimson ale, will kick off seasonal ...

---

NABC fall beer release dates: Strassenbrau for Harvest Homecoming's parade day (Sat., Oct. 5; both NABC locations ... both Hoosier Daddy and Wet Knobs during Fringe Fest (Oct. 10 through 13 during Harvest Homecoming both days) ... and noting that the period from Oct. 5 through the end of Fringe Fest likely will be the last hurrah for Tricentennial Ale. As of today, roughly 100 hand-numbered of the limited edition of 300 bottles remain in stock for purchase (both NABC locations) and draft is down to a handful of kegs, which will be released beginning on Oct. 5.

Finally, know that kegs and bottles of Hoosier Daddy will be available to outside accounts beginning the week of Fringe Fest. We're looking forward to much merriment in the coming weeks, and we thank our patrons for making it possible.

Cheers!

Saturday, July 06, 2013

Rest in peace, Sexy Rexy.

The annual festival of San Fermin begins today in Pamplona, Navarra, Spain. It will be without Rex Howieson, resident of Nottingham, who died in June. His death was reported by my cousin Don Barry, who introduced me to Rex and so many others during those grand old times in Pamplona.

Earlier this summer I elected to rediscover the considerable virtues of the gin and tonic as soothing, cooling libation, and once in a while while imbibing, Rex popped into my mind. I'd been fortunate to have been included on a Pamplona "pig walk," an excursion to a grill restaurant specializing in whole roast pig, led by and fully annotated by Rex. The pig walk included long layovers (both coming and going) in a bar called the Savoy, which serves the finest gin and tonic in memory.

The following  article mentions Rex. It's a matter of significant pride to me that I have had the chance to meet most of the other persons spoken about therein, for which I thank Don and his pal Warren Parker.

Noel Chandler, The Champagne Count of Pamplona's San Fermín (Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel)

At a typical Chandler Champagne party, it common to see many of the following people: Noel Chandler’s long time companion, Nancy Fortier of Atlanta; Jim Hollander, a crack wire photographer based in Tel Aviv; Davey Crockett, a descendant of the famous American frontiersman, a veteran at San Fermín, and survivor of many encierros (bull runs); writer Jesse Graham, a relative of the great Gerald Brenan; the fine New York artist Warren Parker; and British bullfight guru Michael Wigram, all of whom would salute each other with a clink of Champagne flutes. The late Charles Patrick Scanlan, a long-time resident of Spain and one of the most knowledgeable aficionados would be in a corner working out the disposition of season bullfight tickets with Rex Howieson, the group’s semi-official social director.

For those about to enjoy the fiesta, I salute you. For the fallen ... you are remembered. Thanks for teaching me so much about the tradition.

At NAC: ON THE AVENUES: Red scarf, white shirt and San Miguel beer.

At Potable Curmudgeon: From 1998: "Being, Pretending and Other Assorted Daydreams of an Outsider."

Sunday, June 16, 2013

A VIP and an IBU walk into a beer fest ... and our day at Fishers on Tap.


Yesterday's Fishers on Tap in Indianapolis ran the requisite VIP hour at the beginning, followed by three hours of general admission. But rather than waxing egregious, the VIP portion at Fishers offered the opportunity for attendees to pair Indiana beers with food from local restaurants. The food presenters stopped serving when general admission began, but food trucks (Indy has such a culture; I imagine Floyd County's Health Department prevents it here) began.

The Fishers event was very good in all respects, and a veritable model for how a small outdoor beer fest should find its opening legs. There was a refreshing absence of geek samplers tethered to Untappd, and no roving bands of 22-year-old males asking for the highest alcohol content. There was a surfeit of locals, considerable community spirit, and a mellow vibe all around -- and the band Soul Street was the best music I've ever heard at such a beer fest.

Kudos to the organizers. Here's my column at LouisvilleBeer.com for June 15.

A VIP and an IBU walk into a beer fest

I went to my first rock concert at the age of 15 in 1975. The venue was Louisville Gardens, and the band was Chicago, which had made it only to IX at the time and wasn’t yet overtly pop. Tickets were $7 in advance, and $8 “on the day of show.”

My most recent name brand concert was the Who at Yum Center in February. Tickets cost somewhere around $75 after Ticketmaster’s various digital anal probes, but for a mere $750 (maybe more; who can remember a spare zero or three?) I might have tithed myself into position backstage as a VIP, fed organic Black Sea caviar with a coke spoon formerly wielded by the late, great Keith Moon, and exchanged pre-curtain pleasantries with Pete Townshend just prior to him ceremonially smashing his guitar atop my tonsure – although it occurs to me that fretboard abuse cost an extra C-note, of which I keep plenty around to light cigars.

Tuesday, June 04, 2013

"Just about every activity the Brewers of Indiana Guild undertakes is Indiana-centric."


My columns at LouisvilleBeer.com appear on the 1st and 15th of each month. Recently I've written a two-part essay on the what might seem to some as a narrow, limited "shop talk" topic of what it means to be a brewer in Indiana, and how Indiana brewers might choose to organize their three annual signature festivals.
Indiana Statecraft, Part One

 ... As American craft brewing in the contemporary era has expanded, it has become common for craft breweries to align in professional trade groupings precisely like BIG, as delineated by state boundaries. The reason is simple: In the United States, individual states retain the bulk of the responsibility for regulating beer, brewing and breweries. While the entity known as the Brewers Association exists to coordinate the interests of craft breweries nationwide, in the state of Indiana it’s all about BIG, as described at the guild’s website.
And:
Indiana Statecraft, Part Two

 ... My solution has the merit of gently nudging Indiana wholesalers sponsoring an Indiana guild-administered festival to better support those Indiana brewers already on their sales rosters. It also provides a compelling reason for other state Guilds to become better organized, and to refine their message.

Monday, April 22, 2013

Honor Mother Earth Celebration to be held down by the river on Saturday, May 11.

It's looking like the first Riverfront Amphitheater event of the summer, and a reminder of how we might deploy a smidgen of bonded millions toward badly needed renovations there.

ON THE AVENUES: Looking for Quality of Life bond issue bonuses? "Pick me," says orphaned Riverfront Amphitheater.

I'll be selecting an intrepid young NABC volunteer to help me pour beers for the gig, so mark the calendars and stop by on May 11.

---

Honor Mother Earth Celebration

Join Trash Force in celebration of Earth Day!

The event, which will be held Mother’s Day weekend on Saturday, May 11, 2013 from 11:00 a.m. to 4:00 p.m., demonstrates support for environmental awareness and is open to the public at no cost.

The event will feature a live jazz music performance by the Jamey Aebersold Quartet from 11:00 a.m. until 2:00 p.m. as well as a performance by funologist Amazon Jungle John and his Silly Safaris Show. The show features a variety of animals – mammals, reptiles, birds, amphibians, and bugs – and is geared to teaching children simple wonders about nature and the world around us.

In addition to the scheduled performances, organizers have also arrange for an array of vendors and other exhibitors, including child fingerprinting by the New Albany Police Department, tours of the QRS Recycling Center at 10th & Water Streets, a water safety display by the U.S. Coast Guard, a fire safety display by the City of New Albany Fire Department, and craft beer from the New Albanian Brewing Company. Other participants include Magician Delbert the Wizard, the Floyd Co. Solid Waste District, the New Albany Tree Board, St. Paul episcopal Church, the Dandy Lion and New Life International with water purifiers. Carriage rides, face painting, food and other informational booths will also be on site.

New exhibitors are welcome, especially those in the area of ecology/environment. There is no charge for participants or attendees. Contact Mary Ann Sodrel, trashforce@insightbb.com or 812-945-0825

Sunday, April 21, 2013

Derby Festival begins, bad beer flows, and so we learn to wait.


Up north in Indy yesterday, several fellow board members asked me if I was excited that the Kentucky Derby festival season was underway.

Bleh. 

But, okay; if it's your gig, have right at it. 

Meanwhile, Derby Festival season is a fine opportunity for me to accomplish other objectives. The simple fact is that while these two weeks are good for businesses like mine, they're all in Louisville, and the ripple is barely discernible on the Indiana side of the river. Understandably, the Derby is about as Louisville-centric as events can possibly be.  

Derby also isn't so much of a beer-advancement proposition, although the upcoming Houndmouth show at Iroquois surely will be.

Nowadays the year-round availability of locally-brewed beer in Louisville is something many of us take for granted, except for those of the "beer geek" persuasion, for whom beer is only good if it comes from several thousand miles away, but Derby is a time for thoroughbred horses, gambling addictions and maybe the Crescent Hill Reservoir filled to the top with bourbon – as long as you keep that accursed mint out of it, and sip the liquid neat, the way your deity intended.

The Derby has its own intrinsic traditions, as befits a pageant that has taken place each year since 1875. Fair enough, even if local beer hasn’t always been prominent among these genetic predispositions, although back in the oldest of far-off times, there’d have been plenty of local beer to celebrate the Run for the Roses, until the idiotic onset of Prohibition rendered the United States a planetary laughingstock to all but certain Indiana congressmen named Bill Davis.

After glorious Repeal, local beer returned, but when the original Falls City swapped its fermenters for semi-trailers in 1979, there was nary a single drop of hometown beer left to drown a wretched wager until 1993, when Sea Hero’s triumph may have been marked by a few hardy and pioneering microbrew fans drinking David Piece's Silo Red Rock Ale from a growler on their porch with a radio nearby, because then, as now, the very last situation you'd expect to experience in this life is local beer at Churchill Downs -- where Stella Artois is the official payola-beer-of-choice, and the punters barely notice the incongruity, anyway.

For me, Pavlov’s notorious canine, who quite possibly was a racing greyhound, always springs to mind during the waning days of April, when crowds of revelers – many of whom surely know better – inexplicably salivate in anticipation of chugging overpriced, mass-market swill at the Chow Wagon … wait, sorry, now it’s the MEGA-Chow Wagon, with the Miller Lite Stage as part of the aural experience, and that’s fitting, given there’s no oral sensation to be found in light, low-calorie American lager.

Whatever. I have things to do. See you in May, about the 6th or 7th.

Thursday, October 11, 2012

ON THE AVENUES: Wonderful and delightful harvesting.

ON THE AVENUES: Wonderful and delightful harvesting.

A weekly web column by Roger A. Baylor.

Properly rendered, civic festivals are just the sort of exercise to promote good times, unite the citizenry, help us bond through joy and alcohol (come to think of it, that’s a redundancy), and maybe provide another yearly excuse to conduct deep street cleaning – preferably, both before and after the crowds come through.

When it comes to civic festivals, New Albany prefers bludgeoning over stilettos, and in rhetorical terms, so do I, and yet it probably isn’t readily apparent that my feelings about Harvest Homecoming are more nuanced than they often appear.

I like it, except when I don’t.

For those just tuning in, Harvest Homecoming is New Albany’s annual 800-lb civic gorilla, or stated more mildly, it is the granddaddy of all festivals in this fair city. The itinerant carnies’ arrival preceded last weekend’s parade, and starting today, the heart of the historic business district downtown is handed over to Harvest Homecoming’s mysterious, Kremlinesque governing committee for four solid days of throng-crowded booths, manned by locals and mercenaries alike, dispensing foodstuffs, arts, crafts, politics and anti-abortion counseling, and completely disrupting any semblance of commerce as usual.

Increasingly, this yearly disruption constitutes the rub.

For decades, there was little objection to Harvest Homecoming’s invasion of downtown, because downtown was a ghost town. Now it isn’t, and dynamic revitalization has a predictable way of igniting a revolution of rising expectations among a new generation of downtown business owners, investors and clients. These are plain facts. As yet, there is no obvious solution to dynamism’s clash with conservatism, primarily because the low level of daily communication between various interested parties makes sparse dialogue between North and South Korea look like a beer hall sing-along in Munich.

Yes, there have been painstakingly slow and incremental concessions, and as Harvest Homecoming generationally reloads, the festival is going through a necessary process of reinvention. But from the standpoint of downtown business, the root equation remains largely unaltered: Harvest Homecoming’s own business model is dependent on the existence of a clean downtown slate that no longer exists, and if anything, will grow less adaptive to the festival’s needs in coming years.

My personal nuances are these: I don’t dislike the idea of Harvest Homecoming, only its current implementation. I believe it can be adapted to take full advantage of potential symmetry between it and an evolving downtown business district, without sacrificing its tradition, and to the benefit of all parties involved. I envision a downtown food and drink court on the current booth grid, one maximizing the uniqueness of our burgeoning dining scene, retaining space for booths while not blocking year-long purveyors. I foresee a celebration of what downtown New Albany is, and is becoming.

You may say I’m a dreamer, but I’m not the only one. I’m just the only one stupid enough to dream aloud.

---

We’ve considered another pressing question many times previously: Do we need a second major civic festival in New Albany?

Whatever its future disposition, Harvest Homecoming has the autumn outdoor imagery slot locked up tight, and in late April, two weeks of Kentucky Derby revelry usually consumes Southern Indiana residents and then spits them back out in mid-May, after the horse pimps have moved on.

A few years back, there was a springtime Da Vinci fest in downtown New Albany, which in retrospect may have been just slightly before its time. Da Vinci’s twist was a bicycle racing component; if it ever were to be resurrected, I’d like to see beercycling events take place, too. Of course, a dozen or more weekends annually are booked with local and regional church picnics, concerts and specialized fetes. Finding an open date for our second major civic festival might be difficult, indeed.

(While none of the preceding can compete in scale and impact with the true heavyweight world fests – Oktoberfest, Mardi Gras, Running with the Bulls, or that lesser-known fete in Spain where they have tomato fights – the violence inherent in each of these, real or imagined, certainly qualifies them as worth copying for Bicentennial fundraising opportunities.)

With the chair’s permission, permit me to repeat my civic festival proposal: To be held on Election Day in November, it calls for the exaltation of meat loaf.

Not upper-case Meat Loaf, as in Marvin Aday, who always wanted to sleep on it, but lower-case meat loaf: The myth, the legend and the great extender, tastily stretching limited household meats and means. Meat loaves of varying composition are rock solid staples in cultural, culinary repertoires the world over.

Great meat loaves? There’s a certain ring to that, and a growling of stomachs.

Does head cheese qualify as meat loaf? I think so. Pig parts congealed in aspic and formed into a quivering block definitely merit a side competition for the more adventurous, because after all, aren’t we past the whole catsup glaze notion? Instead, our competition will encourage creativity. You can barbecue meat loaf, make it Cuban, or substitute Honey Cream doughnuts for filler.

Why Election Day for this festive “New Albany Loves Meat Loaf” gig? It’s an apt metaphor for a municipality (and county) with budgets long since pared of lean and fat, where we’re down to cooking the bones for a bit of flavoring marrow.

Saint (and mercifully soon to be former governor) Daniels already has the 99% in Indiana dining on meat loaf, and so we might as well learn a few recipes sooner rather than later, if not for eating ourselves, then maybe for paying the municipal workers.