Showing posts with label Dave Thrasher. Show all posts
Showing posts with label Dave Thrasher. Show all posts

Wednesday, July 01, 2020

Find the anchor in this mural. C'mon, you know it's there.


Look carefully.

The propaganda arm of INDOT's three-and-a-half-year-long bridge "renewal" project finds the city's eight-whole-years-belated interest in public art to be cute! That's mighty nice of the state, isn't it?

Now INDOT will proceed to collectively kneecap any businesses downtown that somehow manage to make it past the pandemic's first few waves still standing, by (in practical effect) closing the primary access bridge for a period LONGER than the pandemic's likely reign.

Thanks, INDOT. May we have another punch to the skull? Of course, there'll be plenty of time for fewer downtown visitors to gaze upon the artistic finery (which I personally like, by the way). 

Meanwhile, file the mural pictured here under "More Works by David Thrasher That Have Been Consigned to Oblivion" by the city.


Others include his literal painted forks in the road, as well as the sculpture of the same name, last year ingloriously displaced to the shadow of the parking garage because no one 'round here ever "got it" -- just visitors who flocked to take selfies with it.

Dave, my man; ya gotta run with the right crowd. Be internationally known, dude.

Couldn't you do one of these instead? It'd be a huge hit at the Roadhouse.


Thursday, April 02, 2020

ON THE AVENUES: Pandemic, pornographic, pecksniffian. Just three random words until the booze kicks in.


It wasn’t an uncommon sight, just a comforting one.

David Thrasher stood outside his Art Store on Market Street in downtown New Albany, gesturing to passing traffic; however, actual cars were few and far between, and the asphalt remained unencumbered by tires for long stretches on a Tuesday around noon.

For Dave the pandemic was a flashback.

“Look at that,” he said to me, pointing at the emptiness. “It’s like when I first opened. You could go out there, lie down and take a nap.”

Dave’s Art Store is a civic institution, not so much a retail business as an office, workshop and museum filled with his vast collection of pop culture relics, which occasionally are combined into purely Thrasherist creations.

For 20 years Dave’s been telling passing strollers that admission to the Art Store is free – but it costs ten bucks to get back out. He’s also the originator of the phrase that best describes New Albany: “We’re all here because we’re not all there.”

The two of us chatted for a while, maintaining the six-foot separation required of social distancing (“we never were all that close,” Dave chortled), and knowing that his projects require a fair amount of travel, I asked if it was even possible to work at the present time of our down-hunkering.

“I’ve been tested,” he replied, shrugging.

There was an appropriate pause.

“Just not for the virus.”

Then: “They can pay me anytime. I’ve got so much money I’m burning it for fuel.”

Thanks, my friend. Those were laughs I needed badly.

---

You’d think there’d be plenty to write about during a pandemic, which is perhaps the single biggest story line of my six decades on earth, except that I’m finding it very hard to concentrate. I can’t begin to coherently organize my thoughts, much less make sentences from them.

Times are tough, but having spent ample time reading about history, what’s happening now in the world isn’t all that surprising. From the Black Death through cholera and malaria outbreaks, through the post-World War I influenza pandemic, and now COVID-19, humanity receives periodic post-it notes from Mother Nature.

I’m reminded of George Carlin’s rant on the futility of “saving” our planet.

The planet isn’t going anywhere. WE are! We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.

It would be glib for me to shrug and say fine; if a pandemic is inevitable, let’s allow the herd to be culled, but the problem with this attitude is there’s no way to pick the precise group slated for thinning. It might be your own, especially if you’re ignoring reality. After all, the coronavirus isn’t checking IDs … or political party registrations.

Rather, the virus is killing people. It's making others very ill, causing untold disruption to lives everywhere, and in large measure exposing and exploiting any and all societal fault lines it stumbles across -- and dude, we have oodles of those. While it might be possible to chart these weak spots in an orderly fashion, my omnibus verdict is fast, off the cuff and goes something like this:

There’s science and rationality, and then there’s stupidity and superstition. Ignore the former at your peril, because the latter has about as much substance as light beer.

---

Ah, yes: beer. I still receive a few “craft beer news service” e-mails. Clicking on a link the other day, I was transported to an oh-so-familiar place where typically under-informed commentators as yet embrace their narcissism and debate the relative merits of yet another wave of copycat IPA releases.

I tried mightily, but after a few paragraphs it stopped registering. Oblivious geekdom is a place I’m no longer interested inhabiting. True, I was saying this well before the pandemic, but now it all seems yawningly frivolous.

Similarly, in spite of not being a sportsball obsessive for many a moon, when all the various ball seasons abruptly ended last month and the Derby and Olympics both were postponed, the stoppages barely dented my consciousness. I felt almost nothing.

Will I care at all when the games finally resume?

The single most important consideration for me at this precise moment is the profound, inexcusable and damnable dysfunction of America’s economic and political systems, because this fustercluck will cost us far too many lives.

Finishing a close second is the way this kakistocracy has acted as a sort of truth serum during the COVID-19 curve-flattening measures, pertaining both to leaders and the (mis)led.

History teaches us that a crisis like this invariably reveals and exaggerates traits already ingrained in us. At present I’m convinced that half or more of the adults in this country, if sent back in time to 1945 and forced to tour the concentration camps in Europe as residents nearby were obligated to do at the war's conclusion, would view the scene and dismiss it as a fake fact.

Only then, a poor third, comes the overwhelming sadness of watching helplessly as most aspects of daily life that lie central to my being, from which I’ve derived (and in equal measure pissed away) money throughout my adult life -- food, drink, travel, tourism -- have been gutted.

They’ll be back once this is over, but irreparably changed; whether for better or worse won’t be known for a while.

---

I need to take a deep breath. Have some Scotch whisky. Settle down.

It should be remembered that informed opinion in Europe after World War II was overwhelmingly pessimistic. After so much unrelenting and devastating conflict over a period of decades, future prosperity seemed unlikely. Could civilization even survive the horror?

It could, and it did. The experts were wrong. To close this column with a modicum of optimism, a passage from the late historian Tony Judt’s remarkable, highly recommended book, Postwar: A History of Europe Since 1945:

'Post-war', then, lasted a long time; longer, certainly, than historians have sometimes supposed, recounting the difficult post-war years in the flattering light of the prosperous decades to come. Few Europeans in that time, well-informed or otherwise, anticipated the scale of change that was about to break upon them. The experience of the past half-century had induced in many a skeptical pessimism. In the years preceding World War One Europe was an optimistic continent whose statesmen and commentators looked to a confident future. Thirty years on, after World War Two, people had their eyes firmly and nervously fixed upon the terrible past. Many observers anticipated more of the same: another post-war depression, a re-run of the politics of extremism, a third world war.

But the very scale of the collective misery that Europeans had brought upon themselves in the first half of the century had a profoundly de-politicizing effect: far from turning to extreme solutions, in the manner of the years following World War One, the European publics of the gloomy post-World War Two years turned away from politics. The implications of this could be discerned only vaguely at the time—in the failure of Fascist or Communist parties to cash in upon the difficulties of daily existence; in the way in which economics displaced politics as the goal and language of collective action; in the emergence of domestic recreations and domestic consumption in place of participation in public affairs.

And something else was happening. As The New Yorker's Janet Flanner had noticed back in May 1946, the second highest priority (after underclothes) in France's post-war agenda for 'utility' products was baby-carriages. For the first time in many years, Europeans were starting to have babies again. In the UK the birthrate in 1949 was up by 11 percent on 1937; in France it had risen by an unprecedented 33 percent. The implications of this remarkable burst of fertility, in a continent whose leading demographic marker since 1913 had been premature death, were momentous. In more ways than most contemporaries could possibly have foreseen, a new Europe was being born.

Perhaps even America can be reborn -- as opposed to "born again." Stay healthy and safe, my friends. Some sweet day soon, we'll be clinking glasses again.

---

Recent columns:

March 26: ON THE AVENUES: It's a tad premature to sing the healing game.

March 19: ON THE AVENUES: If it's a war, then the food service biz needs to be issued a few weapons. We need improvisation and flexibility to survive the shutdown.

March 12: ON THE AVENUES: Keep calm and carry on.

March 5: ON THE AVENUES: I've got the spirit, but lose the feeling.

Wednesday, March 13, 2019

New Albany's Fork in the Road to fall victim to HWC's whitewashed and IKEA-inspired design.


Work began yesterday on the latest downtown beautification project, the fundamental problems with which I summarized last July in a post that is repeated below (with links to other thoughts).

When the city's plans were revealed amid Terry Middleton's foyer in 2018, HWC's campaign finance donor luminaries had suggested relocating David Thrasher's seminal Fork in the Road to the sidewalk in front of the Jimmy's Music Center building. Now I'm told by a Team Gahan insider that our drain trust hasn't decided where to put it, and would welcome ideas.

Really?

Since when do they welcome ideas? Property owners fronting the Market Street block currently undergoing forced "beautification" never were asked their views on the process before the plans were minted, were they?

Why now?

Listen up: Since Thrasher's fork was installed circa 2012, it has been mildly divisive. Many observers, including a disproportionate percentage of disaffected older white males bearing purely literal imaginations, have expressed derision. Others with minds somewhat more open to whimsy have flocked to the Fork for selfies.

And this division of opinion is exactly the point. 

Art should prompt discussion, even at the risk of venom and incomprehension. We know that Jeff Gahan's personal preferences run to Dogs Playing Poker and Velvet Elvis; fine, and it's a free country, but public art is something quite different.

IKEA-inspired design versus the Fork in the Road? Here's a chance for the clothes-free emperor to intervene in the cloistered design process and urge a rethink.

Whaddya say, Deaf?

---

We're told that peak inner city suburban Gahanism on Market Street will be delayed. (July 17, 2018)


At this morning's merchant meeting, attendees were told by the city's business coordinator Tonya Fischer that the recently ballyhooed Market Street "facelift" between Pearl and State will not be finished before Harvest Homecoming. Rather, it is to begin afterward.

She hinted that burrowed deeply somewhere in the shadowy labyrinth of Jeff Gahan's down-low bunker, there'd been second thoughts about the final configuration of this expenditure with money donated by the Horseshoe Foundation.

One might hope, but Team Gahan doesn't take well to critiques or criticism, and my guess is it's about bad timing with regard to the annual festival.

But let's make no mistake. Nothing I've seen lately epitomizes the city's gorwing problem with "institutional inbreeding" quite as grandly as HWC Engineering's (who else?) hilarious mock-ups of this project, a Disney-meets-outlet mall pastiche of anti-urban design elements reflecting the emperor's perennial tastelessness as well as the apparent absence of integrity among staffers placed in charge of preserving an asinine median, adding a car-centric turn lane to westbound Market (which barely registers vehicular traffic), felling any and all nearby trees, truncating the sidewalk on the northern side, adding IKEA chairs and hideous commemorative median "art," then boldly declaring victory for pedestrians in a setting that has been "upgraded" for drivers alone.

Even George Orwell might register a guffaw at the sheer mindlessness of it. What's more, amid the comedy of the mayor's loyal kept Republican (David Barksdale) wrestling with the city engineer for control of the project on behalf of the redevelopment commission so he could ensure that all existing trees were designated for removal -- it's gotta be a fetish, folks, the dude who hates trees sitting on the Tree Board -- there was the fact that all the money was slotted for the north side of the street, and none at all on the south side, where two completely restored older buildings are about open for business.

It's the same closed-loop people making the same moribund and template-inspired decisions with the same continuing obligation to connect the dots between contract winners and the mayor's campaign finance war chest; currently they are completely exhausted of any semblance of creativity, and unfortunately, it shows.

We'll have to abide these cumulative design mistakes for decades, scraping to pay for genuinely useful improvements because there'll be nothing left in the till that isn't committed to the Reisz Mahal, the Summit Springs Mudslide & Fun Park and a parks department with a budget exceeding that of some postage stamp principalities.

There's an answer: FireGahan2019. Catch up with the lunacy via these links:

SHANE'S EXCELLENT NEW WORDS: Umbrageous boughs? Not on Market between Pearl and State.

Peak inner city suburban Gahanism as HWC recommends buying IKEA when two local furniture dealers are yards away from the redesign atrocity.

Peak inner city suburban Gahanism via faux "input," pre-determined outcomes, clear-cutting, IKEA chairs and raging HWC paranoia. Welcome to your "improved" Market Street.

Goodbye to the Fork in the Road, hello to "Mayor Jeff Gahan presents, "A Fork Amid the Sidewalk" -- and fork YOU if you don't obey.

Friday, August 24, 2018

PINTS & UNION PORTFOLIO: Revised weekend hours, with a noon opening on Saturday and hangover relief on Sunday from noon - 4 p.m.

Noted local raconteur and occasional artist David Thrasher's pub sign for Pints&union is coming soon to a facade on or near 114 E. Market. Note the city branding mechanism at the top.

Nice touch, Dave. Have I mentioned the pub is carrying ANCHOR Steam (bottles) and ANCHOR Porter (draft)? You'll be reminded every time you cross a downtown street.


Extended Saturday hours at Pints&union begin on August 25th at 12 noon. On Sunday, August 26, hangover relief debuts from noon to 4:00 p.m., short and sweet.

Tuesday - Friday: 4:00 p.m. to 2:00 a.m.
Saturday: 12 noon to 2:00 a.m.
Sunday: 12 noon to 4:00 p.m.
Closed on Monday 


Fans of Woody's Roadhouse will be happy to learn that "Woodrow on the Radio (above) spins fine 45rpm wax for your hangover recuperation and enjoyment in New Albany's newest and hippest tavern."

It's slated to happen each Sunday.


There'll be a unique Sunday menu: Croque Madame (above), Tikka Poutine, French Toast, Scotch Egg (below), Shrimp Cocktail, and Beer & Grapefruit Salad.



Otherwise, the daily food menu will change often. The best way to keep abreast is monitor Facebook.

This one is a top-level state secret.


Bottles of La Trappe Quadrupel, a classic Trappist ale from the Netherlands, have been added to the Pints&union beer list. As noted, it is my intent to have a strong core of Belgians (and affiliates).

For those who have enjoyed the exemplary draft Daredevil Munich Dunkel Lager, the third of our allocated three kegs was tapped earlier this week. When it's gone, probably early next week, it will be time for Oktoberfest season to begin.

The final decision has yet to be made, but I'm leaning toward a traditional Munich interpretation. Also, Wychwood Hobgoblin continues to stand in for Fuller's London Pride, and probably will remain pouring through September.


See you Sunday.

Friday, June 08, 2018

Goodbye to the Fork in the Road, hello to "Mayor Jeff Gahan presents, "A Fork Amid the Sidewalk" -- and fork YOU if you don't obey.

Photo by David Modica.

Ah, those blissful days of pre-Gahanista innocence.

More forks in the road. (November 29, 2011)


At this morning's Merchant Mixer meeting, Dave Thrasher explains what may lie beyond the stenciled fork in the road as Curt Peters holds a drawing of the 16-ft tall sculpture soon to occupy space on the west side of the traffic island at State and Market Streets. Bravo!


The new (and putrid) beautification plan looks like this.


We can't blame baseball hall of famer Jim "HWC" Rice for this one; it comes straight from Esteemed Leader, and nowhere else.


Peak inner city suburban Gahanism via faux "input," pre-determined outcomes, clear-cutting, IKEA chairs and raging HWC paranoia. Welcome to your "improved" Market Street.

There's nothing new in any of this. We already knew that Team Gahan views the notion of open, honest transparency with the same reverence as a vampire views garlic -- and speaking of Transylvania, it's also understood that just as comrade Ceausescu sought to remake Bucharest in his own Mussolini-filtered image, Jeff Gahan is striving to render downtown's physical appearance into a tableau worthy of a veneer salesman's insipidity, with all the tasteful flair of an exurban outlet mall by the interstate.

Jeeebus, the clique is engorged. Anyone for lancing the boil in 2019?

Peak inner city suburban Gahanism as HWC recommends buying IKEA when two local furniture dealers are yards away from the redesign atrocity.

Thursday, September 28, 2017

A few views from Hull & High Water's soft opening. Regular business hours begin on Thursday at 4:00 p.m.









Hull & High Water is located at 324 E. Main Street, and if you've been around long enough to recall previous incarnations of this building, be prepared for bedazzlement. Steve Resch always does quality work, but this one is something special. Note the interior "fish tank" art, courtesy of David Thrasher. The long haul begins tonight ...

Wednesday, April 26, 2017

"Lads of the Village" cheerily assist WDRB in previewing two-streets from the vantage point of Thrasher's Art Store.


Click to watch David Thrasher's exciting star turn on WDRB.

Work begins to convert several downtown New Albany streets to two-way (WDRB)

Moreover, thanks to Larry Scharlow for his timely reference to the Lads of the Village. Finally we have debuted in public consciousness.


Larry's reference point is this wonderful Eldridge Pope ale advertisement from 1934, which appeared in Michael "Beer Hunter" Jackson's classic book, World Guide to Beer.

There were no one-way streets in their village. The sooner New Albany's abominations go away, the better.

Tuesday, December 27, 2016

Is it the Onion? News and Tribune? NA Confidential? Nah, it's just a Duggins-ism, 'cuz "New Albany approves bid to transform alley into 'more of a place.'"

It's getting creepy surreal, for real. 

Make no mistake: We're honored to have been the source of this idea (June of 2915, below), along with the inimitable David Thrasher, and even if neither of us will be getting a plaque.

Thrasher deserves all the credit, eh?

There's just one lingering question. Given the impact of a typical Ohio Valley summer's night, is covering those dumpsters going to be enough?

Wait -- we already asked this question, a year and a half ago. We like being prescient, especially when they don't know what the word means.

---

June 12, 2015
Seattle alleys, New Albany street pianos and the overdue purging of bureaucrats.

Photo credit: Hannegan Roseberry at Fb

I generally advocate thinking outside our self-imposed civic boxes, because New Albany has far too many of them, stacked somewhere out in the garage, creased and dusty, and filled with hoary rationales for non-activity that we've forgotten even exist.

We also have many suitable alleys, as outlined in is adaptive reuse saga from Seattle.

Seattle's Future Alleys Look Like Paradise, by John Metcalfe (City Lab)

When you peer into a downtown Seattle alley, you might see rats and people sleeping in dumpsters. That could change, however, as the city plans to turn some of these airless holes into charming, plant-filled utopias.

Against all odds, New Albany has a thriving restaurant and bar culture to consider, and consequently, while excitedly reading about alley renovations in Seattle -- and recalling the many "hidden" infrastructure places we possess in addition to these -- one sensation kept coming back to me.

Namely, the smell of dumpsters behind restaurants in a red-hot, humid Indiana summer. However, using spaces, making places ... I support the idea, and the possibilities are endless. In fact, apart from alleyways, we could do so much better here, and the first step simply must be liberating ourselves from thinking that the usual suspects and their same "officially" accredited agencies, commissions and political entities possess a monopoly on creativity.

They don't, and all too often they stifle grassroots artistic expression, placemaking and neighborhood revitalization.

As Hannegan Roseberry's experience with our gatekeepers at the Board of Works earlier this week illustrates, the cultural asphyxiation starts at the very top. Hannegan had an idea, and the bored's political appointees could barely stifle their yawns while flashing the usual reply: "It's not an option."

 ... Now, you may be wondering what this surely controversial project must be, considering the absolute breakdown of communication and complete avoidance it inspired: A street piano, painted brightly by teenage artists, sitting out on the street for all passersby to enjoy and experience. I know, contain your gasps of horror; the audacity of this citizen, to think she could so arrogantly prep a whimsical and creative project such as this and terrorize the streets of New Albany.

In all seriousness, my goal is to shed light on a far more concerning challenge than the fun and frivolity of a street piano: The piano is really beside the point.

New Albany must make government more accessible. It is absolutely inexcusable that a citizen with an idea and a passion for her community could be so absolutely and completely led in circles, shut out and shut down.

Tuesday mornings, 10 a.m. It's in need of a dose of glasnost.

Look it up, Warren.

Saturday, August 23, 2014

Four photographs by David Modica, now at Bank Street Brewhouse.

Last winter, there was a top-notch exhibit at the Carnegie Center.

Of Place at the Carnegie: An "antidote" to the tyranny of our white bread Bicentennial.



Reminder: "Of Place" at the Carnegie, through January 11, 2014.


Subsequently, I purchased four of the black and white photos being shown in the exhibit by David Modica. Yesterday I finally got around to mounting them at Bank Street Brewhouse. The iPhone photos below are fairly horrendous, but at least give you an idea of the appearance. Note how in two of them, reflected colors from the BSB interior lend a certain weirdness. All four are silver gelatin photographs. 

Little Chef at Night, For Edward Hopper 2009


Hugh Bir, Jr., Market Street 2013


Say Cheese! David Thrasher 2013


Primal Scream, Bank Street Brewhouse 2013

Monday, October 07, 2013

Why am I still here? Because I'm not quite there. Yet.


Being there is why I'm here?

No offense against the State Farm agent, but as we watched the float roll past on Saturday, there was immediate collective recall of Dave Thrasher's slogan -- you know, the one that would have served New Albany's utterly squandered bicentennial so much more cleverly than "By the River's Edge."

No, not "At Sanity's Edge." That one was mine.


It this one: "We're all here because we're not all there."

My, my. What might have been -- if only the white bread and school paste brigade hadn't gotten hold of it. Year Zero ends in less than three months. Finally: relief.

Monday, March 18, 2013

Of art shops, Try-Centennials, and artists of the Wonderland Way.


Dave Thrasher offers the best New Albany bicentennial slogan yet:

"We're all here because we're not all there."

I may have to borrow this wonderful turn of phrase for affixing to NABC's forthcoming Try-Centennial Ale. Seeing as none of us were invited to it, we've elected to skip the 200 year party, cash in our leftover Crutchfields, and fast-forward to 2113. A century hence, will there be anything left of New Albany as we know it?

Should there be?

If all goes as planned, Try-Centennial will be released on or near June 1, with the unveiling to take place at a special gathering replete with history and elegance -- and if the former Little Chef isn't available, we'll make do somewhere else.

But seriously, arrangements are being made, and you'll know the details soon enough. Our resident graphics wunderkind Tony Beard is laboring to complete label art, as we hope to have a limited bottle run. You are encouraged to buy a bottle, hide it between drywall sheets in a crawl space, and hope someone stumbles across it in time for featuring on the front page of whatever non-local newspaper still exists a hundred years from now.

Meanwhile, an earnest recommendation: Go to the Carnegie Center and see the current exhibit, The Artists of the Wonderland Way. The exhibit tells the forgotten story of New Albanian artists during the decades prior to World War II, as loosely brought together at a "third space" of an establishment known as the Art Shop. It was located at 203 E. Market Street, precisely where Dave Thrasher's Art Store is ensconced now, and where we chatted yesterday.

The more things change, the more they stay the same. In New Albany, this tendency is a mixed blessing, indeed, but there are times when it makes sense in a pleasing way. Art synchronicity surely is one such occurrence.

(Photo credit: Carnegie Center and as inscribed)

Sunday, February 26, 2012

At least Amy wasn't dozing during art appreciation class.


For Chris's complaint to make sense ("I don’t know what it has to do with our historic city"), he must be prepared to explain what art of any sort actually DOES have to do with our historic city -- and he can't cheat by asking his fellow literalist Bob "CeeSaw" Caesar, who believes that art is so important that it must be outsourced to Tennessee to truly matter.

At least Amy was around to offer the counter-point. Either of them, or preferably both, might ask the best available question: Why is there a fork painted on the road in front of the Cardinal Ritter House?

CHEERS AND JEERS — For Feb. 25-26

JEERS

... to the art display of a fork stuck in a piece of cheese along Market Street in downtown New Albany.

Who approved it and what is it supposed to signify — that we have a few restaurants in the downtown area? I don’t know what it has to do with our historic city. Maybe it would work better at the Carnegie Center. Unless I am mistaken, I don’t think we are the fork or cheese capital of the world.

— Chris Morris, Assistant Editor

CHEERS

... to the giant fork stuck in a piece of cheese sculpture along Market Street in downtown New Albany.

While I didn’t really plan to cheer the cheese, reading Mr. Morris’ preceding jeer reminded me of the chuckle I got when I saw the cheese for the first time last week. It’s fun and whimsical. So what if it doesn’t have anything to do with New Albany’s history?

Just let it be what it is. It’s art. Don’t you just love it?

— Amy Huffman-Branham, assistant editor

Friday, December 30, 2011

Of the errant forks.

Lest there be any misunderstandings, I personally view those painted forks in the road as one of Dave Thrasher’s best ever ideas, period. They’ve been on the back burner for years, and it hurts no one, least of all the streets, to have the forks there.

Having said this, I join many others in being a bit baffled as to why forks have appeared in places where there are no eateries, seeing as the stated intent from the very beginning was to use the painted forks to indicate food and drink establishments. Doesn't it confuse matters to put them elsewhere? Couldn't a another symbol in a different color mark non-culinary attractions?

The history of the fork in the road is very clear. On November 29, NAC explained the project, which had been outlined by Thrasher at a Merchant Mixer meeting held earlier the same day.

Minutes from recent Board of Public Works tell the rest of the story.

November 8, 2011COMMUNICATIONS – PUBLIC:

David Thrasher 205 E. Market explained that he is getting ready to do a city-wide promotion for downtown and part of it involves some public art. He stated that it is called “Fork in the Road” and it is to promote local restaurants and there will be a fork painted in front of each business that participates. He stated that they would like to get started as soon as possible.

Mr. Denison stated that they have met with the businesses downtown and they are very excited, but the board will have to discuss the paint and the aesthetics. He suggested that they table this item and then keep it on the agenda for next week to work out the details.

Mrs. Wilkinson moved to table the item until next week, Mrs. Garry second, all voted in favor.

November 15, 2011
OLD BUSINESS:


Item #4 - “Fork in the Road” art project

Mr. Denison stated that he has looked into this and he would recommend the board’s full approval.

Mrs. Wilkinson moved to approve, Mrs. Garry second, all voted in favor.

So, what’s the reason for the misplaced forking mystery?

The Green Mouse guesses that it owes to political expediencies ... but from whom and where? None of the usual suspects is taking credit -- and they always take credit. Perhaps the Ritter House is a clue, and because of that, we suggest following the project’s patronage trail. Is it Indiana R-72? Only the Shadow and St. Daniels know for sure, and they're busy plotting bridge tolls.

Tuesday, November 29, 2011

More forks in the road.

At this morning's Merchant Mixer meeting, Dave Thrasher explains what may lie beyond the stenciled fork in the road as Curt Peters holds a drawing of the 16-ft tall sculpture soon to occupy space on the west side of the traffic island at State and Market Streets. Bravo!

Wednesday, August 03, 2011

Moss: "Downtown New Albany on the path to renewal."

Last week, it was Dale Moss on Paul Kiger. This week, the C-J's columnist remains focused on New Albany.

Downtown New Albany on the path to renewal

Dave Thrasher, who has an art studio on Market Street, said the downtown momentum reflects growing appreciation for a simpler, throwback kind of life. “It's energizing, but it's fragile,” he said. “We're still a work in progress.”
It's a good piece, but I must observe that a completely empty Farmers Market pavilion is an odd choice for a photo with an article that specifically mentions the large crowds to be found there on market days.

Then again, the C-J is a shell of its former self. At least there wasn't a pop-up ad.

Saturday, November 20, 2010

A Dandy Trunk Show - Saturday night at the Thrasher Sanctum.

Linked to the Dandy Lion's Facebook page.

---

A Dandy Trunk Show (+Live Music+NABC Beer+ River City Winery!)

8:00 p.m. - 11:00 p.m.

Dave Thrasher's Art Studio
205 E. Market St.
New Albany, IN


The Dandy Lion is excited to invite you to our FREE EVENT!!

Live music by The Parade Schedule, Toledo Bend, & Ben Traughber.

Doors @ 7
Music @ 8

We will be setting up a trunk show, showcasing one of a kind handmade,vintage, and art! The New Albanian is catering, and we will also have tasty beverages from New Albany's River City Winery.

There will also be a raffle with the winner(s) to be announced after the show!

You know you've always wondered what Dave's mysterious art studio was all about...now is your time to find out!

COME SUPPORT LOCAL ART, MUSIC, AND BUSINESS!

Hope to see all of you out!!!

Monday, June 14, 2010

The Dandy Lion opening at 310 Bank Street.

The following message from The Dandy Lion was posted as a comment and deserves marquee status. In my view, retail shops like this one and an increase in living space are the next two downtown tasks. My only complaint is that landlord Dave Thrasher is referred to as "art man," while I've always known him as "wild man." I suppose either phrase is appropriate.

Hello! I am writing on behalf of The Dandy Lion, a boutique opening @ 310 Bank Street. We are very excited to be a part of the community, and to climb on board the development of our downtown.

We will be a showcase/ storefront for independant artists, clothing designers, and jewelry makers, multi-functioning as a non-profit children's art studio by day (as well as other valuable lessons like gardening and living organically), and a music venue by night. We are joining forces with art man Dave Thrasher and plan to do a lot of cross promoting with other downtown businesses like the NABC and hold lots of fun events!

I was excited to find your blog.

You can follow our progress at thedandylionshop.blogspot.com. Keep rocking!

The Dandy Lion