Showing posts with label These Machines Kill Fascists. Show all posts
Showing posts with label These Machines Kill Fascists. Show all posts

Friday, October 09, 2020

ON THE AVENUES: I'm voting for Biden. Otherwise it's Trump's burgeoning fascist GOP death cult.

photo credit


It’s bizarre the way that memories can stay with us for decades, and then we awaken to find it's hard to recall what we had for lunch yesterday.

For instance, I still remember watching a very scary B&W horror flick when I was a little kid, so terrifying that it still resonates decades later.

In one of the pivotal scenes, a scientist is attacked in a cave by his own mutant creation, a gigantic monstrous blood-sucking vampire spider, which drains the man of all his bodily fluids, leaving him shriveled and bleached out, pasty pale, suitable for nothing except empty calories for the carrion flies.

But let’s not dwell on Mike Pence’s deathly pallor in his debate with Kamala Harris on Wednesday.

I hear the fly wants his money back: "Where's the beef?"

---

And so finally the election draws near.

Don’t worry.

I’m not about to climb down from the dizzying heights of the hill upon which I am fully prepared to drink (to die? Seriously? I wouldn’t consider DYING for these amoral, greedy schmucks – and that’s just the NFL owners), this looming height being my deep, pervasive and abiding disgust with America’s fraudulent two-party political duopoly.

As a genuine social democrat trapped in an anti-intellectual milieu filled with progressive poseurs who can’t muster the chutzpah to contest the dimwits on the other side, my hostility to the Democratic Party peaked in early March, when the capitulating centrists pulled every last string, called in all the necessary markers, and vanquished the party’s left wing.

Had I chosen, I might have devoted this column’s weekly inches ever since April to the myriad failures of the Democrats, beginning with our vacuous local party elites here in the New Albanian swampland, then scaling the slimy pole of unprincipled aff/inf/luence until the Democratic National Committee itself came into view, at which point I would be compelled to excuse myself, step away from the laptop, and slip into a Hazmat suit.

Of course, as damning as the indictments capable of being made against the Democrats, the Republicans have devolved spectacularly from merely objectionable into a drain-circling death cult, of which I’ll have more to say in a moment.

In the sense of our hallowed two-party system of spoils, irrespective of which “side” one chooses to inhabit (to squat?), politics today is a dismal, depressing and depraved journey into the very dark heart of human dysfunction.

By extension, this same old song and dance in American idiocy would have remained roughly the same as always in 2020 if not for the emergence of the COVID-19 virus and the pandemic that followed. Literally for once in our lives, there was a new twist in the tale.

One “side” is failing this test far more spectacularly than the other, and they're the ones I'll be voting against.

---

We’ve observed previously that the COVID-19 virus opportunistically targets vulnerable human physiologies. But the extent to which it has done precisely the same in terms of weakened human psychologies and belief systems simply cannot be underestimated.

We’ve seen already thin remaining layers of civility and sensibility stripped away. The science deniers have “enchantingly” multiplied not unlike Pence’s spider-victim-fly diet of pure excrement, waxing orgasmic as they’ve urged old folks to take one for the greater glory of the stock market. The owners of capital meanwhile have used the occasion to double down, while for the rest of us the economy seized up.

Then the deeper ugliness came forward, the accumulated bile, conspiratorial gibberish and raw hatred, much of it borne of generations-long cognitive dissonance, exploding from the ranks of the right-wing’s white know-nothings as Black Lives Matter demonstrations explicated the systemic persistence of racism and absence of social justice.

Through it all, numerous previous unaddressed crises – climate change, health care, income inequality, basic human rights – didn’t exactly disappear.

To be sure, not every Democrat got the pandemic response memo, and even a few Republicans quietly sidestepped their own party’s institutionalized inadequacies, but the primary outcome of the virus’s own truth-revealing capabilities has been the surgical exposure of the GOP’s fundamental(ist) fascination with dying for the “cause.”

And the cause itself? Someone else’s, as it always has been. Mostly the “cause” of bigger money, with a jot or two of apocalyptic religion, wrapped in a flag, although it’s never clear with these retrograde fantasists whether they mean an American or a Confederate flag.

The Republican death cult is the inevitable outcome of five decades spent busily espousing and later gleefully implementing neoliberal, survival-of-the-fittest economic orthodoxy, as abetted by hypocritical end-times Christian theocrats, and washed down with enough white supremacist Kool-Aid to float a fleet of oil tankers.

We should hardly be surprised at this acceptance of death as inevitable. For years, conservatives have responded to gun violence with angry renunciations of any links to gun proliferation or lax gun control laws, offering instead “thoughts and prayers.” The one exception where Republicans express outrage is over the “death” of fetal cells inside women’s bodies—indicating that the fight is less about “murder,” as the anti-abortionists like to call it, than it is about controlling women’s bodies. By and large, the nation’s right-wing factions have for years wanted us to accept mass deaths and preventable mortality as a price for our “freedom.” They expect the same during a pandemic.

But the Republican death cult truly pole-vaulted over the tipping point, and left Democrats in the dust, when BLM became part of our daily discourse, illustrating that James Baldwin’s words ring more presciently than ever before:

When the Israelis pick up guns, or the Poles, or the Irish, or any white man in the world says “give me liberty, or give me death,” the entire white world applauds. When a black man says exactly the same thing, word for word, he is judged a criminal and treated like one and everything possible is done to make an example of this bad nigger so there won't be any more like him.

Structural racism, white fragility, white supremacy – all of it tied neatly together over a period of four centuries.

---

As malicious and looney-bin ludicrous as Donald Trump most surely remains on an everyday basis, allow me to remind you for perhaps the last time that he’s merely a symptom, and symbolic of the rotting disease within.

Trump’s a salesman with only one product, himself, and one true skill, which is enabling the truly dangerous fascists to worship him as an “answer” and purchase the snake oil.

Bullshit.

If it makes sense to you, as it does to me, that to be white is to be racist by nurture, and if whites as yet are the majority in America, if inexorably declining in terms of raw numbers compared to non-whites – and if whites overwhelmingly support Trump in 2020, as in 2016, then logically, Trump is the fruition of American history to the present time, not an aberration at all.

And, if American history since the Reagan era has been an exercise in unfettered capital accumulation by wealthy elites, enabled by neoliberal economic policies on BOTH sides of the duopoly’s aisles, but as always the very heart of the Republican Party’s preference for oligarchies and extractive, robber baron capitalism as its worst, then once again, Trump is a culmination of sorts.

Guns, money and Jesus; that a majority of white “Christians” find it expedient to indulge the worst demons of their nature with respect to racial and cultural distractions merely suggests that Abraham Lincoln’s conception of “better” angels was wishful thinking at best.

Trump’s siren call is for whites to reaffirm their superiority, the supremacist snowflakes having been shaken to the core by the Obama presidency. If lots and lots of us, up and down the spectrum, can make a blood sacrifice of death via COVID, that’s just icing on their cow pies.

---

Yes, I dislike the DNC, the Democratic Party’s hawkish warmongers, its centrist "liberal" cowardice, the neoliberal economic gutting, and the sheer volume of hypocrisy existing on the left side of the aisle.

Why, then, am I voting for Biden and Harris?

Because of the GOP’s death cult.

Because there comes a time when triage is paramount, and the bleeding must be stopped.

Because while there is no guarantee matters will improve with Biden, there is no chance of improvement with Trump, only further degradation.

Electing Biden and the Democrats won't resolve the fundamental problem of why 60+ million Americans have alchemized a narcissistic con man into a deity, and come together to fluff his personality cult.

(The short answer involves racism/caste, a misplaced sense of powerlessness, and no more comprehensive an education than an ordinary house fly.)

It will, however, remove at least one blithering buffoon from the daily news cycle, so maybe...just maybe...we can convince 10% of the 60 million that the issues go far beyond the charlatan-in-chief, who is little more than a figurehead for self-deception.

Personally, up ticket, it will be all Democrats for me. Locally, in spite of the GOP’s ethical chasm, a precious few Republicans will nonetheless receive my vote. One is an incumbent who’s right for the job. Another is a protest vote against the prevailing NAHS student council nepotocracy.

The third is Greg Roution, a man I've never once met. He’s a Republican running for coroner against Anthony Oxendine, a funereal circus-master who once tried to sneak a crematorium through the back door into my neighborhood and became all doofus petulant when his bluff was called. 

That's all, folks. Go out and vote, vote against the death cult's vulgarians, and don't forget:


 ---



Thursday, June 25, 2020

Woody Guthrie is back; Tulsa Athletic to play “This Land is Your Land” at home matches instead of the national anthem.

The Pearl in Germantown.

It's the soccer club in Tulsa, but first, allow me to express delight with the mural in Germantown. It wouldn't be allowed in Nawbany. I'm very happy that Woody Guthrie is being so honored.


Tulsa Athletic Making Bold Moves
(Protagonist)

There’s bold and then there’s Tulsa bold.

Tulsa Athletic announced today that the club would no longer play the National Anthem before matches, and instead play Woody Guthrie’s “This Land is Your Land” at all home matches. In a press release put out by the club this morning, co-owner Sonny Dalesandro explained their decision. “We developed a culture of inclusion and acceptance at Tulsa Athletic. We live in a country that allows us to freely speak our voice. We utilize this right as a club to continually try and improve our team and community. We believe ‘This Land Is Your Land’ not only captures a powerful patriotic sentiment, but this it does so in a far more inclusive way. The song speaks to this country being built and shared by every person of every race, ethnicity, religion and sexual orientation. It represents a future Tulsa Athletic is committed to striving for.”

Sonny, flanked by representatives from the club, made the announcement in front of a Woody Guthrie mural, painted on the side of the Woody Guthrie Center in Tulsa.


As for the song selection, I'm also feeling vindicated. I've been making this argument for so damn long ...

ON THE AVENUES: Let's lift our voices for another verse of "Talking Seventh Inning Blues."

... Conversely, if we simply must have a 7th-inning tune other than the historically correct one ("Take Me out to the Ballgame"), why not sing “This Land Is Your Land,” Woody Guthrie’s far superior response to Irving Berlin's "God Bless America"?

Why not sing it instead of the national anthem?

“This Land Is Your Land” is sublimely ecumenical, addressing the natural and human wonders of America without resorting to the divisiveness of those many supernatural elements.

I suppose the drawback is that when it comes to the imperative of emotional manipulation required by engorged corporate capitalists, Guthrie’s work isn’t as simplistic as Berlin’s schmaltzy paean to blind obedience.

Better yet, we might all wear “This Machine Kills Fascists” t-shirts whilst happily harmonizing from the third base side. It is through Guthrie’s legacy that this phrase has become immortalized. For many years my former brewing company used “These Machines Kill Fascists” as our motto, alongside a graphic of brewing vessels, and even today, with me being long gone from NABC, I never tire of telling the story of its origin.

Tuesday, June 18, 2019

ON THE AVENUES: Let's lift our voices for another verse of "Talking Seventh Inning Blues."


On the Avenues will move back to Thursdays, beginning next week.

World Cup soccer star Megan Repinoe's principled decision to refrain from singing the "The Star Spangled Banner" prompts one of those questions we ask the friendly 800-lb gorilla in the corner.

In short, why do we play the national anthem before a sporting event, but not prior to opening the doors at a frilly boutique, muffler shop or dive bar?

Imagine the plight of the 24-hour mini-mart, forever unable to to find an opportunity to play the national anthem, and settling instead on an endless loop of Lee Greenwood songs.

The 800-lb gorilla isn't finished.

Why do we insist on patriotic rituals attendant to the airing of the anthem alongside overt displays of nationalism merely to sanction throwing a football and shooting hoops, not to mention taking slap shots?

(As an aside, these questions were of relevance long before Repinoe chose silence and football’s Colin Kaepernick took a knee.)

According to writer Richard C. Crepeau in an essay from the mid-200s, the answer is that rote patriotism featuring "The Star Spangled Banner" became a feature of baseball games during World War II.

In 1940, with the fighting underway in earnest and America becoming more conscious of the possibility of war, there was increased talk of the need to hear the national anthem before all baseball games. This was suggested by The Sporting News in June, while at the same time the president of the International League called for the anthem to be played in U.S. league cities, as was already being done in Canadian cities. By 1941, the practice of playing the anthem before sporting events had achieved nearly universal status. At some games the pledge of allegiance was added, and, by 1941, "I Am an American Day" became a feature at major league parks.

It would be nice to say that all of this was due to pure patriotic expression, but of course much of it was created by PR-conscious owners who wanted to make sure that no one would question the patriotism of athletes who played games during World War II while others went off to serve their country. Four years of war, followed by the Cold War and the emergence of the American Empire, solidified the practice and made it into a national ritual.

Since September 11, 2001, another ritual has come into fashion in baseball. Nowadays the seventh inning stretch often is devoted to a commemorative performance of “God Bless America,” for which I’ll soon be suggesting an alternative with less proselytizing. As a long-ago Internet analyst once wrote:

“‘God Bless America’ rings a false note now, as it did when the song was first written (by Irving Berlin, 1939). Woody Guthrie, wrote the song ‘This Land is Your Land’ in 1940 after hearing Kate Smith sing ‘God Bless America’ one too many times.”

But first, since I’m perfectly willing to be the iconoclast in this particular hometown locker room, another question: Is it really necessary to bring religious devotion into the seventh inning stretch?

Or: Where is the imperative for a deity to “bless” America in the first place, quite apart from sports?

Perhaps a better question is this: If we deploy societal peer pressure to encourage a conditioned response by requiring people to participate in a ritual intended to remind them of a noteworthy event, aren’t we trivializing the event?

Shouldn't folks remember on their own?

To be sure, the events of September 11 are an indelible memory for current generations. Furthermore, and on a far less savory note, the invasive logic of the security state arising in America since 2001 has affected our lives more deeply than we realize.

Still, active memories of 9-11 will fade, just as recollections of human slavery's toll, the efficacy of vaccination and a merits of a living wage have disappeared into the mists of rear-view mirrors.

In my world, instead of mandating participation in sing-alongs during sporting events, a better way of understanding history’s lessons is to take an interest in historical facts. Some sweet day we all may rise as one from the bleachers, precariously cradling ours beers and brats, and listen as local actors and television luminaries read relevant passages from Howard Zinn.

Too few of us can sing well, anyway.

---

At this point the hackles of some readers surely are popping to life: “What -- don’t you love your country?”

Well, this depends on what the meaning of “love” is.

Speaking only for myself, I cannot regard the word “love” as a concept applicable to one among many nation-states into which I was serendipitously deposited by the fickle finger of fate. Rather, during my adult life the extent of my personal attachment to the concept of the United States of America has been conducted in a cerebral way, not in terms of blind allegiance.

(I do love my wife, but each year at tax time my feelings take a back seat to hard mathematics and fluency in bureaucratese; lacking both, I immediately hand the dossier to my accountant to be assured it's done right.)

Somewhat amazingly my teachers succeeded in convincing me that to be an American bears an intimate connection with an intellectual process, not an emotional one. I accept that a philosophy of governance came first, this being a rational undertaking incorporating thoughts, ideals and the historical record, not misty eyes, the fevered thumping of a chest or identification with a piece of cloth.

At the same time, my acknowledgment of this political construct does not imply acceptance of its imperfections. As Tina Turner might have asked, “what’s love got to do with it?” The Constitution as a document is a starting point, and it is to be regarded as a work in progress, not another gilded icon to be revered sans examination with a critical lens.

Because how could the nation's founders have devised perfection when Walt Disney had yet to be born?

All of these considerations matter owing to one’s personal conscience, and the minute we seek to align the conscience of the many individuals into the potential blunt instrument of the one, it’s time to be vigilant.

A brief survey of history reveals that soldiers on all sides have consistently marched off to war in the patriotic belief that God is on their side, and when one considers the catastrophic results of war, it should be obvious that this equation is irreparably skewed, as is any other pertaining to the abstract entity of nationhood -- especially as such abstractions come from hearts and not heads.

My views in this context understandably aren’t mainstream. I think love for other persons can be crazy, blind, binding and inexplicable. Beyond that, brains are there to be used, not lobotomized.

There weren't any weapons of mass destruction in Iraq, were there?

---

Returning to what it means to be a baseball fan, "Take Me Out to the Ballgame" is the only patriotic song we've ever needed. For decades a staple of the seventh-inning stretch at ballparks large and small, from California to the New York island, this music was most delightfully defined by the late Harry Caray’s boisterous press box version.

Baseball possesses its own sort of quasi-religious faith; if not, why would Baltimore Orioles fans buy a single ticket in 2019?

For me the substitution of “God Bless America” for “Take Me Out to the Ballgame” is like inserting an advertisement for organized religion where it doesn't belong, whatever the variety.

Of course I’ve nothing whatever against the old-school songwriter Israel Beilin (Irving Berlin), who died a famous, feted American in 1989 at the age of 101, this wonderful and welcoming country having provided a beacon to his family of immigrants escaping nasty pograms in Tsarist Russia.

Among Berlin’s hit songs I prefer “Cheek to Cheek” or even “Alexander’s Ragtime Band” to “God Bless America,” in which Berlin appealed directly to a simple love of country with groundless theism, prideful chest-thumping and a mawkish sentimentality, neither of which suits my cosmopolitan (read: cynical) internationalism.

---

Conversely, if we simply must have a 7th-inning tune other than the historically correct one, why not sing “This Land Is Your Land,” Woody Guthrie’s far superior response to Berlin?

Why not sing it instead of the national anthem?

“This Land Is Your Land” is sublimely ecumenical, addressing the natural and human wonders of America without resorting to the divisiveness of those many supernatural elements.

I suppose the drawback is that when it comes to the imperative of emotional manipulation required by engorged corporate capitalists, Guthrie’s work isn’t as simplistic as Berlin’s schmaltzy paean to blind obedience.

Better yet, we might all wear “This Machine Kills Fascists” t-shirts whilst happily harmonizing from the third base side. It is through Guthrie’s legacy that this phrase has become immortalized. For many years my former brewing company used “These Machines Kill Fascists” as our motto, alongside a graphic of brewing vessels, and even today, with me being long gone from NABC, I never tire of telling the story of its origin.

Woodrow Wilson Guthrie (1912-1967) was an iconic American folksinger. He was born in Oklahoma and came of age during the twin pre-WWII crises of national economic collapse (the Great Depression) and regional environmental catastrophe (the Dust Bowl).

Musically inclined from childhood, Guthrie followed the westward drift in pursuit of work, eventually landing in California alongside numerous other Okies. In doing so, he played a living, breathing part in novelist John Steinbeck’s “Grapes of Wrath,” and as a direct result of what Guthrie experienced during these troubled times in America, his political views evolved in progressive, leftist directions.

Many of Guthrie’s subsequent songs -- he wrote thousands -- chronicled the hardships of ordinary people, expressing empathy for their lot and support for what he saw as curatives: Worker rights, unionizing, and racial and gender equality.

Guthrie eschewed the feel-good and the flag-waving, both so often deployed to mask deprivation and trivialize injustice. His annoyance with “God Bless America” spoke to this feeling.

For all of Guthrie’s leftist tendencies, he remained a staunch patriot as well as a firm, committed believer in the potential of America, albeit a more idealistic and hopeful vision of the American experiment, one not defined entirely by wealth and privilege. The Second World War put his beliefs to the test, and he responded admirably.

It is instructive to remember that during World War II, the United States (a democracy -- of sorts) aligned with a hereditary monarchy (Great Britain) and the USSR’s Communist gulag against the military aggression of Germany, Italy and Japan. Such was the greater threat posed by fascism.

Guthrie viewed his music as an integral part of the war effort, and so he scrawled “This Machine Kills Fascists” on his acoustic guitar, meaning that music and ideas were as much weapons against fascism as guns and bullets. Guthrie enlisted in the Merchant Marine, and whenever performing, he used his own machine, one that he considered vital in killing fascists.

The same phrase was written on machinery in factories throughout the United States, as those millions of people in America’s industrial work force made a similar point: The person operating the machine that makes the supplies used to defeat fascism are helping to kill fascists, too.

Co-opting religious imagery to further the imperatives of a war machine driven by wealthy elites, or returning to the egg and reminding us that “we the people” might yet resemble universalism and in self-governance?

I appreciate Irving, but I vote for Woody -- now and always.

---

As a postscript, the lyrics.

This land is your land This land is my land
From California to the New York island;
From the red wood forest to the Gulf Stream waters
This land was made for you and Me.

As I was walking that ribbon of highway,
I saw above me that endless skyway:
I saw below me that golden valley:
This land was made for you and me.

I've roamed and rambled and I followed my footsteps
To the sparkling sands of her diamond deserts;
And all around me a voice was sounding:
This land was made for you and me.

When the sun came shining, and I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice was chanting:
This land was made for you and me.

As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.

In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.

---

Recent columns:

May 28: ON THE AVENUES: Challenges are forever, but downtown New Albany's food and drink purveyors keep on keeping on.

May 21: ON THE AVENUES: "Pints&union, where the classic beer hits keep right on pouring."

May 14: ON THE AVENUES: Where do we go from here?

May 6: ON THE AVENUES REWOUND: Ghosts within these stones, defiance in these bones (2018).

Wednesday, August 16, 2017

SHANE'S EXCELLENT NEW WORDS: I'll match your customary gesture politics and raise you a spate of virtue signaling.


As noted last evening ...

New Albany city council, this Thursday: "Resolution Expressing Solidarity with the People of Charlottesville, Virginia, and a Public Condemnation of Racism, White Supremacy, and Neo-Nazi Ideology in Our Community, the Nation and the World."

Déjà vu is not the topic of today's column, but a song by the great Dionne Warwick never hurt a soul on a featureless Wednesday morning in New Gahania.



However, we've all been here before -- and only recently, on March 6.

Seize the gesture and read the city council's non-binding "Resolution Condemning the Promotion of Intolerance."

Will Scott Blair abstain, citing his oft-stated principle of eschewing non-binding resolutions?

At the time, I spoke about this resolution, and my feelings on the matter haven't changed, although it's timely, ironic and depressing that with a human rights complaint of my own ready to file, the once ballyhooed Human Rights Commission remains MIA, its father (Councilman Phipps) having already washed his hands of an entity constituted to fail even as he rushes to support Deaf Gahan's dismantling of public housing.

Mr. Roger Baylor stated that in the past he has been in favor of resolutions like the intolerance resolution on the agenda tonight. He said he has no reason to oppose it but feels there is some thinking in the community that what we end up doing might be classified as gesture politics. He pointed out that we have a human rights commission that by everybody’s admission seems to be kind of foundering at the moment and is a bit of a laughing stock because there is nothing to it. He said that you now have a resolution about intolerance and he is afraid that sometimes it just looks like symbolic gestures and are somewhat empty until there is some sort of force behind it.

Predictably, Blair's resolutional resolve failed him on this particular example of a council resolution.

R-17-03 Resolution Condemning the Promotion of Intolerance (Phipps)

Mr. Phipps introduced R-17-03 and moved to approve, Mr. Barksdale second, all voted in favor with the exception of Mr. Coffey who was not present.

Imagine that; Coffey not present for a resolution designed to tickle his nose?

He must have been affixing swastickers* to his peddler's cart, or perhaps protesting birth control on behalf of the Knights of Columbus. After all, the organization can use the money Deaf's about to give to it.

So, we belatedly arrive at the point: gesture politics, as used in this paragraph.

The good news is that it’s almost certainly too late for (Donald) Trump and (Australian PM Malcolm) Turnbull to derail the progress that’s being made towards a decarbonised and sustainable global economy. They are engaged in gesture politics designed to appeal to culture warriors on the right, not a serious strategy to revive coal and nuclear power.

Merriam-Webster provides the basics.

Definition of gesture politics: political actions or statements that are done or made chiefly as symbolic gestures and have little or no practical effect. First Known Use: 1971.

Oddly, a 1971 source is not revealed, and many on-line definitions of "gesture politics" quote the phrase's use in Social Issues and Party Politicsa collection of essays from 1998 -- specifically, by Frances Heidensohn.


Reading about gesture politics brought me to a similar and more recent concept. Honestly, until now I was completely unaware of "virtue signaling" as a phrase. In 2015, James Bartholomew took credit for it:

To my astonishment and delight, the phrase ‘virtue signalling’ has become part of the English language. I coined the phrase in an article here in The Spectator (18 April) in which I described the way in which many people say or write things to indicate that they are virtuous. Sometimes it is quite subtle. By saying that they hate the Daily Mail or Ukip, they are really telling you that they are admirably non-racist, left-wing or open-minded. One of the crucial aspects of virtue signalling is that it does not require actually doing anything virtuous. It does not involve delivering lunches to elderly neighbours or staying together with a spouse for the sake of the children. It takes no effort or sacrifice at all.

A year later in The Guardian, David Shariatmadari found the use of "virtue signaling" itself to be a form of ... well, virtue signaling.

As the Boston Globe columnist Mark Peters has pointed out, “virtue-signalling” has existed in isolated pockets since at least 2004, but was popularised (not, as he claims, invented) by James Bartholomew in the Spectator in April 2015.

Shariatmadari continues.

That’s not to say that there’s nothing in Bartholomew’s idea. Sometimes people do take positions to curry favour, or to burnish their reputations. But that’s hardly new. “You’re only saying that to make yourself look good” sums it up pretty well, it’s less pretentious, and still leaves 90 characters for the rest of your tweet.

His summary:

What started off as a clever way to win arguments has become a lazy put down. It’s too often used to cast aspersions on opponents as an alternative to rebutting their arguments. In fact, it’s becoming indistinguishable from the thing it was designed to call out: smug posturing from a position of self-appointed authority.

We're left with two phrases, both of recent vintage, each addressing human tendencies that aren't necessarily new. Symbolic gestures have always been with us, as have those who only say things to make themselves look good.

But speaking of gestures, politics, virtues and signalling ... addressing all the motives, linkages, posturing, actions, nobility, bootlicking and dumpster fires, I actually do remain proud of an idea that came to me roughly 15 years ago, amid the excesses of W's first term.

It still states my point of view with brevity and elegance.


Doing the modeling are two beer lovers at this year's Great Taste of the Midwest in Madison, Wisconsin; I don't know either of them, but thanks to my friend Ted for the photos.

I may no longer be active in the deployment of these particular machines, but I believe they still work in just the way I've always described.

---

* thanks R&A.

Thursday, January 16, 2014

To fascist or not to fascist: Another fine day in the comments section.


NABC's web site garners few comments, with most discussions occurring elsewhere in Facebook, at Twitter, or on unguarded masonry walls.

Of course, what makes the Internetz so much fun is that enlightenment is only a click away, as was the case overnight with this observation from Ron:

Too bad you don’t know what fascism actually means. Too bad that Woody Guthrie was a self-righteous useful idiot who didn’t know what fascism was either.

His comment was appended to our explanation of These Machines Kill Fascists, and my reply is as follows:

The word fascism came to us from Italy (Mussolini), which was an ally of Germany (Nazism, Hitler); both declared war on the United States after Pearl Harbor, and Woody Guthrie supported the war effort against them. It would seem that Guthrie connected the dots quite effectively. But enough about beer.

Tuesday, June 18, 2013

No Tricentennial for DNA in wartime, unfortunately.


Okay. So much for that idea.

Develop New Albany’s off the hook. I thought things were arranged so that there could be beer vending at the Exclusively New Albany event on Thursday, but sometimes the best laid plans go the way of 108K consulting gigs at the NSP. Our "in" didn't materialize, and so it goes.

Besides that, as of Friday, there are bigger bureaucratic fish to fry, and so I welcome DNA to join New Albany’s beer community in condemning the county health department for its out-of-the-blue decision to require temporary food permits of ATC-licensed entities to pour beer from a keg into a plastic cup.

Speaking of which, did you know that a combined city-county health department dates only from 1991?

The department’s shaky justification for this new fee imposition probably dates from ambiguous language in original enabling legislation from Year Three of George HW Bush’s presidency.

Meaning that it has taken the local health department 22 long years to find the right words to implement revenue enhancement harassment.

Those food-borne pathogens that don’t even exist in draft beer?

They really must be shaking in their boots.

Wednesday, July 18, 2012

Woody Guthrie and Dust Bowl adobe.


Previously we've covered Woody Guthrie's allergic reaction to Irving Berlin, and the singer's anti-fascist angle, which my company has embraced as a timeless badge of sorts.

"Talking seventh inning blues.”

Now there's even more: A novel about much more than adobe.

This Land Was His Land; Woody Guthrie’s Dust Bowl Novel, by Douglas Brinkley and Johnny Depp

The legend of Woody Guthrie as folk singer is firmly etched in America’s collective consciousness. Compositions like “Deportee,” “Pastures of Plenty” and “Pretty Boy Floyd” have become national treasures akin to Benjamin Franklin’s “Poor Richard’s Almanack” and Mark Twain’s “Adventures of Huckleberry Finn.” But Guthrie, who would have been 100 years old on July 14, was also a brilliant and distinctive prose stylist, whose writing is distinguished by a homespun authenticity, deep-seated purpose and remarkable ear for dialect. These attributes are on vivid display in Guthrie’s long-lost “House of Earth,” his only fully realized, but yet unpublished, novel. (His other books, “Bound for Glory” and “Seeds of Man,” are quasi-fictional memoirs.)


Monday, July 09, 2012

Help us to refashion our most famous anti-fascist advertisement.

Readers, I need your help.

Pictured at left is the Great Taste of the Midwest program ad NABC purchased last August. Perhaps the finest outdoor beer fest in America, GTMW takes place each year in Madison, the state capital of Wisconsin, where Governor Walker retained his seat after a punishing recall fight earlier in 2012.

Meanwhile, Indiana's departing gubernatorial wunderkind is taking his talents to the Right Bank (of the Wabash, appropriately enough) and Purdue University, which apparently is slated for outsourcing, closure or being otherwise gutted.

It's worth noting that while the advertisement helped to stimulate another record year of "These Machines Kill Fascists" t-shirt sales in Madison (which helps us to pay the way for 14 NABC employees to attend GTMW), it prompted an entirely different reaction in quarters closer to home, one that reminded me of Federico Fellini's words: "Censorship is advertising paid by the government," or at the very least, nearby government officials.

But that was then; this is now. I'd love to purchase another program ad, so does anyone have ideas on how we might incorporate the "kill fascists" logo into something with a different and complementary theme?

Wednesday, August 10, 2011

NABC's advertisement in the 2011 Great Taste of the Midwest program.

The Great Taste of the Midwest takes place on Saturday in Madison, Wisconsin, and once again NABC will represent Southern Indiana with our best beers and the ever-popular "These Machines Kill Fascists" wearables.

Thursday, November 11, 2010

Today's Tribune column: "Talking seventh inning blues.”

Beats me, but maybe Elton John's "Texan Love Song" should have been the seventh inning choice for World Series games played in the Lone Star State.

I heard from a friend you'd been messing around
With a cute little thing I'd been dating uptown
Well I don't know if I like that idea much
Well you'd better stay clear I might start acting rough


You out of town guys sure think you're real keen
Think all of us boys here are homespun and green
But that's wrong my friend so get this through your head
We're tough and we're Texan with necks good and red


So it's Ki yi yippie yi yi
You long hairs are sure gonna die
Our American home was clean till you came
And kids still respected the president's name


And the eagle still flew in the sky
Hearts filled with national pride
Then you came along with your drug-crazy songs
Goddamit you're all gonna die


How dare you sit there and drink all our beer
Oh it's made for us workers who sweat spit and swear
The minds of our daughters are poisoned by you
With your communistic politics and them negro blues


Well I'm gonna quit talking and take action now
Run all of you fairies clean out of this town
Oh I'm dog tired of watching you mess up our lives
Spending the summertime naturally high


It ain't Irving Berlin, and it ain't even Woody Guthrie, and yet for a couple of Englishmen, it aptly summarizes the problem. Here's today's column.

BAYLOR: Talking seventh inning blues

... It is instructive to remember that during World War II, the United States (a democracy — of sorts) aligned with a hereditary monarchy (Great Britain) and the USSR’s Communist gulag against the military aggression of Germany, Italy and Japan. Such was the greater threat perceived in fascism.