Showing posts with label Walt Disney. Show all posts
Showing posts with label Walt Disney. Show all posts

Tuesday, September 08, 2020

I Got the News: Sorry, but Uncle Walt's not going to save you, either.



I'm shocked ... SHOCKED ... to learn that "Disney is not only underreporting its COVID cases but clearing COVID-positive employees to return to work."

Four sources familiar with the matter told The Daily Beast that Disney has kept the total number of positive cases at the district under wraps, alerting unions only to the positive test results of their members—often days after the fact, risking further exposure—and leaving workers to guess for themselves why colleagues disappeared for days at a time, or why 11 people from the 12-person Horticulture Irrigation team didn’t show up to work for a full week.

All sorts of folks in positions of authority here and throughout the country, most often Democrats locally but in truth it's a bi-partisan thing, absolutely worship Disney for keeping its streets clean.

Of course, they're forgetting that a Disney theme park is not the real world. That's an important consideration, isn't it?

In fact, I reiterate: Veneration of Walt Disney is one of the roots of our current intellectual stalemate.

Grow up, folks.

Verily, I wasn't made for a world this stupid: "Visiting Disney World is the modern version of a medieval pilgrimage."

Like the time Disney's for-profit masterminds proposed a history theme park, including "a new vision of a Disneyland for slavery."

"The weirdness of historical Disneyfication" failed miserably, but it accurately presaged the Dickey Error.

As Charles "Strong Towns" Marohn noted in a 2018 article about crony capitalism, Disney's in it for the money just as much, if not more, than any other power-wielding multinational:

When a company like Walt Disney, which had $25 billion in gross profits last year, can demand—and receive—decades of tax amnesty from a city like Anaheim, a city with a $1.7 billion budget that is struggling to pay pensions, maintain streets and provide basic services, something is broken.

Perhaps it isn't possible to prove categorically that Walt Disney himself was "sexist, anti-Semitic and racist, aside from the backlash against the now-banned Song of the South."

But his successors shouldn't be absolved from fleecing generations in pursuit of obscene profits. Shouldn't we be embracing history's verdicts, not fleeing headlong from them?

Monday, July 16, 2018

BEER WITH A SOCIALIST: Flint Michigan Tap Water? “Walt Disney knew what he was doing and I plan on making Lakeville the Walt Disney of beers.”

Conversation starters. Uh huh.

On the topic of buffoonery, excrement and world class douchebaggery, there's this. It may be the first time in my life that I feel sorry for Walt Disney.

Will beer names bring the right kind of attention to new Lakeville brewery?, by Mary Shown (South Bend Tribune)

LAKEVILLE -- Owners of a new brewery opening in Lakeville want their beer to do the talking for itself, but they also don’t mind starting deeper conversations through the names of their craft beers.

With titles including “Flint Michigan Tap Water,” “Black Beer Matters,” “White Guilt” and “Mass Graves,” Jon Duncan and Rodney Chlebek acknowledge the names are likely to create a reaction from people. But, according to Duncan, at least people will be talking about current issues.

“The way I look at it — with the “Flint Michigan Tap Water” — if you’re going to get mad about that beer name, you should focus your anger more toward the people that are letting that happen to Flint,” he said. “If I can bring some attention to that, whether it be negative attention toward me, it still brings attention to that issue ...”

Tuesday, January 03, 2017

Verily, I wasn't made for a world this stupid: "Visiting Disney World is the modern version of a medieval pilgrimage."


An occasional reminder is justified, because John Kennedy Toole's novel A Confederacy of Dunces is a very funny book. This brief extract begins with Ignatius's long-suffering mother, as she dares enter his room in the New Orleans house where they live.

“It smells terrible in here.'

Well, what do you expect? The human body, when confined, produces certain odors which we tend to forget in this age of deodorants and other perversions. Actually, I find the atmosphere of this room rather comforting. Schiller needed the scent of apples rotting in his desk in order to write. I, too, have my needs. You may remember that Mark Twain preferred to lie supinely in bed while composing those rather dated and boring efforts which contemporary scholars try to prove meaningful. Veneration of Mark Twain is one of the roots of our current intellectual stalemate.”

I prefer the punch line like this:

Veneration of Walt Disney is one of the roots of our current intellectual stalemate.

Just what we needed.

In a world grown increasingly complex, when reality so desperately demands prompt and scrupulous attention, what we do instead is create another religion, so that local office holders can look longingly to unreality as a basis for revitalization.

Visiting Disney World is the Modern Version of Making a Medieval Pilgrimage According to anthropologists, religious studies experts, and art historians, by Sarah Laskow (Atlas Obscura)

At Walt Disney World, the weeks around Christmas are one of the most crowded times of the year: from all over the country and all over the world, families flock to Orlando to be in this special space for just a few days. Most Disney patrons would probably call their trip a vacation, but to anthropologists, religious studies experts, and art historians, a visit to Disney World looks a lot like another, older form of travel—a pilgrimage.

“Appetites for direct contact with Disney’s creations have transformed the trek to Disney World into a genuine form of pilgrimage,” writes historian Cheryl Krause Knight, author of Power and Paradise in Walt Disney’s World. In the modern world, a trip to Disney has become a rite of passage that transforms those who make the trek, and the design of the park heightens that experience: Disney World resembles a medieval pilgrimage center, designed to connect pilgrims with the supernatural, represented by Mickey Mouse and company.

Mickey is like a supernatural being.

Thursday, March 03, 2016

"The weirdness of historical Disneyfication" failed miserably, but it accurately presaged the Dickey Error.

Historical revisionism from the top, down -- all the way down.

The world of Disney? It's about making profits through unreality. That's great as entertainment, but should it be the basis for a political movement?

Maybe a political bowel movement, but The Donald already stole that idea. Consider the implications if the Floyd County Democratic Party were to read books about history, rather than make videos about fantasy.

I know, I know. Lots and lots of brains hurting.

America Almost Had a Disney Theme Park with a Slavery Section ... Inside Disney's America, the doomed '90s project that almost sunk the company, by Jacqui Shine (Atlas Obscura)

... The project is worth remembering, though, because while it was a peculiar chapter in Disney’s history, it's a familiar one in the context of the national struggle to define the public narrative of American history, where Howard Zinn’s A People’s History of the United States does battle with sanitized high school textbooks in Texas. Lin-Manuel Miranda’s hit musical Hamilton has created a vigorous alternative narrative that rightfully centers men and women of color as America’s builders and inheritors, but it’s still optimistic enough that Lynne and Dick Cheney are among its fans. Disney’s not really to blame for the fact that we’ve retroactively fit U.S. history into a story about the “American Dream.” In this sense, Disney’s America is another slice of the apple pie.

Friday, March 06, 2015

ON THE AVENUES SPECIAL EDITION: Adam's rib tips.

ON THE AVENUES SPECIAL EDITION: Adam's rib tips.

A weekly web column by Roger A. Baylor.


In a response to yesterday’s column, in which I discussed the movie Animal House in the context of our forthcoming mayoral race in New Albany, a reader made an unflattering analogy, comparing the incumbent mayor to Flounder by way of Dean Wormer’s admonition: “Fat, drunk and stupid is no way to go through life.”

I disagree with this characterization, and to explain, please permit me to propose a different theory to explain the past three wasted years.

But first, an interesting episode from Imperial Russian history.

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It was the year 1905. The war with Japan was going badly for Tsar Nicholas II, and there was social unrest on the home front. Revolutionaries of many stripes sought to co-opt workers and peasants, and often, the alliances were cynical, with the revolutionaries perfectly willing to wield the masses as human shields in pursuit of their greater aims.

Amid poverty, illiteracy and ignorance, many of Russia’s peasants still viewed the Tsar with reverence, seeing him as their “Little Father,” one endowed by God with a heartfelt concern for the well-being of his people, yet unable to address obvious evils and inequalities through no fault of his own. Rather, he was prevented from seeing the problems owing to the venality and corruption of functionaries and intermediaries at the royal court.

How might the oppressed move past the tight cordon of self-interest, so as to tell the Tsar what he so desperately needed to know?

Finally an Orthodox priest named Father Georgi Gapon seized upon wintertime hunger and disaffection to write a petition intended to be conveyed directly to the Tsar, bypassing the underlings, and asking for the Tsar’s help in redressing the grievances of the peasants. A very large number of unarmed, ordinary people peacefully marched to the Winter Palace to present the petition.

The Tsar looked on with a shrug, and the petitioners promptly were attacked by police, resulting in a massacre known as Bloody Sunday. Twelve years later, the Romanov dynasty was toppled by the Bolsheviks, who bloodily settled accounts. It was a story later told not by Walt Disney, but Warren Beatty in his film Reds, which I heartily recommend.

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Now, to the real point of this digression: When grading the mayor of New Albany, think less of Flounder’s grade point average than fraternity chapter president Hoover’s: Four Cees and one Eff. That’s because you’re only as mediocre as your handlers.

What if Jeff Gahan has been chosen as “best available figurehead,” an amiably willing pawn content to be advised by those operatives fancying themselves as Democratic Party power brokers?

In short, what if Gahan is Adam Dickey’s ongoing laboratory experiment?

When you look at the aim of Gahan’s dubious “quality of life” expenditures; the enhanced monetization of government activity for the sake of fundraising; the outsourcing of social media as perpetual campaign fodder; the behind-the-scenes-edict style of “governance” by the appointed, by-passing the elected council unless either a rubber stamp or shared responsibility is needed – all of it adds up to Gahan-as-cabal’s-puppet more so than the mayor as master strategist.

In fact, the mayor seems oblivious to it all, benignly drifting through his term as though unaware that a real world exists outside the bubble he’s allowed himself to be defined and surrounded by. Incredibly, he actually seems to believe he is venerated by the unwashed masses.

This is why our ongoing “mayor as mere hologram” theory isn’t too far off the mark. Undoubtedly, Gahan has been enticed to cooperation by being told that the future payback for (in effect) serving as the appointed Dickey’s elected stand-in is a bright future in statewide politics. Just one more term can he, too, can be Ed Clere or Ron Grooms.

To understand Gahan’s time in office, one first must consider Dickey’s view of himself as latest in a line of best and brightest disciples of the current New Age party line nationally.

He’s attended the seminars, read the e-books and savored the Kool-Aid, and now Gahan is his pet hamster on a spinning wheel, with the overarching notion being the retention of municipal power for the purpose of redistributive largesse, though not to the “little people” formerly comprising the DemoDisneyDixiecratic Party’s bedrock, but rather to whichever segments of the regional economic oligarchy currently are in need of deep greasing beyond what the Republicans already apply before breakfast each morning.

It goes without saying that such a methodology of governance need never be bothered with the demeaning annoyance of standing behind strong principle or stated platform. Vague and amorphous platitudes will do just fine – right, George Orwell?

Gahan’s term as stand-in also makes little sense without acknowledging the centrality of Disney to Dickey. After all, apart from Walt’s fascistic and anti-Semitic leanings, what was he if not a master illusionist? There’s always an impression of what might seem like real life, but only for an instant. When the house lights come on, it’s all revealed to be a trick of the puppeteer -- just like the engineering papier-mâché otherwise known as the Main Street “improvement” project.

Remember the Alamo? I’d prefer we just never, ever forget Main Street.

Dickey probably thinks that we, as untutored provincial dullards, can’t ever see past the glimmer and sparkle of his Magic Kingdom, past the underachieving shadows, into the very heart of vapid. He may be right, but I hope not.

Granted, it’s Gahan’s name on the dotted line, and it’s his ultimate responsibility. But you see, Adam’s a bright boy! Gahan remains entirely disposable, while the Machiavellian weaver of intrigue lurks in the gloaming, always the biggest fish in the smallest pond, plotting the next move on the chessboard of self-advancement.

You can’t fool Senator John Blutarsky, because New Albany’s curse is far less the footprint of Gahan’s ambition than Dickey’s.

The good news: At least we can fire ONE of them in November.

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Recent ON THE AVENUES columns:

ON THE AVENUES: It's just like when the Germans bombed Pearl Harbor.


ON THE AVENUES: As Admiral Gahan steers his Speck study into the Bermuda Triangle, crewmen Padgett, Stumler and Caesar grimly toss all the rum overboard.


ON THE AVENUES: Upscale residency at down-low prices.


ON THE AVENUES: Street “sweeping” epitomizes the degradation of governance in New Albany.