Showing posts with label ancient history. Show all posts
Showing posts with label ancient history. Show all posts

Sunday, April 12, 2020

"Easter is a pagan festival."


A dose of pagan symbolism? Might as well, because brunch wasn't much fun this year.

The pagan roots of Easter, by Heather McDougall (Guardian)

From Ishtar to Eostre, the roots of the resurrection story go deep. We should embrace the pagan symbolism of Easter

Easter is a pagan festival. If Easter isn't really about Jesus, then what is it about? Today, we see a secular culture celebrating the spring equinox, whilst religious culture celebrates the resurrection. However, early Christianity made a pragmatic acceptance of ancient pagan practices, most of which we enjoy today at Easter. The general symbolic story of the death of the son (sun) on a cross (the constellation of the Southern Cross) and his rebirth, overcoming the powers of darkness, was a well worn story in the ancient world. There were plenty of parallel, rival resurrected saviours too.

Friday, July 22, 2016

The perfect news story for Trumping the Donald: "Ancient bottom wipers yield evidence of diseases carried along the Silk Road."


Make no mistake: Future archaeologists will have no interest whatever in your e-mail account. Your septic tank? That's another story entirely.

Ancient bottom wipers yield evidence of diseases carried along the Silk Road, by Maev Kennedy (The Guardian)

‘Personal hygiene sticks’ excavated from a 2,000-year-old latrine pit have preserved evidence of the transmission route for infectious diseases.

Well, if Team Gahan can use the pages from Speck's Downtown Street Network Proposal, then I've got my own go-to.

Monday, February 15, 2016

Animated videos offer a glimpse of ancient Rome and the Pompeii disaster.

It has been almost 27 years since my last visit to Rome (and greater Italy). For a casual student of history going there and looking upon the ruins of the ancients, there is an inevitable disorientation. It's difficult to fill in the gaps and visualize what these places looked like, and how they functioned, during their prime.  

This video purports to do so, and while probably overly sanitized -- housing stock never looked so uniformly good, anywhere -- it's worth a look.

Rome The ‘Eternal City’ In Its Peak Showcased Through A Brilliantly Animated Video

An incredible fruit of collaboration between the Rome Reborn project and Khan Academy, the video in question gives us a fascinating tour through the ancient mega city in its arguably peak form in 320 AD.

As a bonus, the Realm of History web site offers another video recreation, this one of demise of Pompeii. Both videos are described by Dattatreya Mandal.

Animation Showcases The Pompeii Disaster With Accurate 3D Rendering Of The Events

A 2009 exhibition named aptly as the ‘A Day in Pompeii’ was showcased at the Melbourne Museum. The exhibition used 3D renderings to present a more accurate picture of the impending disaster that took place in 79 AD, and its baleful effects in the span of 48-hours surrounding the eruption of Mount Vesuvius.

Sunday, April 20, 2014

Easter reading 3: "Easter is a pagan festival."

There's the Easter trifecta: The death of a hypocritical Christian; an atheists' convention; and a final dose of pagan symbolism.

The pagan roots of Easter, by Heather McDougall (Guardian)

From Ishtar to Eostre, the roots of the resurrection story go deep. We should embrace the pagan symbolism of Easter

Easter is a pagan festival. If Easter isn't really about Jesus, then what is it about? Today, we see a secular culture celebrating the spring equinox, whilst religious culture celebrates the resurrection. However, early Christianity made a pragmatic acceptance of ancient pagan practices, most of which we enjoy today at Easter. The general symbolic story of the death of the son (sun) on a cross (the constellation of the Southern Cross) and his rebirth, overcoming the powers of darkness, was a well worn story in the ancient world. There were plenty of parallel, rival resurrected saviours too.

Thursday, February 27, 2014

ON THE AVENUES: Sixteen of one, thirty five of another.

ON THE AVENUES: Sixteen of one, thirty five of another.

A weekly web column by Roger A. Baylor.

When Gravity Head comes calling, familiar space and time continuums can be briefly altered. Normal routines are rendered Byzantine by comparison. Life’s infinite horizons narrow, and one reverts to existence by the hour, minute by minute. Passing through the looking glass bores by comparison.

I’m not speaking of the fest’s actual commencement, because once the opening bell sounds on Friday morning, we all collectively observe the Sidney Freedman dictum from television’s M*A*S*H: “Ladies and gentlemen, take my advice - pull down your pants and slide on the ice.”

No, it’s the preparation for Gravity Head that saps working days and requires so much attention to detail during the run-up to the bacchanalia. We might choose to do it differently, but when it comes to what has unexpectedly become a tradition, the array of minor points adds up to a greater sum. It’s just a beer fest, but it’s more, and different from the rest.

In my opinion, the fundamental difference has been that from the very start, when we decided to have a second Gravity Head, we had no idea what the “proper” organization of a beer festival was supposed to be. Conventional wisdom eluded us, for which I remain grateful. Our aim has been to provide our regular customers and locally-based friends with as many opportunities as possible to taste a few special beers over a period of time. That’s it.

The beers never have been served all at once. They unfold in waves over a period of weeks. We don’t do flights, because flights imply a “right” to taste them all. Rather, the desired end is for folks to taste a few, and then return another time and taste a few more. Not too many at once, because they’re strong.

Of course, Gravity Head’s opening day has become somewhat of a scrum, and a singular tradition all its own. I’m content with the interior logic occurring there, but it isn’t what I look forward to experiencing each year. Rather, there’ll inevitably be a quiet Tuesday night on the second or third week, with a handful of friends, and leisurely, contemplative sipping of one or two quality libations, spiced with conversation. These are the precious times that lead to feelings of timelessness.

And timelessness is why I like beer, among other reasons.

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The 16th edition of Gravity Head begins tomorrow at 7:00 a.m. at NABC’s Pizzeria & Public House. It reminds me that 2014 marks the 35th year of my professional beer drinking career.

The autumn of 1979 provided a familiar impetus for renouncing amateur status and turning pro. There was a messy breakup of a relationship, and one morning during the worst of it my car suddenly veered away from IU Southeast’s parking lot in the direction of a nearby package store. I wasn’t carded, and breakfast magically became two quart bottles of Colt ’45.

There was no looking back – except at those embryonic years of preparation, perpetually trapped in adolescence, but looking enviously at juicy adult privileges just around the corner.

Apart from wee nips taken during childhood from bottles of my father’s Oertels 92, my first real "cold one" was consumed at a junior high school party. Actually, four of us split a single can of Budweiser while hiding in the woods, safe from the prying eyes of the hostess’s parents, ostensibly attaining instant credibility by boasting of beer on our breaths and inexpertly mimicking the outward appearance of drunkenness.

Later, like so many generations of New Albanians, my gang ascended another rung around the time that our first driver’s licenses were issued. Wheels meant easy access to the bountiful paradise of Louisville’s west end liquor stores, just down Vincennes Street and across the claustrophobic steel lanes of the K & I toll bridge.

Raging acne and social ineptitude generally precluded my being chosen as the one to go inside Liken’s or the Corner Store. Consequently, I was at the mercy of my companions’ tastes in beer, and this was problematic, because at this early stage of my palatal development the "flavor" of a beer was the single biggest impediment to ingesting its desired alcohol. My friends liked Sterling and Pabst. I didn’t, but they were doing the heavy lifting of acquisition. Being in no position to argue, I learned to adapt by chilling.

The colder the beer, the less “flavor” it had, and the more I could drink of it. Accordingly, my mission in life became Styrofoam cooler maintenance – to nurture it, to protect it from harm, and most importantly, to keep it filled with ice.

But in high summer the cans got warm very quickly. Crammed into the back seat of a late model junker, and pulling the tab on an ice-cold can straight from the ice, I managed to down the first frozen gulps before being overwhelmed with the dismaying recognition that in spite of all reasonable precautions, the can still contained rapidly warming Sterling or Pabst.

Chugging made me gag. What to do?

A sufficient interval would pass, enough to encourage a carload’s presumption that the warm and thoroughly vile can in my hand had been emptied, and then the time would arrive for throwing it out the window. This called for consummate skill. In the fetid humidity of a hot summer evening, misjudging the distance from the open window of a moving car to the muffled cushion of a grassy rural roadside meant disgrace if a loud "thump" echoed through the valley as the half-full can struck unrelenting pavement.

The verbal abuse to follow was not at all good-natured. After all, hadn’t we driven all the way to Louisville to spend every last dime on beer?

---

And so it came to pass that in this manner, slumped shamefully in the back seat trying desperately to choke down a warm Sterling, I resolved to become a better beer drinker than all of them.

Granted, the precise meaning of “better” remained unclear, but as the others began to plan their careers in physics, cosmetology, and insurance sales, I worked at developing a feel for the generic concept of beer, which I came to understand as light-bodied and usually bastardized when compared to the golden continental lager that inspired it, and a taste for its flavor, or at least those discernable qualities differentiating it from cola and orange juice.

After turning pro, these youthful stumbles were brushed aside in favor of broader experiences. It was hard work to progress from the degradation of Schaefer "Weekender" 30-packs to the sublime pinnacle of Belgian Trappists and American Barley Wines, but at least those swill-soaked years of my youth were not wasted. Unless they were. I’m glad I’m older now.

Happy Gravity Head!

Wednesday, December 05, 2012

A partial rendering of the Jim's Gun Room Story.

The Zhenya art exhibition, described previously, will be held on Saturday, December 8, inside the building located at 234 E. Pearl Street.

Now, for the rest of the story.

Last week I was discussing event preparations with Brian Harper, the exhibition’s overseer in his capacity as faculty advisor for the Indiana University Southeast art students involved with staging the show.

I mentioned to Brian that most of us still refer to the exhibition's location as Jim’s Gun Room. Because he’s not a native, this meant nothing to him, and it occurs to me the actual business has been gone for so long that more youthful readers might not know the story, either.

What’s more, since regaling Brian with this tale, it suddenly occurred to me that I was quite mistaken as to a major detail, corrected here in the retelling.


Jim’s Gun Room opened for business some time around 1984. The incorporation information for Circle L Arms, Inc., long since dissolved, still is posted on-line.

The owner of Jim’s Gun Room was James P. “Jim” Looney, a native of Arkansas who was born in 1941. His wife was Rebecca Sue "Becky" Griffin Looney, a Hoosier (born in 1947). They were married in 1976.

As was the case with so many New Albanians of a certain age, my connection with Jim came through his patronage of Scoreboard Liquors, where I worked at various times throughout the 1980s. His wife was an attorney, and although I dimly recall meeting Becky, Jim's the one I remember. He was bearded, garrulous, sometimes agitated, and politically situated in distant right field. Later, he was a regular at the Public House, and he also employed one of my friends for quite some time at the Gun Room.

Jim’s Gun Room certainly had its following. Jim used it as a retail base while traveling to gun shows all over the country. Following is a 2008 message board excerpt attesting to Jim’s cult following among firearms aficionados.

I have a MM11 on the way (insert fecal eating grin here) and since the betamags are still sometime out and I cannot cough up 1200.00 clams for an HK 50rd Drum I was thinking of procuring some 30 rd contract mags. What would be a fair price for mint units? I remember them floating around for 30 bucks many moons ago but know I'm seeing them on GB for 100.00 plus ... I know Jim's Gun Room in New Albany IN was a major player in the HK world in the Mid80's through mid90's and I remember him having a couple of hundred of these in the back of his shop selling them mail order back then for $50 each. He had everything you can think of from that period HK. MP5 briefcases sitting around, MP5's lining the walls, G3's, PSG1's etc.....those were the days.

With the arrival of the decade of the 1990s, the story turns turbulent and strange – perhaps even nefarious – and if Gregg Seidl’s already told it, he can correct my version, which is this:

Rebecca Looney died of her own hand in January, 1992, upstairs at Jim’s Gun Room. At some point after her death, with finances continuing to unravel, the business was shuttered. Jim remained a gun dealer and still did some traveling. He moved from Oak Street into the Knobs, became interested in homebrewing, and dropped by the pub from time to time. Sad to say, his physical and mental decline became obvious. In 1998, he committed suicide at the age of 56.

Afterwards, the building formerly housing Jim’s Gun Room apparently once again became a favored “shot,” this time of amateur shutterbugs, enamored of the retro signage, inherited and modified by Jim from the original occupant, a bank. NAC provided an update in 2006.

The tacky Budweiser stickers from the ill-fated opium 'n' swill den known as Von's Place are gone. Let's hope that the Jim's Gun Room sign follows suit. While I have a several fond memories of the late firearm dealer Jim Looney, it's better for downtown to move past something that hasn't been open since the early 1990's. Good luck to the new owner.

It’s now 2012, and I’m told that Steve Resch has purchased the building and is renovating it by stripping away the many layers of tackiness added over the years, especially during the recent Espinosa Error.

We can thank Sister Hicks for that. But it's another story entirely.