Design elements: Is it Market Street beautification or Il Duce's Italy?

Who knew Jeff Gahan was a student of pre-WWII fascist history? It's only a matter of time before Dear Leader channels Il Duce: "We must create a new art, an art of today, a Gahanist-HWC art."

As Bluegill wisely noted:

New Albany’s Market Street project is depressingly familiar - big money, long time, the usual political patronage, generic ugly car-centric result. New Gahania in a nutshell.

This nutshell includes the beautiful people rushing to praise the emperor's nudity as they overlook what he's done to terrorize the less fortunate among us.

Therein lies the biggest part of our city's problem -- that, and street light poles made out to look like Roman plinths for enormous ceremonial statues, which they might yet become during a third Gahan term.

We'll be invading Clarksville before you know it.

#FireGahan2019

Branding Gahan's "sweet spot," part two: He's selling a whole city in his own image, but personality cults aren't pretty pictures.

Part one here.

There can be no doubt. Jeff Gahan's "sweetest spot" is himself.

In his What is character and why it really does matter, Thomas A. Wright states, "The cult of personality phenomenon refers to the idealized, even god-like, public image of an individual consciously shaped and molded through constant propaganda and media exposure. As a result, one is able to manipulate others based entirely on the influence of public personality...the cult of personality perspective focuses on the often shallow, external images that many public figures cultivate to create an idealized and heroic image."

A few recent examples follow. Cautionary note: these images are not for the faint of heart.

The conclusion is as obvious as it is absurd.

Jeff Gahan has been branding the city in his own image, and using our money to do it, but we need collective thinking, not the shoddy veneer of a personality cult.

Here's one definition of branding.

The process involved in creating a unique name and image for a product in the consumers' mind, mainly through advertising campaigns with a consistent theme. Branding aims to establish a significant and differentiated presence in the market that attracts and retains loyal customers.

Below is an article by the estimable Aaron Renn, in which the author discusses branding, or in this case the marketing efforts undertaken by cities.

You can’t help but notice how few unique things about these cities manage to come through.

What about branding our town? For the past eight years here in New Albany, what passes for a "brain trust" at City Hall (try not to cringe in disgust) surely has undertaken a branding campaign. It may or may not have been explicitly organized as a branding campaign, but the effect has been the same.

In essence, New Albany very much has been branded as New Gahania, which is to say that in terms of promotions, every aspect of the city has been tied to the mayor's cult of personality: New Albany is Jeff Gahan, and vice versa.

Students of history will recognize this device from numerous authoritarian and totalitarian regimes, but let's focus on just one: Italy under Benito Mussolini during the 1920s and 1930s.

Mussolini's Italian "fascism" came along first, and was in many ways a precursor of Adolf Hitler's organizational model for Nazi Germany. In fact, Mussolini's chosen symbol became the word to describe his movement.

Fasces ... a bound bundle of wooden rods, sometimes including an axe with its blade emerging. The fasces had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a magistrate's power and jurisdiction.

A fasces looks like this.

Gahan's chosen symbol emerged from the back rooms where appointed committees meet, utterly without the input or votes of any elected official, and as selected by then-redevelopment honcho and noted artistic design expert David Duggins because it looked "cute."

Now it has become the anchor that adorns every city-owned object.

In Duggins' own words, the anchor was chosen to be a "branding device" for the city. This points to the importance of knowing the meaning of words, for an anchor is something heavy that is used to keep a boat fixed in place, not moving.

Consequently New Albany's second-most-important act of branding during the past eight years has been to slap the anchor logo on everything, which has the effect of announcing that we'll be moving forward while remaining anchored right where we were.

It may not be the best branding for the world outside, but it actually jibes with Gahan's self-aggrandizing governing philosophy, as when he claimed to radically change the street grid while doing almost nothing to ... radically change the street grid.

But far more so than anchors, our foremost branding effort has been devoted to slapping Gahan's cherubic chihuahua image on every last advertisement purchased with taxpayer dollars. An anchor keeps the boat from moving. Gahan keeps the city from moving, while grandly lubricating his own pockets with pay-to-play dollars from special interests.

Of course, Benito Mussolini already had been there and done that.

Allow me to direct this comment to those merchants and independent business owners who tend to accept what they're told at gatherings without examining any of it too closely: if we work together as a collective bearing the weight of our combined investments, the city's marketing and branding would reflect us.

As it stands, the city has indeed been branding -- as New Gahania, not New Albany. This does much for the incumbent, and almost nothing for the rest of us. Worse still, he's been using our money to pay for his own glorification.

Cities: Don’t Fall in the Branding Trap, by Aaron Renn (CityLab)

From Instagram stunts to Edison bulbs, why do so many cities’ marketing plans try to convince people that they’re exactly like somewhere else?

It’s curious that while every company tries its hardest to convince you of how much different and better it is than every other company in its industry, every city tries its hardest to convince you it’s exactly the same as every other city that’s conventionally considered cool.

Look at any piece of city marketing material, from promo videos to airline magazine ad inserts. It’s amazing how so many of them rely on the same basic ingredients: hipster coffee shops, microbreweries, bike lanes, creative-class members, startups, intimations of a fashion scene, farm-to-table restaurants, new downtown streetcars, etc.

These are all good things, mind you: things cities should be happy to have. Some of them may even be modern necessities. But you can’t help but notice how few unique things about these cities manage to come through ...

Four more years of this?

So off went the Emperor in procession under his splendid canopy. Everyone in the streets and the windows said, "Oh, how fine are the Emperor's new clothes! Don't they fit him to perfection? And see his long train!" Nobody would confess that he couldn't see anything, for that would prove him either unfit for his position, or a fool. No costume the Emperor had worn before was ever such a complete success.

"But he hasn't got anything on," a little child said.

"Did you ever hear such innocent prattle?" said its father. And one person whispered to another what the child had said, "He hasn't anything on. A child says he hasn't anything on."

"But he hasn't got anything on!" the whole town cried out at last.

Yes, the "Tsar of the Shopping Cart" has been branding the city in his own image and using our money to do it.

However, we need collective grassroots thinking, not the shoddy veneer of a personality cult, even if the absurd personality cult veneer is what we keep getting, again and again. Here's a sampling.

December 16, 2018: Cult of personality: Jeff Gahan's face appears on doggie calendars and in newspaper inserts. It's blatant electioneering at the taxpayer's expense.

August 13, 2018: Earache My Eye: Check out Deaf Gahan's full page Anchor Marriage ad in Extol's wedding issue.

August 10, 2018: Shameless self-aggrandizement as Gahan invites 1Si to provide career counseling to local students.

June 13, 2018: Jeff "Look at Me" Gahan's aquatic cult of personality: He brings us health, all by himself.

February 3, 2018: Inflatable Date Night is ultimate proof that Deaf Gahan seeks to emulate Rev. Moon with a hip new campaign finance baby boom.

January 18, 2018: ON THE AVENUES: During our State of the Gahanaissance Address for 2018, feel free to resort to hard liquor. I did, and will.

September 10, 2017: Adam polishes Jeffrey's personality cult, and yet Dickey's Floyd County Democratic Party still hasn't embraced Gahan's public housing putsch.

June 11, 2017: CARTOON: Gahan Mach III ... or, daddy needs a brand new logo.

June 4, 2017: Scraping rock bottom: Jeff Gahan brings his cult of personality to Kroger shopping carts. But who paid for these political ads?

June 4, 2017: Shopping cart blurbs, magazine ads, billboards ... and now the NTSPY Awards. How much of your money is Jeff Gahan spending on all this?

There's a way out of this deaf, dumb and blind alley: #FireGahan2019

---

I'm voting for David White.

Democratic mayoral candidate David White understands that change begins with a whole lotta scrubbing, and NA Confidential advocates just such a deep civic cleansing. 

After eight years on the job, Mayor Jeff Gahan's list of stunning "achievements" is long, indeed: tax increases, budgetary hide 'n' seek, self-deification, daily hypocrisy, public housing takeover, non-transparency, pay-to-play for no-bid contracts, bullying city residents and bullying city employees. Eight years is enough. It's time to drain Gahan's swamp, flush his ruling clique and take this city back from Gahan's Indy-based special interest donors. 

NA Confidential supports David White for Mayor in the Democratic Party primary, with voting now through May 7. 

Jeff Gahan has been branding the city in his own image, and using our money to do it, but we need collective thinking, not the shoddy veneer of a personality cult.

Here's one definition of branding.

The process involved in creating a unique name and image for a product in the consumers' mind, mainly through advertising campaigns with a consistent theme. Branding aims to establish a significant and differentiated presence in the market that attracts and retains loyal customers.

Below is an article by the estimable Aaron Renn, in which the author discusses branding, or in this case the marketing efforts undertaken by cities.

You can’t help but notice how few unique things about these cities manage to come through.

What about branding our town?

For the past eight years here in New Albany, what passes for a "brain trust" at City Hall (try not to cringe in disgust) surely has undertaken a branding campaign. It may or may not have been explicitly organized as a branding campaign, but the effect has been the same.

In essence, New Albany very much has been branded as New Gahania, which is to say that in terms of promotions, every aspect of the city has been tied to the mayor's cult of personality: New Albany is Jeff Gahan, and vice versa.

Students of history will recognize this device from numerous totalitarian regimes, but let's focus on just one: Italy under Benito Mussolini during the 1920s and 1930s.

Mussolini's Italian "fascism" came along first, and was in many ways a precursor of Adolf Hitler's organizational model for Nazi Germany. In fact, Mussolini's chosen symbol became the word to describe his movement.

Fasces ... a bound bundle of wooden rods, sometimes including an axe with its blade emerging. The fasces had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a magistrate's power and jurisdiction.

A fasces looks like this.

Gahan's chosen symbol emerged from the back rooms where appointed committees meet, utterly without the input or votes of any elected official, and as selected by then-redevelopment honcho and noted artistic design expert David Duggins because it looked "cute."

Now it has become the anchor that adorns every city-owned object.

In Duggins' own words, the anchor was chosen to be a "branding device" for the city. This points to the importance of knowing the meaning of words, for an anchor is something heavy that is used to keep a boat fixed in place, not moving.

Consequently New Albany's second-most-important act of branding during the past eight years has been to slap the anchor logo on everything, which has the effect of announcing that we'll be moving forward while remaining anchored right where we were.

It may not be the best branding for the world outside, but it actually jibes with Gahan's self-aggrandizing governing philosophy, as when he claimed to radically change the street grid while doing almost nothing to ... radically change the street grid.

But far more so than anchors, our foremost branding effort has been devoted to slapping Gahan's cherubic chihuahua image on every last advertisement purchased with taxpayer dollars. An anchor keeps the boat from moving. Gahan keeps the city from moving, while grandly lubricating his own pockets with pay-to-play dollars from special interests.

Of course, Benito Mussolini already had been there and done that.

Allow me to direct this comment to those merchants and independent business owners who tend to accept what they're told at gatherings without examining any of it too closely: if we work together as a collective bearing the weight of our combined investments, the city's marketing and branding would reflect us.

As it stands, the city has indeed been branding -- as New Gahania, not New Albany. This does much for the incumbent, and almost nothing for the rest of us. Worse still, he's been using our money to pay for his own glorification.

One way to repair this profound malfunction is #FireGahan2019, and start the process of taking back our civic identity from the charlatan in chief.

Cities: Don’t Fall in the Branding Trap, by Aaron Renn (CityLab)

From Instagram stunts to Edison bulbs, why do so many cities’ marketing plans try to convince people that they’re exactly like somewhere else?

It’s curious that while every company tries its hardest to convince you of how much different and better it is than every other company in its industry, every city tries its hardest to convince you it’s exactly the same as every other city that’s conventionally considered cool.

Look at any piece of city marketing material, from promo videos to airline magazine ad inserts. It’s amazing how so many of them rely on the same basic ingredients: hipster coffee shops, microbreweries, bike lanes, creative-class members, startups, intimations of a fashion scene, farm-to-table restaurants, new downtown streetcars, etc.

These are all good things, mind you: things cities should be happy to have. Some of them may even be modern necessities. But you can’t help but notice how few unique things about these cities manage to come through ...

Seeing is believing.

“He counted on America to be passive. He counted wrong.”
-- Ronald Reagan, following air strikes on Libya in 1986, and also sampled in Def Leppard’s “Gods of War.”

For those taking a longer view of history than is customary in our time of super-sized junk food and atrophied attention spans, Moammar Gaddafi’s grisly finale last week was not at all unusual. In short, we’ve all been here before.

When the armies of Italian fascist dictator Benito Mussolini helped jump-start World War II by invading Ethiopia, the Libyan desert already was a colonial possession of Italy’s, and it was not rid of Axis troops until 1943, when Gaddafi still was in diapers.

Not long afterward, Mussolini suffered the same fate as the future Libyan despot. He was captured by anti-fascist countrymen, tried very quickly and just as hastily executed along with his mistress and others. Il Duce had been rescued once before, and his captors were determined to avoid a repeat performance. The corpses were meticulously hanged by the ankles from the overhanging lattice of an Esso gas station in Milano, and as was the case after Gaddafi’s death, photographs of the scene were widely circulated.

In some of the images, American GIs can be seen, milling around like veritable tourists with their Brownies, arrived just in time for the spectacle. One of them was a New Albanian whose name I recall as John Scheller, who was a substitute teacher when I was in junior high school. He would be long forgotten, if not for the contents of his briefcase: Photos he had taken himself of the macabre scene at the Esso station. Understandably, they were his prized possession.

It occurs to me belatedly that a scant 30 years separated his witnessing of gruesome history in Italy, and the equally depressing sight of my vacant 13-year-old butt slumped in an FCHS classroom seat. It is quite plausible to imagine that Scheller the substitute might have been the same age then as the author is now. Is he still living? It’s possible, although probably not, but in the sense that he made an impact on an impressionable adolescent, his memory will live as long as I do.

Mussolini and Gaddafi aren’t the only hitherto supreme leaders to have been paraded ghoulishly before the cameras following their messy ends. In 1989, as communist Romania devolved into bloodshed, the last minutes of the husband and wife Ceausescu team were faithfully filmed, as was the lifeless aftermath of their sentencing. There was film at eleven, and it may have been the highest rated program of the year.

Of course, images of Saddam Hussein beneath the gallows undoubtedly are available on the Internet, although I’ve no interest in seeing them. It’s enough for me to know that although Idi Amin and Pol Pot got away, others like Gaddafi weren’t as fortunate. Whether the latter was killed in an accidental crossfire or purposefully dispatched by an opportunistic rebel is immaterial to me.

Either way, there’ll be a new chapter of some sort for Qaddafi’s country, while here in America, a quarter century after the Libyan leader counted wrong, we finally can close the book on the Reagan Era.

Free at last ... free at last.