Showing posts with label Against the Grain. Show all posts
Showing posts with label Against the Grain. Show all posts

Sunday, July 28, 2019

BEER WITH A SOCIALIST: Searching for the perfect pub, among other links to educational beer fare.


"In the end, that’s what all of us long for in a pub: somewhere to go in which we can have a relaxing drink in a convivial atmosphere and perhaps meet others with a similar aim. When it’s done well then it can feel like you’re in the only place you want to be in the world at that moment. And the very best pubs are timeless places in which that moment seems like it could last forever."

Brexit and the British Public House?

Not exactly, though someone's probably already written it. Today I'm offering two items for a "thinking person's" consideration of beer. First there's an extended analysis of the state of the British pub, followed by a collection of recent links to stories far and wide.

In search of the perfect pub: what makes a great British boozer?, by Andrew Anthony (The Observer)

They’re under threat – but they’re fighting back. How famous London pubs are adapting to a changing world

Milky tea, fish and chips, the local pub: these were once the enticing mainstays of British life. They’re all still there, of course, but outside the home we drink far more coffee than tea, and on the high street the curry house and chicken takeaway long ago supplanted the deep-fried attractions of the fish and chip shop. Of the traditional triumvirate only the public house remains in a primary position, but that too is under threat.

It is estimated that Britain has lost 25% of its pubs in the last 20 years. There were around 60,000 in 2000 and now the figure is about 45,000. Closing time has taken on a new meaning, with on average one pub closing down every 12 hours. Of those that remain, many are unrecognisable from the locals of the past, having been re-themed as chain bars or gastropubs.

Is this a loss to the British way of life? Has some vital part of the social fabric been neglected and left to slowly fall apart?

Now for the links.

HISTORY BY THE PINT: Dayton's Carillon Brewing Company really does do it the old-fashioned way. It's the nation's only working brewery in a museum.

A stunning revelation from my friend the beer and spirits writer Lew Bryson: "I Really Want to Hate Naturdays but I Can’t Stop Drinking It."

Michael Moeller explains Against the Grain's partnership with Pabst.

Think Indiana's beer regulations rulebook is bad? "New Jersey’s lousy craft beer rules are an affront to free speech and consumer choice."

In Scotland, "The Bridge Over the Atlantic" is quite near a pub called "The House of Trousers."

Sunday, July 29, 2018

BEER WITH A SOCIALIST: Against the Grain to Citra its Ass Down in Okinawa.



You may be asking: Okinawa?

Japan’s southernmost prefecture is relatively close to Taiwan and Mainland China, and they have influenced its music, food, art and architecture.

The largest of the Ryukyu Islands, Okinawa was part of the independent Ryukyu Kingdom from the 15th to 19th centuries. It’s been part of Japan for a “mere” 135 years, so it’s not surprising that Okinawans are less attuned to the Japanese customs of the north.

As such, perhaps it's to be expected that a brewery priding itself on eclecticism and dirty underwear would find a locale like Okinawa, which goes against the Japanese grain.

Good work, gentlemen.

As a side note, the legendary Indiana-born journalist and war correspondent Ernie Pyle was killed during the battle of Okinawa in 1945. The battle ended in June and was the last major engagement in the Pacific theater of operations. Japan surrendered to the United States on September 2, following the destruction of Hiroshima and Nagasaki by American atom bombs.

The late Aiko Allen, my aunt, was 14 when the bomb dropped on Nagasaki. She somehow survived, married my mom's brother (he was stationed in Japan during the Korean War), and lived the rest of her life in Henderson, Kentucky.

The Allen household always contained arts, crafts and bric-a-brac from Japan, among them a calendar from Okinawa that Aunt Aiko gifted me when I was six or seven. It might be stored in a box somewhere downstairs.

All of which has nothing to do with beer, and so be it. Beer may be life, but life is what happens while you're busy making other plans.

Best wishes to Against the Grain; too bad NABC's expansion plan to Old Albania back in 2013 never worked out.

Against the Grain partnering with Japanese entrepreneur to open brewery in Okinawa, by Kevin Gibson (Insider Louisville)

Against the Grain Brewery is partnering with a Japanese entrepreneur to open a brewery in Okinawa. The endeavor is expected to be up and running by this fall.

Against the Grain Ishigaki, which is located in downtown Ishigaki on the island in the Okinawa prefecture, is already open as a restaurant, selling American-brewed Against the Grain beers and serving Japanese dishes that pair with the beers.

The beers, which will be brewed at the small brewery, will be based on the American beers but altered to better fit Japanese palates. Adam Watson, a partner in Against the Grain, said Japanese people tend to want clean, crisp beers — meaning that Citra Ass Down likely won’t be in play ...

Tuesday, December 05, 2017

THE BEER BEAT: The La Chasse-Dauntless beer dinner menu is released, Porter versus Stout, and other beery odds and ends.

Let's begin with an updated second reminder of the Dauntless Distributing beer dinner coming to the acclaimed La Chasse restaurant in Louisville on Monday, December 11.

La Chasse is Isaac Fox's restaurant. New Albanian old-timers will remember Isaac from Bistro New Albany and Speakeasy.

The dinner at La Chasse will feature beers from Dauntless Distributing, which brings some of the planet's finest brands into Kentucky, as well as handling Louisville brewers Against the Grain, Monnik and Akasha. Two NABC alums work for Dauntless: Richard Atnip and Kevin Lowber.

Menu, beers and other relevant details have just appeared on Facebook, and I'd love to see a solid contingent of friends and fellow travelers in attendance. Aside from the beer angle, you owe it to yourself to have a meal at La Chasse, because it is a splendid table.

La Chasse Craft Beer Dinner (with Dauntless Distributing)
Date: Monday, Dec. 11th
Time: 7:00 PM
Cost: $70 Per Person*
Reservations: 502.822.3963

MENU:

First Course: Confit of Chicken with Bourbon barrel-aged smoked peppercorn hot sauce, bleu cheese aioli and chicken skin cracklings
Paired with: Au Baron Cuvee des Jonquilles (Biere de Garde) ... France

Second Course: Brie Beer Cheese Bisque with pickled blackberries
Paired with: Central State Rose (Rustic blonde ale with raspberries) ... Indiana

Third Course: Sautéed Prince Edward Island Mussels in limoncello Maitre d’Hotel butter and crispy pancetta
Paired with: Anchorage Love Buzz Saison (Spiced ale aged in French pinot noir barrels) ... Alaska

Fourth Course: Porter Braised Short Ribs over white cheddar polenta with thyme roasted carrots
Paired with: Nogne O Porter (Porter) ... Norway

Fifth Course: Honey and Ale Spiced Banana Cake with chocolate ganache
Paired with: Kerkom Bink Bloesem (Belgian Ale brewed with pear syrup and honey) ... Belgium

Executive Chef Andrew Welenken
Chef de Cuisine Kristina Dyer

*Exclusive of Tax and Gratuity

Also in Louisville, there's be a third outpost of Against the Grain just yards away from Sunergos Coffee, Nord's Bakery and Zanzabar.

Against The Grain plans microbrewery, beer garden at 'Swiss Hall' property, by Chris Otts (WDRB-41)

Louisville craft brewery Against The Grain plans to turn the Swiss Hall property in the St. Joseph neighborhood into a microbrewery, beer garden and venue for events and concerts.

Against The Grain has the property at 719 Lynn Street under contract pending a rezoning, according to Sam Cruz, one of the partners in the brewery.

It would be the fast-growing brewery’s third location. Against The Grain plans to keep its brewery and smokehouse at Slugger Field and its production facility in Portland, Cruz said.

Far better AtG at Swiss Hall than Swill Hall.

It's been a while since I featured a rant by Steve Foolbody, so the time is right to compensate.

RANT(S): One Beer, One Whiskey, and One Can O’ Whoop-Ass (The Pour Fool)

Nutshell: Pick Your Battles, learn a bit about American Economics 101, research these corporate partners before you climb aboard the Crazy Train. Please. These endless, clueless, feckless cries of “Sell Out!” just waste time and are, frankly, embarrassing for those of us have a Clue and share this culture.

 ... Rant, The First: The news broke, earlier this week, that Avery Brewing of Boulder, Colorado, had taken on the big Spanish beverage maker, Mahou San Miguel, as a partner and people all over the Brewniverse started freaking out. The great Denver magazine, Westword, ran a post in their online edition entitled, “Does “Craft Beer” Definition Go Down the Drain With the Avery Brewing Sale?” ...

 ... I read response after response accusing Avery of selling out; calling Adam Avery a greedhead and a fascist (my favorite)and questioning his values, his manhood, his parentage, his penile girth, and his hat size, all because he brought in a PARTNER – not a buyer or a sugar daddy or a new ownership – to help his company grow. In choosing San Miguel, in fact, Avery showed his respect for his culture, by hooking up with a company which is NOT, unlike AB, trying daily to destroy or at least control the craft beer community.

TRY to get this straight: The ONLY corporate interest about which you need to have ANY worries as a buyer or partner of a craft brewery is Anheuser Busch, aka AB/InBev. PERIOD. They are the only corporation on the face of the planet which combines the toxic mix of the arrogance to truly believe that we don’t need and shouldn’t be allowed to have any choices available to us in beer with the arrogance and deep enough pockets to think that they can really, literally set about pursuing a strategy that will force all of us who drink craft beer back into being just peachy with a lifetime of mindlessly, soullessly swilling tepid, watery adjunct lagers and nothing else.

I've underlined the passage that best reflects my own point of view. What's yours?

We haven't had many chilly days this fall and early winter, but about a month ago stouts and porters started tasting good.

WHAT’S THE DIFFERENCE BETWEEN PORTER AND STOUT?
, by Ron Pattinson (All About Beer Magazine)

“What’s the difference between a porter and a stout?”

Roasted barley. That’s the usual explanation of what separates porter and stout. Unfortunately that story is total bollocks. The true tale is more complicated, more confusing and much more fun.

Let’s go back to their childhood. Eighteenth-century London with its elegant squares, gin and the birth of industrial-scale brewing. Something that could only have happened in London. Pre-powered transport moving large quantities of beer overland was impractical and expensive. London was the only city in the world with the critical mass of beer drinkers to power an industrial brewing reactor.

The story of porter—the first style to span the world—is one of technology, innovation and taxation. And war ...

It's a wonderful history lesson, leading here.

 ... That’s why they often parti-gyled their stouts with porter. You can probably see where this is going. The recipes for porter and stout were, by definition, identical, as they were brewed together.

Porter disappeared completely from the British Isles in the early 1970s when Guinness discontinued their version. But only for a few years. A couple re-appeared in the late 1970s and since then the style has made a small comeback, with beers like Fullers London Porter leading the way.

The difference between porter and stout? All stouts are types of porter. But not all porters are stouts. Only the stronger ones.

Martyn Cornell quotes Pattinson's research and arrives at a similar conclusion.

The answer to the question: "What's the difference between a stout and a porter" is that originally a stout was simply a strong version of porter: today the difference is whatever you want it to be.

To me, it's another variation on Justice Potter Stewart's thoughts about hardcore pornography: "I know it when I taste it," with more of the roasted malt character in a Stout and less in a Porter. I reserve the right to be contrarian while fully acknowledging those like Pattinson and Cornell, who are far more learned than me.

Anyway, if this is to be one of those questions defying resolution, at least there's considerable entertainment value in repeated taste tests of each style in pursuit of a lasting definition.

In turn, this brings us to an evocative new term: "pastry stout."

Wait ... it's a compliment, right?

Boom in sugary pastry stouts shows craft industry forgetting what beer tastes like, by Josh Noel (Chicago Tribune)

 ... After six hours wandering the aisles of the Festival of Wood and Barrel-Aged Beer last weekend, I have concluded that craft beer is betraying itself. It is forgetting what beer should taste like.

Though FOBAB, held this year at the University of Illinois at Chicago Forum on Friday and Saturday, remains Chicago’s most essential beer festival, corners of it have become a showcase for beer that tastes more like dessert than beer. “Pastry stouts,” the industry calls them.

Among the 376 beers poured at FOBAB this year, about 50 were pastry stouts, the largest share of the largest category at FOBAB.

Five years ago, among 194 beers, a measly six could be counted as pastry stouts. Back then, breweries were far more likely to age imperial stout in whiskey barrels to show the character of the beer they’d brewed and the barrels they’d secured. Today, those same beers are overrun with coffee, vanilla beans, coconut, cinnamon, chiles and cacao nibs.

So very many cacao nibs.

At this year’s FOBAB, there was beer named for cake (Barrel-Aged German Chocolate Cake), beer named for milkshakes (Bourbon Barrel Aged Supershake), beer named for cookies (Bourbon Barrel Aged Gingerbread Imperial Stout) and beer that didn’t bother specifying its form of sugary decadence (Beer Geek Mid-Day Dessert). Lil Beaver Brewery, of Bloomington, Ill., poured a beer it described as boasting “enough cacao nibs and toasted coconut to make you think you’re drinking a candy bar” ...

On Monday evening I stopped by The Exchange in New Albany and noticed Founders Canadian Breakfast Stout on the board, priced right where I'd expect such a rare beer to be (circa $14 for a 10-oz pour).

The bartender mentioned its presence, and I told him the most selfless thing I could possibly do was leave CBC alone so others could experience it.

Instead, I ordered a full $6 pour of Left Hand Sawtooth Ale, identified by the brewery as an Amber, but tagged by some other beer geek observers as an Extra Special Bitter.

It was delicious. I made the right choice.

Let there be options.

Monday, June 26, 2017

THE BEER BEAT: Making light switch covers great again, and other examples of stewed cranberries tasting like prunes.


File under: Slow news day. 

Or maybe "any publicity is good publicity," this coming from the guy who put Lenin (and Che) on the Red Room wall.


Nude Donald Trump painting at Against the Grain getting jeers and cheers
, by Elizabeth Kramer (Courier-Journal)

A tiny detail on a small work of art in the men's restroom at Against the Grain Brewery has elicited a big reaction from customers.

The art in question is a replica of a nude painting of President Donald Trump — a 2016 work called "Make America Great Again" by Los Angeles-based artist Illma Gore. It's on a light switch in the men's restroom that a regular customer at Against the Grain put up without asking about four months ago, said general manager Shane Benton.

“We let it ride,” Benton said. “It’s art."

I'm reminded of the scene in the Marx Brothers' film Animal Crackers.

Capt. Spaulding (Groucho): Well, art is art, isn't it? Still, on the other hand, water is water. And east is east and west is west, and if you take cranberries and stew them like applesauce, they taste much more like prunes than rhubarb does. Now, uh... Now you tell me what you know.

Was it art or politics when I added a photo of Gus Hall, head of the Communist Party USA, next to Lenin in the Red Room? After all, Hall ran for president on more than one occasion.

(Owner Sam) Cruz said he has never considered getting rid of the art.

“We are 'Against The Grain,'” he said. “There is a lot in a name and definitely being fearless when it comes to standing by our values as it pertains to self-expression, which is a part of that.”

He added that image of the nude Trump does not express the company’s political values.

This Swiss fellow disagrees with Sam.

Arts has always been intertwined with politics, even when such slogans as l’art pour l’art were professed. From mimetic to corrective tool, art served its given purpose and was influenced and shaped by different social conditions and circumstances. Artistic production never solely replicated reality. Even during Realism it had its purpose of showing the brutality or beauty of everyday life to viewers. In the Nazi and Soviet visual culture was heavily encumbered with additional meanings supportive of ideological stances. Some creatives succumbed to ideological burden and created works that glorified political regimes, while in contrast to such attitudes, alternative artistic practices developed, often confounded to groups with limited access to public domain.

Speaking of fearless self-expression in local beer culture, here is my favorite example.


Not that soiled drawers reflect my political values, or anything like that.

(insert smiley face and LOL here)

Tuesday, October 01, 2013

Roger's column at LouisvilleBeer.com: "Can we really have it all?"

Maybe we can, maybe we cannot.

Can we really have it all?


Just the other day, I heard the news that executive chef Reed Johnson had parted ways with Against the Grain. Actually, I read the news at the Eater Louisville web site, and this merits a brief digression about changing times. It strikes me as noteworthy that a full week later, the transition at AtG still […]

Friday, April 19, 2013

At LouisvilleBeer.com: "The Sahara of Slugger Field."

In the days since I filed this column, Against the Grain's Sam Cruz was asked by Eater Louisville to elaborate on the tweets I mention herein. Here's the link. Sam's also been discussing the same topic at the Louisville Restaurants Forum. Nothing has been heard from the team or concessionaire; no surprise there.

Coincidentally, Against the Grain's also about to garner some great publicity in Europe: Against the Grain road trip: "The Euro market is no stranger to Against the Grain beers."

Back to baseball: I've also recently taken a cursory look at the scene in Toledo and Columbus, Ohio cities where Triple-A ballparks seem to have a tighter grip on the modern world. As time permits, I'll continue to review choices in other places when the Bats travel elsewhere.

The Sahara of Slugger Field

by Roger Baylor

Anyone have a bucket?
It's not even the best of AB-InBev
The Triple-A Louisville Bats began play earlier this month amid the usual hot stove and cold fridge speculation as to whether Louisville Slugger Field finally would join the craft (beer) (food) (bourbon) (dining) (localism) (choose one) revolution currently underway in Louisville, as well as in most other baseball outposts scattered through the remainder of the United States.
If you’ve lived in these parts for any amount of time and possess the patience to read this far, you’ve already guessed the answer.

Thursday, January 31, 2013

ON THE AVENUES: Not to mention rack of lamb.

ON THE AVENUES: Not to mention rack of lamb.

A weekly web column by Roger A. Baylor.

Louisville’s Against the Grain brewpub staged a “swanky” beer dinner earlier this week. The occasion was a visit to Louisville by the gypsy brewers known to the world as To Øl, a pair of twenty-something homebrewing Danes gone commercial, and now making the most of their newfound stardom on a stateside tour.

Prior to the dinner, there was a “happy hour” and meet ‘n’ greet a few blocks over at the Louisville Beer Store, which featured To Øl’s beers and a chance to learn what makes them tick. Unlike NABC, To Øl has no brewery of its own. Rather, the beers are brewed at other existing European breweries with capacity to spare … or this week, in Louisville.

Part of the reason for To Øl’s visit was to brew a collaboration beer with Against the Grain, and it must be conceded that in doing so, Tobias and Tore found just the right hopster partners in creative beer-themed lunacy, the only difference being the customary experience of Danes speaking English better than most Americans. Apart from superb hosts, witty guests and their fine beers, I’ll always remember two aspects of the beer dinner.

First was Chef Reed Johnson’s commendable decision to go raw with a course of quail egg-topped steak tartare, served with sprouts, fried capers and pecerino, and paired with To Øl’s Snowball Saison, an example of “wild” ale with a funky, sour character.


“Yummers,” writ large.

The olfactory memories were immediate and compelling, because the dish reminded me of my good fortunate in being introduced to the concept of traditional Danish lunch many years ago by friends in Copenhagen.

“Lunch” in this usage is a refreshingly elastic concept meant for stretching one’s food and drink consumption from just after breakfast until almost closing time, featuring a steady succession of small plates, tapas-style, and mostly served raw: Herring, steak and eggs, with dense dark flatbread for stacking as well as acorn-sized capers and pungent onions for use as condiments.

Granted, sour ale in the Belgian style would not have been available to us back in those halcyon days, although we somehow made do with glasses of lager and beakers of akvavit (regional schnapps), all of them repeated until the last traveler’s check was gone. One time I spent roughly $300 for my share of such a repast, recalling almost nothing about it the next day.

I’ll never forget not remembering.

---

Second, on Tuesday night I soon realized that my beer dinner’s glow was not exclusively derived from the sheer joy of ingesting raw meat and quaffing sour ale. In fact, it was almost uncomfortably warm outside following a 70-degree Kentuckiana shirtsleeves day in January, with high winds and even tornadoes expected overnight.

It seems that my memories of steak tartare and uncooked victuals are tied to cooler climes, and crisp evening sweater temperatures in places like Denmark and Finland, even during high summer. It’s a bit incongruent, but this being the Ohio Valley, one merely must wait patiently for a few hours to pass and the weather to turn upside down.

It’s now Thursday morning, and the mercury’s below freezing. I’ll be bundling for a restorative walk, and craving more food designed for colder weather. As I’ve noted in the past, whenever it isn’t a fit night out for man or beast, some dining options are inadequate in spite of their ready availability owing to the wonders of long-distance trucking.

Let’s face the facts: Salade Nicoise, gazpacho, watermelon and corn on the cob neither were meant to be consumed in winter, nor are calculated to warm one’s increasingly creaky bones. Waxen imitation veggies can do no more than offend. Rather, hearty soups, stews, goulash, cabbage rolls and casseroles form integral recipe files deep within the genetic code.

Foodstuffs like these arouse the slumbering distance of ancestors on the continental steppes and in the northern forest, those enduring and resourceful people who during winter reached for the pickled vegetables, delved into cellar for potatoes, beets and onions, and cracked open stocks of salted beef and fish.

This also is the point where the oenophile loses traction. Wine’s fine, the redder the better, but beer excels when it comes to winter’s fortification. It’s true that I’m an evolving apostle of session-strength (lower alcohol) beer styles, but when it’s cold outside and the ham and beans in the tureen are steaming, real beer matches the occasion -- beer that is cool, not cold; solid, not puny; and challenging, not simple.

Winter – assuming suntans are appropriately impossible – provides the most suitable conditions for sampling and studying the heavyweight classics that have come to us from Old World brewing cultures, and in turn are embraced and redefined by America’s innovative craft brewers ... and Europeans like To Øl.

Among these are multi-faceted imperial stouts, deeply affecting barley wines, potent Belgian Trappists and big, brawny German “double” bocks. Not only do these styles provide ample warming for bodies iced and chilled in the great outdoors, but they also stick to the food that sticks to your bones, when it matters most.

These needn’t necessarily boast double-digit alcohol contents. Doppelbock and Baltic Porter are in the 7%-8% range, ideal to wash down roasted pork and sauerkraut. Robust, jet-black Imperial Stout, once an English export beverage for markets in Russia and Scandinavian port cities, retains its roasty fruitiness in examples at 9% ABV. Forget the fridge and place your bottles and growlers in the basement, or by a cold wall, and begin thinking about the meals to come.

I’m swooning: Steak and kidney pudding, or Bavarian-style Schweinehaxe (pork knuckle with a crisply chewy rind). Smoked salmon and mackerel. Dilled potatoes with butter or sour cream. Pickled eggs and mushrooms as an opening appetizer course. Smelly cheeses and nuts afterward, with the sherry-like vintage Barleywine you’ve been saving, and cigars if permitted. Of course, a snifter of Kentucky bourbon never hurt, either.

Thanks to everyone who made Tuesday such an adventure.