Showing posts with label 1987. Show all posts
Showing posts with label 1987. Show all posts

Thursday, July 02, 2020

New Albanian Brewing Company looks to reopen on or around the 1st of August.


The post below drew almost 500 likes on Facebook and generated 80-odd comments, almost all of them positive. When you've been around 33 years, making NABC among the oldest continually operating pub businesses in town, that's the way it works.

While I'm no longer a part of NABC, make no mistake: I want them to succeed, and I'm confident they will. After all, 25 of those years included me, and I'm quite proud of what we accomplished in making New Albany a better place.

---

June 30, 2020

The New Albanian Brewing Co. Pizzeria & Pub (aka Sportstime Pizza) was TEMPORARILY closed in late March due to the Covid-19 virus pandemic. We had hoped for better news by now regarding the spread, testing, or vaccinations of this virus but this does not seem to be the case. We are still not satisfied that opening our doors would be in the best interest of our employees or the public. We are all facing unprecedented circumstances and this has not been easy to make business decisions but we are doing our best.

As such, we are announcing that NABC will remain closed for the month of July. Our plan, as of today, is to REOPEN on or around the first of AUGUST.

As you may be aware, we have been working on repairs and maintenance, cleaning, reorganizing and more cleaning since our shut down. Two of the bigger projects have already been completed during this time...a much-needed new roof for the entire complex as well as a new exhaust hood for our pizza oven! There has been some painting in both dining rooms and we have more projects planned during July such as adding a hand washing station in the Arcade, updating sanitation safety measures, updates to our employee handbook, printing new menus that will be easily wipeable, relocating the Gifts Store, installing new thermostats, installing two additional point-of-sale systems to provide less overlap of screen touching by front of house staff, and plans on how to layout the dining areas to provide distance and/or barriers of some sort between diners.

Opening will begin slowly for us not only to control the flow of customer traffic intelligently, safely and realistically, but because it will require quite a bit of time for us to ramp back up to full production of both food and beer. The brewery will take months to get back on track from ingredients ordered to brewing to tank time to tapping. Getting to our normal operational hours will take more time than anyone desires, but we feel it is the best course of action.

We are incredibly grateful for everyone's support, patience and understanding during these times. Please check our Facebook page for any new or updated information near the end of July.

Be safe. Wear a mask if you can. Wash your hands thoroughly and often. Stay physically distant, not socially distant. Hope to see you all soon!

Much Love,
The New Albanian Sisters
AMY&Kate

Tuesday, November 26, 2019

12 Days of Slovenia & Trieste (Part 3): Finding my way to Ljubljana in 1987.

The Dragon Bridge, Ljubljana in 1987.
Vienna Secession style (circa 1900).

The following was posted at NA Confidential on May 25, 2017 as part of a series in celebration; it was the 30th anniversary of my lone visit to the country formerly known as Yugoslavia, and an excuse to finally scan those slides.

From May 15 through May 31 in 1987, I visited five Yugoslav “republics” that are independent countries today: Slovenia, Croatia, Bosnia-Herzegovina, Serbia and Macedonia.

The sixth republic, Montenegro, wasn’t on my 1987 itinerary and neither was Kosovo (ethnically Albanian but part of Serbia at the time). However, during a day spent in the city of Ohrid, the presence of Albania could be vividly sensed, lying twelve miles away across the stately waters of Lake Ohrid.

Other Yugoslav cities that I passed through were Zagreb, Sarajevo, Mostar, Kardeljevo (now Ploče), Dubrovnik, Belgrade and Skopje. I exited Yugoslavia at the Bulgarian border as the only American on a bus bound for Sofia, somewhere around Gyueshevo.

Even for those with a moderate grounding in European history, these place names still appear mysterious and vaguely eastern. Yugoslavia was a multi-ethnic country made up of Christians, Muslims and Jews, and speaking a half-dozen languages (in two alphabets). Over the centuries, the inhabitants of these regions were the subjects of various foreign empires, including Rome, Venice, Hungary, the Habsburgs and the Ottoman Turks.

The cultural kaleidoscope was calculated for sensory overload, and looking back on these scant three weeks in my life, my time in Yugoslavia seems almost otherworldly. Naturally I wouldn’t trade it for anything, and yet I’m fully aware of how much was missed or only partially digested. In truth, I was still in training, learning the ropes.

However, one thing about Yugoslavia has stuck with me. The people I met were amazingly hospitable, unfailingly friendly and invariably helpful to this flailing American in spite of the many language and cultural barriers.

These pleasant memories made it all the sadder for me during the 1990s, amid the murderous, decade-long Yugoslav civil war, when numerous barroom discussions began or ended with someone asking me if I could see the conflagration coming, all the way back in ’87, when I was there.

No, I didn't. Not at all.

But those men and women who’d been so nice to me – what had become of them? I didn't know then, and still don't. It's a melancholy feeling, indeed.

For a local's guide to Ljubljana in 2019, go here. This story will be continued tomorrow. 

---

FINDING MY WAY TO SLOVENIA, 1987

On Friday the 15th of May in 1989, I began the day at a hostel in Perugia, Italy, before embarking on three legs of a single day's rail journey: Perugia to Florence, then to Venice, and finally Trieste.

To this day I can't explain why I didn't spend the night in Trieste before crossing the frontier to Ljubljana, capital of the Slovenian republic in the federation called Yugoslavia. Trieste later came to be a bucket list destination, but my first time was a wash, with barely time to walk a bit and grab a bite of street food (pizza, or something like it) before making the decision to press on.

I returned to the train station in early evening slightly glowing from some cheap Italian table wine scored from a shop, and promptly suffered the first noticeable lancing of an otherwise hopeful seaside mood.

Rounding the litter-strewn corner to an isolated side platform, I saw the rusted, elemental Yugoslav train waiting for the ride to Ljubljana. There were only three passenger cars, and they had no frills left to give.

In 1985, my first brief glimpse of communism had come from the vantage point of a sleek Finnish tour bus. Now this unadorned vintage Balkan rolling stock hinted at what was to come during the next few weeks roaming southeastern red-starred Europe.

A port and border town, Trieste’s geographical resting place was much in dispute following World War II. Yugoslavia's Marshall Tito (Josip Broz, a Croat by birth) eventually acquiesced in his demands, and Trieste remained Italian, which it had been for only three decades after forcible detachment from the defunct Austro-Hungarian Empire at the close of the previous war.

Consequently, a sizable population of ethnic Slovenes living in Trieste's suburbs and hinterlands became Italian citizens overnight. Their descendants appeared to be my fellow outbound weekend passengers, probably visiting relatives on the other side.

They began boarding the so-called "express," many encumbered with multiple bags, bundles and boxes. No one was speaking Italian. It was almost as though the dilapidated Trieste rail siding was an extension of Yugoslav sovereign territory.

The train finally began rumbling slowly to the east. We lurched uphill toward the border, into Trieste's famous karst hinterland (that's a limestone topography) with those darkened mountains ahead for which the Balkans are both celebrated and feared. It all seemed less imposing when brightened by a setting sun.

At the border, my passport merited little more than a cursory glance. The visa inside was duly stamped by the youthful, uniformed guard with the rifle slung over his shoulder. It all seemed unusually relaxed, a condition not always to be repeated in the Bloc during my journeys later that summer.

The locals had it somewhat harder, and their packages were inspected closely. Once inside Yugoslavia, the train began emptying as we stopped in one small town after another. After three and a half hours, just shy of 22:30, the express that never was shuddered to a halt at Ljubljana's central station.

Excited, I bounded down the worn metal steps into a warm and humid night, hoisted my pack, turned to follow the crowd, and was greeted by a full-scale reprise of an Animal House bacchanal, minus the togas.

---

Unsteady chorus lines of drunken young men were chugging bottled beer, the liquid streaming down their faces as they stumbled across the rails singing verses of unknown songs, with nary a female in sight.

To my right, a group of them were merrily urinating on a rail yard wall. Some were shirtless, half-heartedly wrestling. Others were projectile vomiting.

Although obviously harried by the mayhem, train station personnel looked on it with remarkably equanimity, as though the performance had been seen many times before.

And so it had.

Two days later while in route to Zagreb, a seismologist from Skopje explained that what I’d witnessed was a semi-regular occurrence throughout Yugoslavia. The revelers were the latest cohort of military draftees, celebrating their final night of freedom before shipping out to serve the motherland for two years.

Upon arrival in Ljubljana, I didn't know any of this.

Rather, standing on the platform transfixed and appalled, watching the crazy party, a question occurred to me.

Why the hell had I come here?

As throngs of thoroughly inebriated future Yugoslav soldiers milled through the debris in Ljubljana's otherwise unoccupied train station, I found myself an object of curiosity and attention, perhaps the lone western backpacker.

It must be said that the scrutiny wasn't threatening, and the general mood remained one of revelry. Gingerly picking my way gingerly through the ranks of the fallen, taking care to avoid evil smelling puddles, I scanned the strange directional signs in an effort to locate a safe path into the station's nerve center.

Two of them stood out: "Informacija" (information) and a pictogram of bank notes and coins.

Money was the first priority, as I'd passed from lira to dinars. In pre-Euro times, every border crossing required exchanging the previous nation’s currency into the next one. In 1987, there were few ATMs even in Western Europe, much less the East Bloc. Similarly, the credit card in my neck pouch would be almost useless in socialist locales outside of special "hard currency" shops.

Back then, you changed money the old-fashioned way, with actual dollars or American Express traveler's checks. The man behind the only populated window miraculously spoke a bare minimum of English, and was able to answer my questions.

Yes, he would cash a traveler's check.

No, he could not help me find accommodations.

No (gesturing at the cacophony), the baggage check room was quite full.

Bureaucratic scribbling followed, and he began slapping down those one thousand dinar notes, again and again, until the pile was at least two fingers high.

Not a bad exchange rate: $100 per inch.

Public transportation had shut down, and so my search for lodgings commenced on foot. There was a chronic scarcity of streetlights, but I managed to navigate a half-mile to the first university-affiliated youth hostel listed in the guidebook.

There were cobwebbed padlocks on the door.

The second hostel defied all navigational efforts. It was dark, the streets were deserted, I was soaked with sweat and it was well after midnight. Reversing course back toward the train station area, I made for the first standard hotel.

The night clerk eventually responded to repeated buzzing, sleepily offering non-negotiable terms of one night in a single-bedded room for roughly a quarter-inch of my hard-earned dinar wad, or three times the rate I expected to pay in a hostel. Exhausted, notions of showers and naps were cheering. It was a splurge -- and a deal.

On Saturday morning, flooded in blessed daylight, the youth & student travel bureau was easily found, and a less inexpensive bunk booked in a three-bed student hostel toward the city center. The day was free for exploring Ljubljana -- sister city of Cleveland, Ohio -- and drinking a few delicious Union lagers.

University in Ljubljana. I was a
philosophy major in college, remember?

Friday, November 10, 2017

UPDATE: "Tjentište War Memorial, Yugoslavia, then and now."


It wasn't until May of 2017 that I finally understood what I'd photographed back in 1987. It was the Tjentište War Memorial, glimpsed somewhere along the route of a 10-hour bus ride from Dubrovnik to Belgrade.

This essay is a far better explanation of the "spomeniks," a word that may not be the best choice to describe them.

The Misunderstood History of the Balkans’ Surreal War Memorials, by Darmon Richter (Atlas Obscura)

As viral images, the so-called “spomeniks” of the former Yugoslavia are often taken out of context.

The memorial house on Petrova Gora is one of many hundreds of unusual, oversized monuments that were built by the former Yugoslavia during the 1960s, ‘70s and ‘80s across the Balkan States. These Yugoslav war memorials—often dubbed “spomeniks” by Western media—have gained a lot of online attention in recent years. However, as viral images, they are increasingly taken out of context.

Here's the post from May 24, 2017.

---


It's just a few days shy of thirty years since I boarded a bus in Dubrovnik, bound for Belgrade. I'd already been to Ljubljana, Zagreb, Sarajevo and Mostar, which at the time were located in Yugoslavia. The country ceased to exist after the civil war, which began in 1992.

The bus trip took something like ten hours, traveling on roads that weren't interstates. Every few hours, there'd be a pit stop, and one of them was at the Tjentište War Memorial, in the middle of nowhere. My photo from 1987 is above, and a more recent one below (via Atlas Obscura's article).


At the time, I had no idea what this sculpture represented, only that it seemed strange enough to photograph.

The two fractal walls of the memorial were erected in the 1970’s to remember Operation Fall Schwarz, otherwise known as the Battle of the Sutjeska. The military action took place during World War II and saw Axis forces attempt to rout a group of Yugoslavian forces and capture their leader.

This and other monuments from defunct Yugoslavia now seem calculated to produce melancholy.

These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like Tjentište, Kozara and Kadinjača), or where concentration camps stood (like Jasenovac and Niš). They were designed by different sculptors (Dušan Džamonja, Vojin Bakić, Miodrag Živković, Jordan and Iskra Grabul, to name a few) and architects (Bogdan Bogdanović, Gradimir Medaković...), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their "patriotic education." After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost.

The view in the opposite direction, back in 1987? Just more of those seemingly endless mountains.

Sunday, July 23, 2017

THE BEER BEAT: I guess if NABC isn't celebrating its 30th birthday, then I will, with a look back at the 25th.

Photo by John Wurth.

Yesterday (July 22) was the 5th anniversary of the New Albanian Brewing Company's 25th anniversary, which means the business entity variously known as Sportstime Pizza, Rich O’s Public House, the New Albanian Brewing Company (later, adding Bank Street Brewhouse, now dubbed NABC Cafe & Brewhouse) has celebrated its 30th birthday.

Ladies and gentlemen, the inimitable Tony Beard.

The exact date of inception is lost, but some time in June, 1987 is my best guess. My own involvement lasted from from 1990 through 2015, and as Mayor Jeff Gahan pointed out at a mayoral debate in 2015, my career as a double naught capitalist provoked unprecedented misery for the city of New Albany.

"(Roger’s) never done anything in a positive manner to help the city of New Albany.”

Actually, during the opening phases of Rich O’s Public House during the early- to mid-1990s, with Oasis and Nirvana playing deafeningly in the background, we often pointed to Kentucky license plates in the parking lot as proof of things working out just as we had hoped. Gahan probably didn't notice, given the pressing and frenetic weight of adulation that customarily accompanies a career in veneer sales.

This morning I scrolled back through recent Facebook posts at the Pizzeria & Public House and Cafe & Brewhouse to see if mention had been made of the anniversary.

I saw none, but then again, details like this always were my "area" during the period of my immersion, perhaps because I've always been aware we were constructing a narrative, and I'd be the guy writing the history.

The scribe departs and history ends; Fukuyama would be proud. Ironically, the past week may finally prove to be a watershed in our efforts to come to a monetary agreement about the professional divorce, absent the rigors of litigation. I remain hopeful. For those readers unfamiliar with the saga, I catalogued my consciousness in March.

By early 2015, themes and threads gestating for several years had combined into something approximating a personal resolve to do something different with my life, and I decided to sell my share of both NABC corporations to my two longtime business partners. Why, exactly?

Enough of that. There always was a dollop of Fleetwood Mac amid the pizza and beer, and today's objective is to celebrate the curiously neglected anniversary.

To begin, a few resurrected Potable Curmudgeon blog links from 2012, helping to provide background on the bacchanal of the 25th observance.

July 23, 2012
“New independent businesses are coming in and that’s what’s moving New Albany forward. We’ve all grown together and it’s great" ... There was a nice description of our 25th anniversary celebration in the Monday morning C-J.

July 21, 2012
Sarah models the NABC 25th anniversary t-shirt.


July 19, 2012
Beers, pours and pricing for "25 Years of Beer & Loathing."

July 17, 2012
NABC beer lineup for 25 Years of Beer & Loathing ... Here is the NABC beer lineup for 25 Years of Beer & Loathing, this Sunday at the Riverfront Amphitheater in New Albany. All the following will be ready to drink at 10:00 a.m., when the day kicks off.

July 16, 2012
Sara Havens in LEO: "A salute to NABC" ... All this week there'll be reminders of our anniversary posted here, leading up to the 25 Years of Beer and Loathing bash on the riverfront next Sunday. First up is my old pal Sara "Bar Belle" Havens of the Louisville Eccentric Observer, who interviewed me last week.

July 15, 2012
New "Baylor on Beer" at LouisvilleBeer.com ... I reworked an older column from 2010 into this "Baylor on Beer" submission to LouisvilleBeer.com, proving that it's always okay to sample oneself, especially when the schedule is too busy to be original. Seeing as this is NABC's 25th anniversary week, the following helps to explain a few motivations of my own.

Then, in closing, my ON THE AVENUES column of June 21, 2012: "25 years of Beer & Loathing." While it's true that the five years since then have been tumultuous and filled with nuggets of history, the 25th anniversary party it itself worthy of remembrance, in addition to being an apt summary of the first quarter-century.

But first, allow me to repeat something previously written.

In a space this brief, it would be impossible to recount the many life lessons I learned while at NABC, though one springs to mind: When business life is good, the employees get the credit, and when there are problems, it’s all on the owners.

The rank and file, and the workers on the shop floor – cooks, servers, dishwashers and staff members – do the heavy lifting and define the atmosphere. They’re the face of the business, and its esprit de corps. The job of the owner is to organize and manage them so they can thrive, and in turn, so the entity can succeed.

Yes, naturally there are exceptions. Firing someone isn’t fun, though occasionally it must be done. Employees make mistakes, and so on. The point to me is that so many of them, the vast majority, have been top-flight individuals, both before and after working for NABC.

We’ve had our share of teachers, media professionals, artists and musicians working as part-timers, supplementing their income with shifts. With IU Southeast just down the street from the original Pizzeria & Public House locations, there have been hundreds of students receiving W2s as they worked their way through school.

Just think of the local multiplier effect in human terms, for more than 25 years.



What’s more, so many of them have gone on to solid careers. If we had an NABC Alumni Association, it would include doctors, writers, sailors, lawyers, real estate moguls, gardeners, bar and restaurant owners, chefs, entrepreneurs, brewers, entertainers and distillers.

I see many of them on social media, raising their families and living their dreams. I’m pleased as punch to have played a part, however brief, in their formative lives. Cheers to them. I'm serene and looking forward to a new challenge, which I hope will be gathering steam quite soon.

---


ON THE AVENUES: 25 Years of Beer & Loathing (June 21, 2012)

My pal TR called for a catch-up chat. It had been a week since my return from four months in Europe, and I was woefully depleted of gossip, so TR suggested lunch at a joint called Sportstime Pizza, apparently recently established somewhere near Grant Line Road. I couldn’t really form a mental picture of the place until he resorted to a past-tense directional comparison: “It’s where the Noble Roman’s used to be.”

It was 1987, and now, as thousands of years of human history pass by, I join the chorus of individuals always asking, “Where did the time go?”

I couldn’t tell you the answer, except to mischievously recall another friend’s longtime assertion that his eventual autobiography would bear the title, “What I Remember.” Not mine, which is slated to be called “Beer, Bile and Bolsheviks: A Fermentable Life," but there’s little time to write the book because the business I inadvertently stumbled into two decades ago still keeps me ridiculously busy amid a career of selling the idea of beer, a course that somehow took shape during gaps between bouts of drinking lots and lots of it.

Naturally, none of this could have taken place without the work, contributions and input of so many people, from co-owners Amy and Kate through all our employees, customers and folks far too numerous to count – past, present and future. At the risk of sounding trite, I’ll consciously echo Queen, who said it best.

I've taken my bows
And my curtain calls
You brought me fame and fortune and everything that goes with it
I thank you all

But it's been no bed of roses
No pleasure cruise
I consider it a challenge before the whole human race
And I ain't gonna lose

Unfortunately, as I’m channeling the late and lamented Freddie Mercury, the missus is assuming the voice of barrister’s mate Hilda Rumpole to remind me that any mention of “fortune” is utterly misplaced in my professional context. It’s true, although the value of enjoying one’s work and being paid to drink beer whilst performing it … that’s truly priceless.

---

The New Albanian Brewing Company will mark its first quarter-century of existence with a day-long picnic and concert at New Albany’s Riverfront Amphitheater on Sunday, July 22, 2012.

As most readers probably know, nowadays the original location near Grant Line Road is known as the NABC Pizzeria & Public House, incorporating Sportstime, Rich O’s Public House (1992) and the 2002 addition of craft brewing on site. NABC’s most recent progeny (2009) is NABC Bank Street Brewhouse, located in New Albany’s historic business district downtown.

“25 Years of Beer & Loathing” is what we’re calling the fete, and NABC’s 25th anniversary celebration will be a day-long musical, family-friendly event with food, activities and refreshments suitable for all ages. The venue is New Albany’s Riverfront Amphitheater, from 10:00 a.m. to sundown on Sunday, July 22. The Amphitheater is located by the Ohio River in downtown New Albany, with ample parking available by the levee at the foot of Pearl Street.

There is no cover charge for this event, and it’ll be cash 'n' carry for food, drinks and vending. Proceeds after expenses will be disbursed in the form of grants to Rauch Inc., the Isabel Jade Pickhardt Fund and New Albany First.

So that all of our current employees can participate in recalling 25 Years of Beer & Loathing, NABC’s Bank Street Brewhouse will be closed on Sunday, July 22, although the Build Your Own Bloody Mary Bar will be operating at the Riverfront Amphitheater from 10:00 a.m. to 2:00 p.m. (see below). Following in alphabetical order are details about what to expect.

Beer
NABC’s draft truck (Rosa L. Stumblebus) will be on hand with old favorites and special releases. We’ll be pouring all four of NABC’s 10th brewery anniversary beers: Bourbondaddy, Stumblebus, Turbo Hog and Scotch de Ainslie. There’ll also be a special 10th anniversary session ale called Get Off My Lawn. In addition, limited quantities of cask-conditioned Naughty Girl (double dry-hopped) and Oaked Choufftimus will be served while they last.

Build Your Own Bloody Mary Bar
A Bank Street Brewhouse staple at Sunday brunch, the bar will move to the waterfront, with Miss Sarah on hand to guide visitors through garnishes, sauces and fresh embellishments.

Charitable donations
Net monies after expenses will be used for grants to be given to Rauch Inc, the Isabel Jade Pickhardt Fund and NA1st. Our longtime friends at Rauch support people with disabilities through services designed to promote individual choices, growth and well being, while encouraging a community environment that acknowledges the value and contribution of all people. They’ll be helping NABC with the children’s area and site clean-up. The Isabel Jade Pickhardt Fund was set up to assist the daughter of the late Ryan Pickhardt, a local musician and keyboard player for the band Sativo Gumbo, with whom NABC has longstanding ties. NA1st is New Albany’s only grassroots independent business alliance, seeking to support and promote independent business owners and to educate community members about the importance of buying locally. On the 22nd, volunteers from NA1st will assist NABC in monitoring entrances and exits, and policing the grounds.

Children’s Area Activities
A duck pond, face painting, temporary tattoos, an art area and perhaps other activities will be available for the kids.

Food
Feast BBQ (116 W Main St) is roasting a pig, and will be offering these items: Pork sliders with pickles and onions; pork tacos with cilantro, lime, cotija, and crema; and smoked corn on the cob ... Shawn, TJ and Charlestown Pizza Company will be preparing chicken salad croissants, Asian slaw, pasta salad, fruit cups and other fare ... NABC is brewing root beer for the event, and of course there’ll be water and soft drinks.

Music schedule

10:00 a.m.: (house music)
12 Noon: Roz Tate
1:00 p.m.: Ben Traughber
2:00 p.m.: Five Foot Fish
3:00 p.m.: Beeler Attic
4:00 p.m.: Jed and the NoiseMakers
5:00 p.m.: Porch Possums
6:00 p.m.: Dust Radio
7:00 p.m.: Whiskey Riders
8:00 p.m.: Toledo Bend

Wine
River City Winery will be on hand to sell wines and Sangria.

We hope you'll be able to stop by and help us remember what we remember.

Thursday, May 25, 2017

ON THE AVENUES: Welcome to wherever you are, and come to think of it, Ljubljana will do nicely.

ON THE AVENUES: Welcome to wherever you are, and come to think of it, Ljubljana will do nicely.

A weekly column by Roger A. Baylor.

(This column is just one installment in a series about my travels in 1987. Previously, Perugia ... next, more about Ljubljana)


May 15, 1987 … Trieste, Italy

I returned to the train station in early evening with a slight glow from cheap Italian table wine, and promptly suffered the first noticeable lancing of an otherwise sanguine seaside mood.

Rounding the litter-strewn corner to an isolated side platform, I saw the rusted, elemental Yugoslav train waiting for the ride to Ljubljana. There were only three passenger cars, and they had no frills left to give.

In 1985, my first brief glimpse of communism had come from the vantage point of a sleek Finnish tour bus. Now this unadorned vintage Balkan rolling stock hinted at what was to come during the next few weeks roaming southeastern red-starred Europe.

A port and border town, Trieste’s geographical resting place was much in dispute following World War II. Yugoslavia's Marshall Tito (Josip Broz, a Croat by birth) eventually acquiesced in his demands, and Trieste remained Italian, which it had been for only three decades after forcible detachment from the defunct Austro-Hungarian Empire at the close of the previous war.

Consequently, a sizable population of ethnic Slovenes living in Trieste's suburbs and hinterlands became Italian citizens overnight. Their descendants appeared to be my fellow outbound weekend passengers, probably visiting relatives on the other side.

They began boarding the so-called "express," many encumbered with multiple bags, bundles and boxes. No one was speaking Italian. It was almost as though the dilapidated Trieste rail siding was an extension of Yugoslav sovereign territory.

The train finally began rumbling slowly to the east. We lurched toward the border, into the blackened mountains for which the Balkans are both celebrated and feared, although the forested heights seemed less imposing when brightened by a setting sun.

At the border, my passport merited little more than a glance. The visa inside was duly stamped by the youthful, uniformed guard with the rifle slung over his shoulder. It all seemed unusually relaxed, a condition not always to be repeated in the Bloc during my journeys later that summer.

The locals had it somewhat harder, and their packages were inspected closely. Once inside Yugoslavia, the train began emptying as we stopped in one small town after another. After three and a half hours, just shy of 22:30, the express that never was shuddered to a halt at Ljubljana's central station.

Excited, I bounded down the worn metal steps into a warm and humid night, hoisted my pack, turned to follow the crowd, and was greeted by a full-scale reprise of an Animal House bacchanal, minus the togas.

---

Unsteady chorus lines of drunken young men were chugging bottled beer, the liquid streaming down their faces as they stumbled across the rails singing verses of unknown songs, with nary a female in sight.

To my right, a group of them were merrily urinating on a rail yard wall. Some were shirtless, half-heartedly wrestling. Others were projectile vomiting.

Although obviously harried by the mayhem, train station personnel looked on it with remarkably equanimity, as though the performance had been seen many times before.

And so it had.

Two days later while in route to Zagreb, a seismologist from Skopje explained that what I’d witnessed was a semi-regular occurrence throughout Yugoslavia. The revelers were the latest cohort of military draftees, celebrating their final night of freedom before shipping out to serve the motherland for two years.

Upon arrival in Ljubljana, I didn't know any of this.

Rather, standing on the platform transfixed and appalled, watching the crazy party, a question occurred to me.

Why the hell had I come here?

As throngs of thoroughly inebriated future Yugoslav soldiers milled through the debris in Ljubljana's otherwise unoccupied train station, I found myself an object of curiosity and attention, perhaps the lone western backpacker.

It must be said that the scrutiny wasn't threatening, and the general mood remained one of revelry. Gingerly picking my way gingerly through the ranks of the fallen, taking care to avoid evil smelling puddles, I scanned the strange directional signs in an effort to locate a safe path into the station's nerve center.

Two of them stood out: "Informacija" (information) and a pictogram of bank notes and coins.

Money was the first priority, as I'd passed from lira to dinars. In pre-Euro times, every border crossing required exchanging the previous nation’s currency into the next one. In 1987, there were few ATMs even in Western Europe, much less the East Bloc. Similarly, the credit card in my neck pouch would be almost useless in socialist locales outside of special "hard currency" shops.

Back then, you changed money the old-fashioned way, with actual dollars or American Express traveler's checks. The man behind the only populated window miraculously spoke a bare minimum of English, and was able to answer my questions.

Yes, he would cash a traveler's check.

No, he could not help me find accommodations.

No (gesturing at the cacophony), the baggage check room was quite full.

Bureaucratic scribblings followed, and he began slapping down those one thousand dinar notes, again and again, until the pile was at least two fingers high.

Not a bad exchange rate: $100 per inch.

Public transportation had shut down, and so my search for lodgings commenced on foot. There was a chronic scarcity of streetlights, but I managed to navigate a half-mile to the first university-affiliated youth hostel listed in the guidebook.

There were cobwebbed padlocks on the door.

The second hostel defied all navigational efforts. It was dark, the streets were deserted, I was soaked with sweat and it was well after midnight. Reversing course back toward the train station area, I made for the first standard hotel.

The night clerk eventually responded to repeated buzzing, sleepily offering non-negotiable terms of one night in a single-bedded room for roughly a quarter-inch of my hard-earned dinar wad, or three times the rate I expected to pay in a hostel. Exhausted, notions of showers and naps were cheering. It was a splurge -- and a deal.

On Saturday morning, flooded in blessed daylight, the youth & student travel bureau was easily found, and a less inexpensive bunk booked in a three-bed student hostel toward the city center. The day was free for exploring Ljubljana – sister city of Cleveland, Ohio – and drinking a few delicious Union lagers.

---

A few photos from Ljubljana.


The same view, 30 years apart.


The Dragon Bridge, in the Vienna Secession style (circa 1900).


I was a philosophy major in college, remember?


Already I was displaying a knack for finding breweries.


Saturday the 16th of May, a market morning.


---

May 25, 2017 … New Albany, Indiana

It is the 30th anniversary of my lone visit to the country formerly known as Yugoslavia. From May 15 through May 31 in 1987, I visited five Yugoslav “republics” that are independent countries today: Slovenia, Croatia, Bosnia-Herzegovina, Serbia and Macedonia.

The sixth republic, Montenegro, wasn’t on my 1987 itinerary and neither was Kosovo (ethnically Albanian but part of Serbia at the time). However, during a day spent in the city of Ohrid, the presence of Albania could be vividly sensed, lying twelve miles away across the waters of Lake Ohrid.

Other Yugoslav cities that I passed through were Zagreb, Sarajevo, Mostar, Kardeljevo (now Ploče), Dubrovnik, Belgrade and Skopje. I exited Yugoslavia on the Bulgarian border, somewhere around Gyueshevo.

Even for those with a moderate grounding in European history, these place names still appear mysterious and vaguely eastern. Yugoslavia was a multi-ethnic country made up of Christians, Muslims and Jews, and speaking a half-dozen languages (in two alphabets). Over the centuries, the inhabitants of these regions were the subjects of various foreign empires, including Rome, Venice, Hungary, the Habsburgs and the Ottoman Turks.

The cultural kaleidoscope was calculated for sensory overload, and looking back on these scant three weeks in my life, my time in Yugoslavia seems almost otherworldly. Naturally I wouldn’t trade it for anything, and yet I’m fully aware of how much was missed or only partially digested. In truth, I was still in training, learning the ropes.

However, one thing about Yugoslavia has stuck with me. The people I met were amazingly hospitable, unfailingly friendly and invariably helpful to this flailing American in spite of the many language and cultural barriers.

These pleasant memories made it all the sadder for me during the 1990s, amid the murderous, decade-long Yugoslav civil war, when numerous barroom discussions began or ended with someone asking me if I could see the conflagration coming, all the way back in ’87, when I was there.

No, I didn't. Not at all.

But those men and women who’d been so nice to me – what had become of them?

I didn't know then, and still don't.

It's a melancholy feeling, indeed.

---

Recent columns:

May 18: ON THE AVENUES: Are dissidents born or made? A humanities major examines his life and locale.

May 11: ON THE AVENUES: Would a Canon candidacy compromise Deaf Gahan's and Mr. Dizznee's shizz show? A boy can dream.

May 4: ON THE AVENUES: Under the volcano in Catania, Sicily (Part One).

April 27: ON THE AVENUES: Dear Mr. Dizznee: Can you hear me now?

Wednesday, May 24, 2017

Tjentište War Memorial, Yugoslavia, then and now.


Previously in the 1987 travel narrative: 30 years ago today: (May 1987) Dubrovnik long before those trendy thrones and games.

It's just a few days shy of thirty years since I boarded a bus in Dubrovnik, bound for Belgrade. I'd already been to Ljubljana, Zagreb, Sarajevo and Mostar, which at the time were located in Yugoslavia. The country ceased to exist after the civil war, which began in 1992.

The bus trip took something like ten hours, traveling on roads that weren't interstates. Every few hours, there'd be a pit stop, and one of them was at the Tjentište War Memorial, in the middle of nowhere. My photo from 1987 is above, and a more recent one below (via Atlas Obscura's article).


At the time, I had no idea what this sculpture represented, only that it seemed strange enough to photograph.

The two fractal walls of the memorial were erected in the 1970’s to remember Operation Fall Schwarz, otherwise known as the Battle of the Sutjeska. The military action took place during World War II and saw Axis forces attempt to rout a group of Yugoslavian forces and capture their leader.

This and other monuments from defunct Yugoslavia now seem calculated to produce melancholy.

These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like Tjentište, Kozara and Kadinjača), or where concentration camps stood (like Jasenovac and Niš). They were designed by different sculptors (Dušan Džamonja, Vojin Bakić, Miodrag Živković, Jordan and Iskra Grabul, to name a few) and architects (Bogdan Bogdanović, Gradimir Medaković...), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their "patriotic education." After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost.

The view in the opposite direction, back in 1987? Just more of those seemingly endless mountains.


Update: For more on Tjentište and the war monuments (spomeniks), read this post from November 10.

Next: Passing through Belgrade, then on to Skopje, beginning with a digression about brutalist architecture on the heels of an earthquake.

Saturday, April 08, 2017

A tentative toe in the water for Euro '87.


One week from today in 1987, my second summer in Europe kicked off with a flight to Brussels.

Earlier in the year, I'd registered for a class at IU Southeast in order to get the credentials necessary for the international student ID card ... then dropped the class and put the refund toward a plane ticket.

The card was good for discounts; at any rate, I may have been just shy of 27, but still looked younger. Fortunately, no one carded me in Europe that summer.

Fast forwarding 30 years, my tentative plan is to begin the long-awaited digitalization project with those long hidden 1987 slides, and I hope to get this underway in late April (2017).

It might inspire a narrative. I've written about bits and pieces of the 1987 epic, but never tied them together. Tonight I dug out the two small notebooks with the vitals.


In retrospect, it may have been mistaken to trust my memory. Who were these people -- John, Josh, Derrick and Noah? The first two I remember fairly well. Perhaps their addresses at the time are scrawled somewhere on scraps or receipts in the box.

The 1987 trip lasted 123 days, with month-long Western European segments sandwiched around two months in Eastern Europe and the USSR. It was my first (relatively) in depth experience with the Bloc, and an outstanding time later in the summer with my friend, Barrie Ottersbach.

I met the three Danes of the Apocalpyse, and saw both Genesis (Budapest) and U2 (Cork) perform. It was the summer when Michael "Beer Hunter" Jackson's beer teachings genuinely resonated with reality on the ground.

There are stories to tell. I can only hope the slides will help me remember them.

Next: the trip begins in Brussels.

Tuesday, April 04, 2017

THE BEER BEAT: The Hibernian (Hi-B) Bar, one of my favorite pubs in the world.



It's been 30 years since I climbed the stairs to the first floor (in Europe, that's how they're numbered) and beheld the cramped majesty of the Hi-B. Somewhere up or down another set of stairs was the loo. The publican Brian O'Donnell was a legend even then, and as I write, it is my earnest hope that he's still alive and scowling.

Brian O'Donnell in 2008.

Barrie Ottersbach and I were in Cork, Ireland in 1987. In fact, we were there twice. The first time through town, we stayed at a ramshackle youth hostel and met briefly with a newspaperman named Tommy Barker. He's still at it.

After learning that U2 would be playing at Cork's soccer stadium in a week's time, we decided to wander the countryside and circle back. But first, Tommy directed us to the Hibernian (Hi-B) Bar, a legendary institution recommended to us by my cousin Donald Barry, who knew the Irish newspaperman when he was an exchange student in America.

We might have come back for second pint on another night. I can't remember, such was the merriment of what surely was the better part of an entire day spent drinking with a succession of incredible characters -- not to mention the proprietor Brian himself, with whom Professor Barry had become such good friends that they'd listen to opera together before, during and after hours at the bar.

One of our temporary drinking buddies was a bearded and bedraggled veteran of Ireland's UN peacekeeping force of infantrymen force in Cyprus, circa 1970. When asked if he'd ever witnessed combat in the war between Greeks and Turks, he said no, not exactly; it had been his sensible expedient to turn and run whenever shooting broke out.

Another, better groomed barfly at the Hi-B was a musician who modestly assured us that he'd played with every major pop and rock star of the sixties and seventies. His name didn't strike a chord, but there was an explanation for this, because he'd often appeared uncredited on albums to avoid tax and the prying eyes of ex-wives.

As the bar tab piled up (the two visiting Americans were happy to do the buying), I kept throwing names at the musician. From Van Morrison to David Bowie, and Rory Gallagher to Phil Lynott, he fielded them effortlessly, complete with record dates and concert gigs.

Finally, I thought I'd stumped him: What about Pete Townshend of The Who?

He paused, then admitted he hadn't ever played music with Townshend ... but one time he was driving on the motorway somewhere in England, and stopped to help some poor bloke who was trying to change a tire in the rain ...

That's right. It was Townshend, who offered the helpful good Irish Samaritan one of his guitars in return, but of course he couldn't accept it ...

So it went. We emerged in the wee hours reeking of cigarette smoke and walked back to the hostel, roughly 75 (Irish) Pounds lighter. Following are a collection of links, the most recent of which is from October, 2016.

Cousin Don has kept me posted about Brian over the years, and each update has warned of his friend's imminent retirement. The funny thing? My entire career as a curmudgeonly publican has come and gone since the last time I drank at the Hi-B ... and yet I'm not feeling retired quite yet.

Friends in Hi places lie low when Brian’s on warpath, by Dan Buckley (The Irish Examiner)

Saturday, December 01, 2012

... Yet every few years Brian has managed to attract a new generation to the Hi-B. This is just as well because every now and then he will decide on a mass culling of clientele, and if it wasn’t for the large proportion of young imbibers, there would be nobody left.

So why do people return again and again? Hardly for the decor and certainly not for the dungeon-like gents’. There is only one word for it — craic, beloved of hard drinkers and easy listeners.

And the more cracked you are, the better.

More recently ...

Hi-B, by Julie Daunt (The Culture Trip) 27 October 2016

Situated on Oliver Plunkett Street and up a flight of stairs is the renowned and sometimes notorious Hi-B. Its full name is the Hibernian Bar, but it is known far and wide by its shortened name. The bar is housed in what was once the Hibernian Hotel, and it is perhaps one of the most intimate and eccentric places to have a pint in Cork. What’s more, mobile phones are forbidden, meaning there is always a din of real conversation and laughter. This is enforced by the owner Brian O’Donnell, who is a Cork institution in himself. Fancy frills and sleek decor are left outside the door of this traditional pub. A step back in time, there is always a blazing fire, a cold pint of stout and story to be heard at the Hi-B.
Hi-B, 108 Oliver Plunkett Street, Cork, Ireland, +353 21 427 2758

Finally:

The Hi-B - my favourite bar in Cork City (Ireland), by Daniel M Doyle (Authors Den)

Tuesday, April 12, 2016

The golfer asked Brian to order him a taxi. After a few minutes a rather agitated taxi driver ran up the stairs, stuck his head in the door and announced himself - “taxi!” He was probably double parked on the busy street outside and anxious to get going. Still seated, the golfer slowly turned to address him and eventually said:-

“I’ll be with you ……..in…………..three ………… hours.”

Video credit

Monday, February 06, 2017

Many readers had not been born the last time U2 came to Louisville.



It stands to reason that this U2 clip from Werchter (Belgium) in July of 1982 would be familiar to anyone who saw the band in Louisville at the old Louisville Gardens just a few months before. I wasn't among them; the band only came to my attention with the release of War the following year.


35 years later, Jeffrey Lee Puckett picks up the story at the Courier-Journal.

Bet you don't remember U2's first L'ville show

U2's June 16 show at Papa John's Cardinal Stadium will mark only the second time the band has performed in Louisville, and you're forgiven if you can't remember the first.

That was March 3, 1982, and one of history's most iconic rock acts was just getting its start in America and opening at Louisville Gardens for the J. Geils Band, then riding a huge wave of popularity thanks to its "Freeze Frame" album.

Bono "bounded around the stage like a pinball on acid," according to the Courier-Journal's Michael Quinlan ...

When U2 next returned to Kentucky, the band was a certified international phenomenon. On October 23, 1987, U2 performed at Rupp Arena in Lexington during the second leg of the Joshua Tree tour.

I didn't attend U2's second Kentucky show, either, but this time there was a better excuse: I'd already seen them play in Cork, Ireland just prior to this, on August 8. Barrie Ottersbach and I were there at the Páirc Uí Chaoimh, having spent a glorious summer day draining pints of Murphy's Stout and watching the young kids vomiting from too much hard cider intake.

My only regret is not realizing the Dubliners were the first of three bands opening for U2; consequently, we took our seats just as UB40 was starting. Here's the set list from that sadly distant day.

Stand By Me (Ben E. King cover)
C'mon Everybody (Eddie Cochran cover) (last performance ever)
I Will Follow
Trip Through Your Wires
I Still Haven't Found What I'm Looking For (with 'Exodus' snippet)
MLK
The Unforgettable Fire
Exit (with Van Morrison's 'Gloria' snippet)
In God's Country
Sunday Bloody Sunday
People Get Ready (The Impressions cover)
Help! (The Beatles cover)
Bad (with 'Walk on the Wild Side' snippet)
October
New Year's Day
Pride (In the Name of Love)

Encore:
Bullet the Blue Sky
Running to Stand Still
With or Without You (with 'Shine Like Stars' coda)
Trash, Trampoline and the Party Girl
Out of Control (tour debut)
40

It never dawned on me until now that there might be video and audio bootlegs of U2 playing live in Cork at Páirc Uí Chaoimh on August 8, 1987. But of course there are. Here is an excerpt.


A month or so after seeing U2 in Cork, I set foot in Sportstime Pizza for the very first time, unaware that by doing so, the next thirty years of my existence were being presaged. It's almost exactly a half-a-lifetime ago since Cork, and that's scary.

I'm admittedly a huge fan of U2, and we'll be there at ridiculous expense at Papa John's Cardinal Stadium in June. I haven't seen the band live since 2002, indoors in Indianapolis -- between Cork and Indy was a show in Prague during the Pop Mart Tour in 1997.

The members of U2 are my age, and their journey always has been a source of fascination to me. In this fractured world of increasingly brief attention spans, U2 currently seems almost as unfashionable as Phil Collins (unfairly in both instances, I think), and yet the band also is among the last of the rock and roll dinosaurs able to sell out stadiums, albeit on the strength of rock anthems from the past, reminding us that the era of such songs uniting audiences is finished.

I lament their passing. There were many indefensible aspects of human life in 1987, but as Barrie and I watched the stage being set for U2 in Cork 30 years ago, the volume on the PA suddenly went up. Beatles songs began playing, and as though it were the national anthem, everyone stood and began singing along. We joined in.

If we've evolved past this point of communal communion, too damned bad for us.

Monday, March 14, 2016

My anti-Trump credentials stretch back to 1987, when Ross Douthat was eight years old.

Photo credit.

First the "conservative affirmative action" columnist Ross Douthat got in trouble joking about Donald Trump's assassination, which got Allen West all shook up. Then Douthat pinned the blame for Trump on Barack Obama ...

“What it hasn’t inspired is much in the way of self-examination, or a recognition of the way that Obama-era trends in liberal politics have helped feed the Trump phenomenon.”

... which Sean McElwee refutes vigorously in Salon:

Ross Douthat’s pathetic Trump evasion: The NYT columnist attempts to pin the blame on Obama — and fails spectacularly

 ... Trump is the ugly creation of the Republican party’s race-baiting political coup. As a man Douthat admires quite a bit once said, “You hypocrite, first take the log out of your own eye, and then you will see clearly to take the speck out of your brother’s eye.” Obama’s only responsibility for creating Trump was being a Black man who had the audacity to become President of the United States.

Now Douthat has moved past all that, and advocates convention chicanery by the grandees.

The Party Still Decides, by Ross Douthat (New York Times)

What Trump has demonstrated is that in our present cultural environment, and in the Republican Party’s present state of bankruptcy, the first lines of defense against a demagogue no longer hold. Because he’s loud and rich and famous, because he’s run his campaign like a reality TV show, because he’s horribly compelling and, yes, sometimes even right, Trump has come this far without many endorsements or institutional support, without much in the way of a normal organization, clearing hurdle after hurdle where people expected him to fall.

But the party’s convention rules, in all their anachronistic, undemocratic and highly-negotiable intricacy, are also a line of defense, also a hurdle, also a place where a man unfit for office can be turned aside.

Donald Trump's book The Art of the Deal was published in 1987. That's amazing. It means I've been disgusted by Trump for nearly 30 years. What took the rest of you so long?

Even you, Ross?

Tuesday, July 29, 2014

"Nudist, beach-like freedom is not what it used to be."

(there is no illustration, so I can dodge charges of sexism or what not)

I arrived by train in Lausanne, Switzerland in 1987.

After securing a room at the hostel, my first stop was a small shop, where salami, bread and a few bottles of beer were purchased. It was noon, and a walk of a couple hundred yards to the lake on a brilliant, warm late spring day. Lots of office workers were headed the same direction.

By coincidence, I was a few paces behind an attractive brunette, perhaps my age (27 at the time), or a bit younger. When we got to the public area by the water, she pulled a blanket from her bag, threw it on the ground, and slipped out of her work clothes, all in one speedy practiced motion. She wore a bikini bottom and nothing else.

It was all so nonchalant and meaningless. She had a half hour to sunbathe, and got right down to it. No big deal at all. Only an American hick like me, raised in the hinterland amid humorless cornfed religious personages, could possibly see any significance in an act of simple nothingness.

But I decided to sit elsewhere and drink my beer, lest I dwell for too long on the shortcomings of my homeland, because once you get started, where to stop?

The real reason French women have stopped sunbathing topless at The Guardian's "Fashion Blog"

... "Globalisation and Americanisation of women's portrayal and sexiness in France has pushed away gentle (and generally harmless) French eroticism towards porno, frontal, hyper-sexualised consciousness," she says. "Nudist, beach-like freedom is not what it used to be ... breasts no longer feel innocent or temporarily asexual."

Wednesday, January 08, 2014

See how much it's changed (gulp) in a quarter century?


Top, the view in 1987, when my friend Bob joined me in a day of downtown decay photography. Last year I snapped the scene below. If not for the graffiti and a few more panes of broken glass on the Reisz building, it would be hard to tell which year was which. And yet the political perspective remains the same, always, administration through administration: Abject and enduring fear of putting the pedal to the metal, breaking a few eggs, shifting the paradigm, and actually getting something done. In New Albany, caution is defined like this: "Every generation deserves the same deterioration."


Sunday, August 25, 2013

Travel Music 4: In the open air with Genesis and U2, 1987.

The trip in 1987 covered quite a lot of ground over a period of four months. It also offered the first opportunity to witness major musical concert events while traveling abroad: Genesis live in Budapest, Hungary in early June, and two months later, U2 in Cork, Ireland.

Genesis was at the pinnacle of its 1980s pop phase, and perhaps "fashionable" only in a locale behind the Iron Curtain, where Queen played a groundbreaking show the year before. The group's Invisible Touch album was ubiquitous on the radio, and it became the soundtrack of my extended stay in Hungary. The track chosen here is Abacab, off an earlier album, and a far better song when performed live. The dual drumming conclusion is classic.



On the other hand, U2 as yet was traveling an upward arc, somewhere in the middle of a year-long tour to support the band's Joshua Tree album. Like the Genesis gig, the concert was outdoors in a soccer stadium. My memory is decidedly pre-Zoo TV; the crowd was massive and reverent, and there was a spiritual vibe that later dissipated when U2 became iconic. "Where the Streets Have No Name" competes neck-in-neck with "Still Haven;t Found What I'm Looking For" in my personal lexicon of travel metaphor music.

Tuesday, August 06, 2013

Travel Music 2: Drunk in a crowded house, 1987.



Perugia, Italy, 1987.

I'd spent ten days in the Italian hill towns, using a patchwork system of buses and trains to visit Florence, Siena, San Gimignano and Perugia. The chosen domicile in Perugia was a youth hostel affiliated somehow with a religious order, which didn't frighten me because it was quite cheap.

There I met a fun group of American college-aged travelers (I was a bit older at almost 27), and in the joyous way things worked, for a few days we split off in ever-changing small groups to explore the vicinity. One of them, a fellow whose name I've forgotten (Josh?), accompanied me on a bus ride to Assisi; he was an Ivy League history major, but I managed to hold my own in a discussion of the beginnings of World War I. See, the IU Southeast education was fine, after all.

Josh also had been in Italy for a few weeks, and was in the process of mastering the art of cafe-lounging and girl-watching with aperitifs. I couldn't afford many, but it was much fun.

One night all of us convened in the hostel's kitchen and cooked up a massive meal of pasta, vegetables and fruit. There was wine, which led to song, in turn bringing the night staff to quiet our exuberance. At some point very late, I crawled to my bunk bed, made it to the top -- I weighed 200 lbs then, not 260 -- and donned the miniature/a> radio earphones to make the rounds of the Perugia AM dial.

The first song I heard was Crowded House's "Don't Dream It's Over," and although there was something familiar about it (Neil Finn's residency in Split Enz, to be exact), I couldn't place the connection. It wasn't until I got back home in the fall of 1987 that I made a positive identification.

By then, I was planning the next trip.

Thursday, May 09, 2013

ON THE AVENUES: Similar to Yuri, Buda Hills, 1987.

ON THE AVENUES: Similar to Yuri, Buda Hills, 1987.

A weekly web column by Roger A. Baylor.

When Yuri Andropov replaced the enfeebled Leonid Brezhnev as Soviet kingpin in 1982, there was no way of knowing that the ex-KGB operative's stint at the top would last a scant 15 months. Andropov's severe health problems were never made public, but he was dying almost from the moment of accession.

When yet another wheezing and debilitated party boss (Konstantin Chernenko) assumed the leadership position in 1984, anything remotely resembling forthcoming roller coaster ride of the Gorbachev era was regarded as an impossible dream.

Decades later, we can see that while Andropov was no cuddly liberal, his many years in the KGB and frequent travels through the Soviet Bloc had provided him with a realistic – in context – perspective of affairs. Andropov's methods of "reform" within the USSR surely would have been brutally repressive; after all, he was Moscow's man on the scene during the Hungarian revolt of 1956, and yet he grasped the fundamental need to reform, something that eluded the ossified Brezhnev gerontocracy.

This isn't to imply that cosmetic reform had any real chance of success; such was the gap between the USSR's preferred method of operation and a rapidly changing world that was outpacing it in every way. It remains that if not in terms of flair and style, Andropov certainly was Gorbachev's crucial patron, without whom Gorbymania would have been stillborn.

A few years back, I read a political biography of Yuri Andropov, written in 1983 by a husband and wife team of exiled Soviet journalists, and purporting to help Westerners understand the milieu of Ronald Reagan's adversary in the Kremlin. It is a fascinating account of the deadly, Byzantine maneuverings behind the scenes in a time and place that seems even more dated than it actually was … and is.

In 1982, I received my degree from Indiana University Southeast and stepped out into a world that in geopolitical terms was absolutely defined by these matters. In resolving to travel in Europe, I, too, was defined by the Cold War whether I knew it or not.

In 1985, Chernenko's final resting place in the Kremlin Wall was barely cold, and Gorbachev had been in charge for only six months, when I entered the USSR for the first time, crossing the border from Finland aboard a bus bound for Leningrad. The route took us through the Finno-Russian area known as Karelia, which I later learned was Andropov's first power base in the Soviet hierarchy.

The bus was mostly filled with young Americans like myself, but I made friends with an Aussie named Mark, who helped me celebrate by 25th birthday by bribing our way into a restaurant and negotiating an all-we-could-drink meal (with a few little bits of inedible food included) for the price of $10 cash each.

That's dollars, not rubles.

Mark, who perhaps was a year younger than me, became extravagantly drunk, and while comically hung over the next day managed to trade three pairs of nylons for an evening of sex with a 40-something woman he met at an ice cream stand on Nevsky Prospekt. His original plan was for me to keep her friend similarly occupied, but I possessed neither the necessary hosiery nor any other commodity for creative bartering.

Besides, she was somewhat older than me, and looked a bit too much like Andropov for my tastes. I opted "in" for the remainder of Mark's vodka, and counted myself fortunate for opting "out" of my end of the tryst.

Two years later, I suddenly thought of the late and unlamented Andropov again, this time while visiting Budapest.

During the month of June, 1987, I aimlessly roamed through Western Hungary, staying in towns like Koszeg and Sopron, and ending with just shy of two weeks in the shabby but endearing capital city on the muddy "blue" Danube, scene of Andropov's defining ambassadorial triumph thirty years before.

Those were inexpensive and exhilarating times. Including a ticket to watch the rock group Genesis at the soccer stadium and a one way train ducat for the three-day, 36-hour trip from Budapest to Moscow, expenses came out to $17 a day for the month in Hungary. Subway tickets were a dime apiece, imported bottles of Czech lager came in at four for a dollar, and meals would be had for two bucks at one of the "people's" cafeterias scattered throughout the city.

The meals were acceptable for the dirt cheap price, if fairly predictable, and while they hinted at the glories of savory, lard-laden Hungarian cuisine, the commissary fare fell a bit short of world class. As my departure day drew near, I decided to splurge at a much praised restaurant in the Buda Hills, the sort of place that ordinary Hungarians could ill afford on their paltry salaries, but I could easily manage every now and then.

On a quiet and sunny Sunday, I boarded the tram and rode almost to the end of the line, got off, and easily found the recommended eatery. As customary, the full menu was posted by the front gate, and I was studying the possibilities when there was a commotion at the entrance, which was hidden in tall shrubbery thirty feet away.

An older man dressed in regulation rumpled Communist party gray suit came staggering out. I could smell the alcohol on his breath all the way from the street. The man was mumbling in Hungarian, that most incomprehensible of languages transported by the migration of Asiatic peoples to the area a thousand years ago, but what struck me as he approached was that he looked more like the deceased Andropov than the Soviet leader did while alive, and when he finally got to me, nearly stumbling on a cobblestone in the process, he slurred something angrily in Magyar-speak and very slowly launched an attempted haymaker in my general direction.

The punch didn't come anywhere close to landing, and the force of his fist's impact with the stale evening air caused him to completely lose balance and fall to his knees, where he was briskly intercepted by the group of comrades who had come running behind him. Two of them packed the old man off into an adjacent Lada, and two others began apologizing profusely to me in attempted German. I responded in Hoosier-laced American, which caused them even more consternation ("we like your mister Reagan," one managed to whisper).

Their communication skills were inadequate to convey why the Andropov lookalike wanted to slug me. I reckoned that plainly, he didn't like Germans.

As it turned out, the first beer inside was on them, and the Chicken Paprika and sour cherry soup that followed on my forints was damned good, too. In the end, it gave me a good story to tell two years later, in August of 1989, when I sat drinking beer with Vladimir Putin (another of Andropov's KGB men) at the Radeberger beer cellar in Dresden, German Democratic Republic.

But that's a tale for another day. I may tell it again, later this summer.

(first published in 2008)