In 2018, the annual renewal of Veterans Day is auspicious because it's the 100th anniversary of the Great War's end. Since the conflict's centenary in 2014, there have been 100-year memories of battles and events, from the Masurian Lakes through Meuse-Argonne.
Why is this important?
Among other reasons, Americans remember 11/11/11 each year in the form of a holiday that has come to embrace the service of all veterans, not only those from the now wholly passed World War I generation.
Veterans Day is an official United States holiday honoring armed service veterans. It is a federal holiday that is observed on November 11th. It coincides with other holidays such as Armistice Day or Remembrance Day, which are celebrated in other parts of the world and also mark the anniversary of the signing of the Armistice that ended World War I. (Major hostilities of World War I were formally ended at the 11th hour of the 11th day of the 11th month of 1918 with the German signing of the Armistice.)
November 9 was the 29th anniversary of the day the Berlin Wall fell. As I'm fond of arguing, the armistice in 1918 didn't end the first war at all. The demise of the Wall did -- well, maybe.
I believe future historians will refer to the period of 1912-1989 as the "77 Years' War," or perhaps tack on another decade and pronounce the 87 Years' War as concluding with the bombardment of Belgrade by NATO.
Speaking for myself, America's Civil War has been a fascination since childhood, and had I hazarded a guess back in 2010 or so, it would have been that the Civil War's sesquicentennial (observed during the years 2011 - 2015) would have gripped me.
To an extent it did, but I should have known better. Europe has been an obsession for thirty-five years of my adult life.
What's more, there's an immediacy. My grandfather was drafted into the Army circa 1918, but fortunately never left the continental United States before WWI ended. His son, who was my father, volunteered and joined the Marines in 1942, spending three years in the Pacific theater of operations.
I didn't do anything, apart from studying their experiences and visiting the European locales neither of them ever saw.
Lessons from history 100 years after the Armistice (The Economist)
The guns fell silent a century ago
... National chauvinisms live on despite the Somme. Anti-Semitism lives on despite the Holocaust. Societies’ capacity to imagine collapse and barbarism in visceral terms fades with time. All Europeans can do is be vigilant and humble before these forces, dip their oars into the waves of history when possible, hold tight to their humanity and be grateful that their continent’s past and present are now broadly in harmony, the former educating and civilising the latter, for now at least. Like train lines running together in a wood.
Having just returned from a visit to Gdansk in Poland, these reflections seem particularly relevant.
For millions of Europeans, the war did not end in 1918, by Natalie Nougayrède (The Guardian)
Our narrative of the armistice is not the only one. In the east conflict continued, fuelled by the crumbling of empires
... For one thing, 1918 as the date of the end of the conflict only holds true for the western front. In the east of Europe, the crumbling of empires, the Russian revolution, civil war and the struggle to establish the borders of newly established states all meant that armed violence continued, leaving deep scars.
Here is a guest column originally published in the pre-merger Tribune on November 5, 2009. I repeat it annually.
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Forgotten fields in Flanders.
Lately I keep hearing this tune.
Keep the home fires burning,
While your hearts are yearning,
Though your lads are far away
They dream of home.
These dreaming lads were soldiers, in route across the English Channel to fight for the United Kingdom, and several hundred thousand of them failed to return home to nostalgically remember a popular song written to inspire the home front in their absence.
By now it should be clear that war is horrible, and I’m not sure that it serves any purpose to discuss which wars are “just.” Justice in this context inevitably owes to situational morality as the combatants pray to their respective deities and make theological mockery of whatever religious interpretation devolves from these biased, selective judgments.
By all such standards, the Great War was especially horrible. The specific horror of this conflict, which eventually came to be known as World War I out of a contextual necessity to keep our historical accountings of human suffering clearly ordered, surely represents societal innocence shattered on an unfathomably massive scale.
An entire generation that had known no war outside of mock duels and parlor games willingly marched off to slaughter while gaily singing songs about honor and glory, and consequently, it’s a safe bet that World War I was the last disastrous conflict to feature a soundtrack entirely devoid of irony. Western societies would have to wait decades and refine techniques of amplification until the onset of thrash metal’s inherent violence finally provided music capable of approximating the grim reality of institutionalized murder.
Earlier this year, the last British veteran of the war died. Perhaps one American soldier of the era remains alive – and, in the time it has taken for me to write this essay, perhaps he’s gone, too. The war began in 1914, and it has long since faded into the black and white images of crude newsreel footage that only hint at the carnage of trench warfare and the doltish, outmoded “leadership” on the part of uniformed war criminals.
Providentially, my own grandfather was drafted too late for combat duty. He managed the not inconsiderable task of avoiding the flu pandemic that killed more American soldiers than enemy fire. My father then followed suit by serving in the Marines during World War II, which was “his” war, and a subject of fascination for him the remainder of his life.
I, too, went overseas, although not in uniform. In 1987, I found myself in Sopron, Hungary, choosing a beautiful early summer’s day to go for a hike in the hills. I came upon a large, older cemetery, and decided to walk through it, ascending a gentle, wooded slope past contemporary gravestones of the still-extant Communist era.
Like rings on a tree stump, history’s reverse chronology rotated as I continued uphill. Nearing the top, rows of Great War graves finally commenced. These were the soldiers who fought and died for the ruling family of the Austro-Hungarian Empire – the losers, as it were, who died as readily as the “winners” on the other side.
The first death dates were more recent: 1918, and then somewhat more from 1917, and as I scanned their names, the majority Hungarian, but also some Germanic and Slavic owing to the mutli-ethnic, polyglot nature of the Habsburg domain – as I contemplated how ridiculously, stupidly youthful so many of them were – I reached the lip of the hill, rather puzzled that there seemed to be no graves from earlier war years.
The answer to my befuddlement was just on the other side. Dipping into a valley studded with older, larger hardwoods, row after row of markers told the lethal tale: Died in 1916, 1915 and 1914.
I always think about the cemetery in Sopron on Veterans Day, formerly Armistice Day, which originally fell on November 11th because that's when the fighting stopped in 1918, ending the First Great World War and enabling a “peace” conference in Versailles that did so much to ensure a second.
Previous generations knew about the 11th hour of the 11th day of the 11th month, but all the other mass bloodlettings since required a consolidation of observance, and a holiday more intrinsically American. So be it, and I’m not here to disagree, even if we forget the first causes that brought it about.
However, we’re left with those many innocent, misplaced songs. Now that living memory has passed, they speak even more eloquently about life, death and our capacity, sometimes successful, and often not, to make sense out of the insensible.
A CBS television documentary, World War One, ran from 1964-65, comprising 26 half-hour episodes, and later airing on cable. My friend Barrie videotaped them. The series is now available on DVD (you can see excerpts on YouTube), and I’m weighing a Christmas purchase, because one of the episodes, “Tipperary and All That Jazz,” has haunted me since the first time he and I watched it around the time of my Sopron sojourn.
Ancient film, much of it depicting camp life behind the lines, forms a backdrop for song snippets. They are melancholy, sentimental and elegiac. It is heartbreaking … and very real.
There's a long, long trail a-winding
Into the land of my dreams,
Where the nightingales are singing,
And a white moon beams.
There's a long, long night of waiting
Until my dreams all come true,
Till the day when I'll be going
Down that long, long trail with you.
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