ON THE AVENUES: “Leeches” (A Book Review).

ON THE AVENUES: “Leeches” (A Book Review).

By ROGER BAYLOR
Local Columnist

My only visit to Yugoslavia came in 1987, and it was an intensely evocative cultural experience for a young pup.

In fact, all those obscure parts of the Balkans (which include Albania, Bulgaria, Greece and the contemporary states succeeding Yugoslavia) I visited that summer seemed just as mysterious, foreboding and vaguely unsettling as previously reputed. I had a blast.

Speaking in 1980’s geopolitical terms, the position of these nations as Socialist buffers between East and West was only part of it. As a sometimes student of European history, I always recall the words of Metternich: “Asia begins at the Landstrasse," the road leading from Vienna eastward, toward Hungary, Romania and eventually Turkey, which during its expansive Ottoman phase controlled much of the Balkans.

Metternich may have been referring exclusively to a physical sense of delineations and differences, but his viewpoint surely also was instinctive – and straight from the gut.

Irish novelist Bram Stoker felt it, too. Although Transylvania lies slightly outside the Balkans in modern day Romania, it is where Dracula reigned. In more recent fiction, it was in the Black Mountains of Montenegro that Sherlock Holmes fathered a son and gumshoe successor, Nero Wolfe, the latter returning to his birthplace in middle age to avenge a restaurateur friend’s death, and assuage author Rex Stout’s conflicted feelings about Communism.

Memories are bizarrely long in the Balkans. In 1989, Slobodan Milosevic rose to address a crowd gathered to commemorate Serbia’s defeat against Turkey in a battle fought 500 years before, and used the occasion to make a strident case for Serb pre-eminence in the province of Kosovo.

Did Milosevic release the malignant genie that Marshall Tito kept securely bottled? To western sensibilities, his nationalistic belligerence hastened the demise of multi-ethnic Yugoslavia, itself an artful geopolitical creation dating from the post-WWI peace settlement, spawning the horrendous civil war of the 1990’s.

The truth is not so facile, but Americans, insofar as we know or care about modern Serbia, persist in seeing it as somewhat more sinister than other darkly cantankerous locales in Europe, if not exactly as inexplicably dangerous as Rwanda or Somethingstan.

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In his novel, “Leeches,” Serbian writer David Albahari offers a meandering, maddening but ultimately fascinating examination of the prevailing mood in Belgrade, Serbia’s capital city, in 1998.

There was a lull, then. The almost medieval violence of the 90’s had gradually tapered owing to the combatants’ exhaustion and belated international intervention. Yugoslavia was irrevocably shattered, and Serbia, charged with instigation and aggression, was beset with sanctions and isolated from the world.

But because the future of Kosovo remained unresolved, a final act in the tragedy lurked just over the horizon, and worst of all, in 1998, everyone knew it. The scene in Belgrade was one of tension, expectation and feigned normality. Accordingly, to reinforce the claustrophobic anxiety, Albahari’s story unfolds in the form of a continuous, uninterrupted, 309-page-long paragraph. It is a very effective device.

Loitering along the Danube River quay in Belgrade on an entirely unremarkable day in 1998, the nameless narrator, who has no visible means of support save for a topical weekly column he writes for one of several rambunctious local newspapers, suddenly witnesses a man slapping a woman.

Within days, this seemingly trivial episode obsesses the narrator, drawing him into an ever-expanding network of otherwise unconnected events and people, to which he expends much time and energy ascribing order and purpose to what others would see as random chaos.

He meets an eccentric mathematician from school days, and later falls in with the city’s few remaining older Jewish residents, including the daughter of one, for whom his sexual attraction is frustratingly unrequited.

He discovers a mysterious old water well, documented in a strange book with magical pages that seem to change with every reading, a volume filled with Jewish history, Kabalistic theorems and the recipe for an actual Golem, the latter to be called upon to assure deliverance from anti-Semitic persecution.

He suffers a requisite beating at the hands of skinhead-like nationalists as internal ruminations pass from his fevered brain to publication in the newspaper, where they inspire an angry civic reaction.

As the story progresses, and the labyrinth of conspiracy grows ever more complex, the narrator smokes steadily increasing quantities of genuine Balkan countryside marijuana with his only true friend, Marko. They meet often to get high and to lament the passing of the wonderful Serbian stoner era, now lost as the preference of young urbanites to lubricate their souls turned to valium, not ganja.

Every session with his new Jewish friends ends in a staggering brandy drunk, and as the pages turn and the never-ending paragraph trudges ahead, the conspiracies overlap and multiply amid the escalating paranoia and haziness.

The narrator’s newspaper columns grow ever more provocative as he speculates in print as to exactly why the country’s going to shit – and, non-metaphorically, literal defecations constantly turns up on his doorstep, courtesy of the vengeful thugs now stalking him.

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All the while, the dim outlines of impending dénouement become ever more vivid, because as hindsight informs us, within a year of the novel’s conclusion, Serbia will be bombed by NATO on the pretext of saving the Kosovars from the fate of the Bosnian Muslims in Srebrenica. Numerous Serbs will be charged with war crimes, to be pursued until the present day, and Milosevic himself will fall just short of emulating Hermann Goering by dying (of heart disease) before the court’s verdict is delivered.

There finally comes a juncture where Marko disappears. It will be another hundred pages before it becomes clear why, because in the end, the conspiracy actually is real, and more extensive than the reader could have imagined. A brutal murder occurs, the fix is in, and the narrator – used and abused by all and sundry – finally realizes he’ll be blamed for it.

He hops the next Budapest Airport shuttle out of the country and into exile. Following the example of Serbia’s history, the shelling soon to follow in 1999 will purge the guilt and prime the next round of anger, but the narrator will be long gone, exiled to an unnamed place, fearing his heart has died.

Maybe it has.