Did you know that a drummer named Steve Price once played for Pablo Cruise?

Last night a councilman named Steve Price (no relation to Pablo Cruise's thumper) was among the opening acts for Ambrosia, which headlined the 4th of July gig at New Albany’s reconstructed riverfront amphitheater.

It wasn’t Pablo Cruise, but what’cha gonna do?

It wasn't Player, either, and I know what you’re probably thinking, but I thought Ambrosia was fairly good. They’re pros who’ve been at it for years, and the band boasts at least three songs you’ve heard before: “How Much I Feel”, “Holdin’ on to Yesterday” and “Biggest Part of Me.” Their only stinker was a cover of the Beatles' "Magical Mystery Tour."

And now, for the record …

Player did “Baby Come Back.”

Pablo Cruise’s hits were “What’cha Gonna Do” and “Love Will Find a Way.”

And, as a final note to DH: “So Into You” was one of the handful of 70's hits performed by Atlanta Rhythm Section, which I previously had gotten confused with the Amazing Rhythm Aces … not to say Ace, which had hits during the 1970’s, but were not American. Ace was from Sheffield, England (home of my beloved Def Leppard), and don’t get me started on Ace's woefully underrated singer, Paul Carrack.

Where was I?

The mayor predicted a crowd of 6,000 - 7,000 for the fireworks. My guess would be closer to 3,000 – 4,000, but small matter either way. The crowd seemed well-mannered, and the Budweiser swill wagon was doing decent business.

Meanwhile, a committee is organizing entertainment for remaining warm-weather Fridays, including music and perhaps some theatrical performances, and city hall, eager to bill subsequent festivities as not being funded from taxpayer coffers, says it remains committed to these events always being “free” to the public.

Short-term, I agree with this effort to placate the tea drinkers – except, as we know, someone, some time has to cover the costs.

Longer term, a different strategy should be pursued. The vicinity of the amphitheater should become a template, easily convertible on a scheduled basis into a profit-making arrangement between the city and a private concessionaire/booking agent/entertainment entity.

Name acts cost money, and both risks and rewards can be spread among a public-private partnership. Potentially, it’s a great venue. It could be far better, with rewards for city coffers and private wallets alike.

Last night we walked downtown, had a touch of wine at River City Winery, took in Ambrosia and the explosives, had a beer at the Brewhouse with friends, and walked back home. Five years ago? Not quite possible.

We’re winning – 2.78 yards and a cloud of dust each down, but winning nonetheless, and neither Pablo Cruise's drummer nor my councilman can do much about it.