Saturday, February 23, 2013

Kudos to Allan Gamborg and his "Soviet Moscow" exhibition, opening next week.


For many years, I've passed along news of my friend Allan Gamborg's career in collecting and curating Soviet-era art. He's got a big exhibition coming up, and although I'd love to go, all I can do is recognize it here.

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Dear Friends,

I am happy to invite you to the opening of my exhibition - works from my collection on the theme Soviet Moscow (Советская Москва) on Friday March 1, at 17.00. It takes place at Sergey Andriyaka’s Watercolour and Fine Arts Academy - at ulitsa Akademika Vargi, 15, Moscow

The exhibition focuses on Moscow in the Soviet era seen from different perspectives. The exterior: Streets, architecture, political posters. The interior: People, fashion and design, still-lives. At the exhibition there will be about 350 works of art from the 1920s-1960s by 40 different artists.

See more information about the exhibition here: http://academy.andriaka.ru/content/3961/ (only in Russian) .

OPENING OF THE EXHIBITION "SOVIET MOSCOW"

We are pleased to invite you to the opening of the exhibition "Soviet Moscow" on the 1st of March at 17.00 at the Andriaka Academy of Watercolour and Fine Arts, at Ulitsa Akademika Vargi 15.

Soviet Art is experiencing a come-back in popularity. Looking at historic events who took place more than half a century ago through the fine arts, we understand that these works of art no longer are everyday mundane objects, but have turned into a reflection of the beautiful but long gone dream of Socialism.

The works of art in Allan Gamborg Andersen's collection all tell a tale of a time and a place now gone; of places and people during the time of the Soviet Union. Every piece tells a story of the Soviet era - of places of hopes, of production, and of the history of the country in those intense and complicated times that had such an immense impact on the history of the whole world.

The collection of Soviet art was started in mid-1990s. It tries to express the duality of the double lives the many artists led: On the one hand they demonstrate the pride in country and system, the modernisation of production, the all pervasive aspects of politics, the propaganda in its various forms. 

On the other hand, the Collection tries to show the sun falling on a back street, the changing of the seasons in Moscow, young and elders leading their lives in the big city - in short a multitude of motives captured for no other reason than the love of it.

The main principle of Allan Gamborg Andersen's collection is that every work of art should tell a story. A quickly drawn sketch can tell and express as much as large, detailed oil composition.

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